Dharisanam ENதமிழ்
A weathered stone entrance arch with a tiled barrel roof, set in a white compound wall
Swayambu

Thirukkolakka Sri Sapthapureeswarar Temple 15th of 63 on the north bank of the Kaveri · Chola Nadu · Temples near Chidambaram

Darshan today7:30 am – 11:30 am, 4:30 pm – 8:00 pm
Moolavar
Thalapureeswarar, Shabdapureeswarar, Thiru Thalam Udaiyar
Ambal
Osai Nayaki Ambal, Osai Kodutha Nayaki, Thvaniprathambal
Theertham
Surya Theertham, Ananda Theertham
Sthala vriksham
Kondrai
Pathigam by
Thirugnanasambanthar and Sundaramurthy (Sundarar)

Temple

Visited on: 23rd July, 2016 and 5th November, 2016.

Note: Presently this temple is under renovation and the expected date for Consecration ceremony (Kumbabishekam) is 5th July, 2017.

Location

Thirukkolakka is situated on the outskirts of Sirkazhi and is about 1.5 kms away from the Sirkazhi bus stand. It is about 4 kms away from Sirkazhi railway station.

Sirkazhi is on the Chidambaram to Mayiladuthurai route.

Other Devara Paadal Petra Sthalams near this place are – Sirkazhi, Thirumullaivasal, Thiruvenkadu, Chayavanam, Poompukar, Mahendrapalli, Thirukkurukavur and Achalpuram.

General Information

Moolavar
Sri Thalapureeswarar, Sri Shabdapureeswarar, Thiru Thalam Udaiyar
Ambal
Sri Osai Nayaki Ambal, Sri Osai Kodutha Nayaki, Sri Thvaniprathambal
Theertham (Holy water)
Surya Theertham, Ananda Theertham
Sthala Vriksham (Sacred Tree)
Kondrai
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar and Saint Sundaramurthy (Sundarar)
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 15th Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This east facing temple has no main tower (Rajagopuram) or dwajasthambam (flag post). But there is an arch at the entrance.
  • Saint Thirugnanasambanthar received golden plates (“thalam”) from Lord Shiva here.

History of the Temple

The historical name of this temple is Thirukkolakka. However, it is now known as Thiru Thalam Udayar Koil.

A yellow gateway with three stucco niches above it, seen from the road, with a motorcycle parked beside
An old stone arch gateway topped by a small finial, with trees growing behind it

Legend

It is believed that the wedding of Goddess Mahalakshmi with Lord Mahavishnu took place here.

Lord Shiva here is believed to have been worshipped by lords Indira, Suryan and sages Agasthiyar and Kanva Maharishi.

This is the first pilgrimage temple of Saint Thirugnanasambanthar after he received the blessings of Goddess Parvathy at Sirkazhi. He also rendered his first hymn there. It is believed that when Sambanthar was rendering his pathigam (hymn) here and clapping his hands in ecstasy, Lord Shiva noticed that the young child’s hands had gone red from pain. In order to relieve him from the pain, Lord Shiva gave him two golden plates (“Thalam”). Since striking two gold plates does not produce any sound, Goddess Parvathi infused divine energy into them to make them produce musical notes.

Hence, the lord is praised as “Sri Thalapureeswarar” and the Goddess “Sri Osai Kodutha Nayaki”. “Osai” means sound, “Kodutha” means given and “Nayaki” means Goddess in Tamil. The temple’s name “Thiruthalam Udayar Koil” is also derived from this legend.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of lords Periya Vinayakar, Murugan with his consorts, Somaskanthar, Natarajar, Dakshinamurthy, Lingothbavar, Brahma, Vishnu, Mahalakshmi, Durgai, Chandikeswarar, Nalvar, Saneeswaran, Suryan, Chandran and Bairavar can be seen in the corridors.

Goddess Osai Nayaki graces from a separate temple. Lord Vinayakar and Lord Dandapani can be seen on either side of her shrine.

A stone Nandi draped in white cloth before the barred doorway of the inner shrine
Devotees seated on the floor before a pillared mandapam while a priest conducts a pooja at a side shrine
Bronze images of a dancing Natarajar and robed standing figures inside a shrine
A seated black stone image in yellow cloth in a niche, with garlands hanging on either side
A standing black stone image in a niche with a smaller image on either side
A row of black stone figures wrapped in cloth, standing on a low platform against a plain wall

Salient Features

Procession idol of Lord Natarajar can be seen with Goddess Sivakami and Sambanthar. Sambanthar is holding the two golden plates in his hands which he is believed to have received from the lord here. There is another idol of Sambanthar where he can be seen holding a cup.

In his hymn of this temple - “Nalum innisaiyal… …”, Saint Sundarar mentioned the golden plates that Sambanthar received from the lord.

Greatness of this temple

Lord Shiva gave the plate to the saint but it was Goddess Parvathy who infused it with sound. Those facing speech impairment can visit this temple, place honey at the feet of Goddess Parvathy and consume the honey after performing poojas. It is believed that by doing so, devotees can be cured of their speech problems. Furthermore, when this happens devotees make an offering of gold plates (Thalam) to the lord here.

Interestingly, there is a story that a mute child was able to speak by the grace of Lord Shiva of this temple in the year 1979. His father donated a golden "thalam" which can be seen at this temple. This temple also maintains a list of such miracles and till date there are about 473 recorded incidents.

Important Festivals

In the neighbouring temple at Sirkazhi, the second day of Brahmotsavam - “Thirumulaippal Urchavam” is celebrated in a grand manner for Saint Thirugnanasambanthar. After this event, the procession idol (Utsavamoorthy) of Saint Thirugnanasambanthar is brought to the Thirukkolakka temple. The event where Sambanthar was given the golden thalam is symbolically celebrated on this day. Thereafter, the idol of Sambanthar is taken back to Sirkazhi temple in a palanquin bedecked with flowers (“Poo Pallakku”).

Other important festivals celebrated in this temple are –

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Navarathri in the Tamil month of Purattasi (Sept-Oct),

Skanda Shashti and Annabishekam in the Tamil month of Aippasi (Oct–Nov), Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan),

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham and Karthikai are also observed regularly.

Temple Timings

From 07.30 AM to 11.30 AM and 04.30 PM to 08.00 PM.

Temple Address

Sri Sapthapureeswarar Temple,
Thirukkolakka,
Sirkazhi Post and Taluk,
Nagapattinam District,
Tamil Nadu – 609 110.
Tele: +91 4364 274 175.

*
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Today7:30 am – 11:30 am, 4:30 pm – 8:00 pm
Phone+91 4364 274 175
A long pillared corridor with scaffolding around the tower behind it
A stone corridor with scaffolding around the inner tower and a white compound wall to the right
Two women walking along a stone pillared corridor with green netting over the tower above

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

Speech problems cured by Goddess Parvathy

Lord Shiva gave the plate to the saint, but it was Goddess Parvathy who infused it with sound.

  1. Honey at the feet of Goddess ParvathyThose facing speech impairment place honey at her feet and consume it after performing poojas; devotees believe they can be cured.
  2. A mute child who spokeA mute child is said to have been able to speak by the grace of Lord Shiva of this temple.
  3. A list of such miraclesThe temple also maintains a list of such miracles that have been recorded.
Significance

The first pilgrimage temple of Sambanthar

This is where Saint Thirugnanasambanthar received golden plates from Lord Shiva.

  1. First pilgrimage templeIt is the first pilgrimage temple of Saint Thirugnanasambanthar after he received the blessings of Goddess Parvathy at Sirkazhi.
  2. A Devara Paadal Petra sthalamThis is one of the Devara Paadal Petra Shiva Sthalams on the northern bank of the river Cauvery in Chozha Nadu.
  3. Mentioned by Saint SundararIn his hymn of this temple, Saint Sundarar mentioned the golden plates that Sambanthar received from the lord.
  4. The wedding of Mahalakshmi and MahavishnuIt is believed that the wedding of Goddess Mahalakshmi with Lord Mahavishnu took place here.
Why devotees come

Why devotees come here

Devotees come for speech problems, to offer gold plates, and for the festivals.

  1. For speech problems: honey at the feet of the GoddessDevotees place honey at the feet of Goddess Parvathy and consume it after performing poojas.
  2. In thanks: an offering of gold platesWhen this happens, devotees make an offering of gold plates (Thalam) to the lord here.
  3. For the festival at Sirkazhi and hereAfter the Thirumulaippal Urchavam at Sirkazhi, the idol of Sambanthar is brought here and the golden thalam event is celebrated.
  4. For Pradosham and KarthikaiPradosham and Karthikai are also observed regularly.
The arched entrance of the temple
276Devara Paadal Petra Shiva Sthalams

A Paadal Petra sthalam

Osai Kodutha Nayaki

  1. ஓசைsound
  2. கொடுத்தgiven
  3. நாயகிGoddess

    Legends of the temple

    Lord Shiva gave Sambanthar golden plates to relieve the pain in his hands, and Goddess Parvathy infused them with divine energy to make musical notes.

    It is believed that the wedding of Goddess Mahalakshmi with Lord Mahavishnu took place here.

    Lord Shiva here is believed to have been worshipped by lords Indira and Suryan and sages Agasthiyar and Kanva Maharishi.

    Saints who sang here

    1. Saint ThirugnanasambantharReceived the golden plates from Lord Shiva here and rendered his pathigam at this temple.
    2. Saint SundararMentioned the golden plates that Sambanthar received, in his hymn of this temple.

    Festivals through the year

      Vinayakar Chaturthi, Navarathri, Skanda Shashti, Annabishekam, Thiruvadhirai and Shivrathri are celebrated, and Pradosham and Karthikai are observed regularly.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarதா
      Moolavar

      Sri Thalapureeswarar

      The lord is praised as Sri Thalapureeswarar, and the temple's name Thiruthalam Udayar Koil is also derived from the legend of the golden plates.

      Ambalஓ
      Ambal

      Sri Osai Kodutha Nayaki

      Goddess Osai Nayaki graces from a separate temple. Lord Vinayakar and Lord Dandapani can be seen on either side of her shrine.

      Shrine in the corridorவி
      Shrine in the corridor

      Periya Vinayakar

      Shrines and idols of Periya Vinayakar and Murugan with his consorts can be seen in the corridors.

      Bronze images of a dancing Natarajar and robed standing figures inside a shrine
      Shrine in the corridor

      Natarajar

      The procession idol of Lord Natarajar can be seen with Goddess Sivakami and Sambanthar, who holds the two golden plates in his hands.

      A seated black stone image in yellow cloth in a niche, with garlands hanging on either side
      Shrine in the corridor

      Dakshinamurthy

      Dakshinamurthy is among the idols that can be seen in the corridors.

      Shrine in the corridorலி
      Shrine in the corridor

      Lingothbavar

      Lingothbavar, Brahma and Vishnu are among the idols that can be seen in the corridors.

      Shrine in the corridorநா
      Shrine in the corridor

      Nalvar

      Nalvar are among the idols that can be seen in the corridors.

      Visit & map

      Sacred geography
      2Thirukkolakka 1Sirkazhi Thirukkurukavur Then Thirumullaivasal Thirukannaar Koil Thiruppunkur Thiru Karuppariyalur Thirukurakkukka Nallur Perumanam Thiruvenkadu Thiru Nanipalli Thiruvazhkoliputhur Thiruchaikkadu
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today7:30 am – 11:30 am, 4:30 pm – 8:00 pm
      7:30 – 11:304:30 – 8:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Sapthapureeswarar Temple, Thirukkolakka, Sirkazhi Post and Taluk, Nagapattinam District, Tamil Nadu – 609 110.

      +91 4364 274 175

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 21 km in straight lines.

      Map of Thirukkolakka and the sthalams nearby, in route order: Sirkazhi, Thirukkurukavur, “Then Thirumullaivasal”, Thiruvenkadu, Thiruchaikkadu. Thirukannaar Koil · 6.2 km Thiruppunkur · 7.7 km Thiru Karuppariyalur · 8.3 km Thirukurakkukka · 8.7 km Thiru Nanipalli · 12.1 km Thirukkolakka 1 Sirkazhi 2 Thirukkurukavur 3 “Then Thirumullaivasal” 4 Thiruvenkadu 5 Thiruchaikkadu 5 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A weathered stone entrance arch with a tiled barrel roof, set in a white compound wall
      01

      The entrance

      Thirukkolakka is situated on the outskirts of Sirkazhi.

      1 / 6

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Thirugnanasambandar visited this temple and sang this Pathigam. Verse 1 of 11.

      Maṭaiyil vāḷai pāya mātharār
      kuṭaiyum poykaik kōlak kāvuḷāṉ
      saṭaiyum piṟaiyuñ chāmpaṟ pūchchuṅkīzh
      uṭaiyuṅ koṇṭa vuruva meṉkolō

      Where fish leap in the water channels and women bathe in the pond, the lord dwells at beautiful Kavu. The verse wonders at his form, with matted hair, the crescent moon, smeared ash and a garment.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        மடையில் வாளை பாய மாதரார்குடையும் பொய்கைக் கோலக் காவுளான்சடையும் பிறையுஞ் சாம்பற் பூச்சுங்கீழ்உடையுங் கொண்ட வுருவ மென்கொலோ

        Maṭaiyil vāḷai pāya mātharār / kuṭaiyum poykaik kōlak kāvuḷāṉ / saṭaiyum piṟaiyuñ chāmpaṟ pūchchuṅkīzh / uṭaiyuṅ koṇṭa vuruva meṉkolō

      2. 02

        பெண்டான் பாக மாகப் பிறைச்சென்னிகொண்டான் கோலக் காவு கோயிலாக்கண்டான் பாதங் கையாற் கூப்பவேஉண்டான் நஞ்சை உலக முய்யவே

        Peṇṭāṉ pāka mākap piṟaichcheṉṉi / koṇṭāṉ kōlak kāvu kōyilāk / kaṇṭāṉ pāthaṅ kaiyāṟ kūppavē / uṇṭāṉ nañchai ulaka muyyavē

      3. 03

        பூணற் பொறிகொள் அரவம் புன்சடைக்கோணற் பிறையன் குழகன் கோலக்காமாணப் பாடி மறைவல் லானையேபேணப் பறையும் பிணிக ளானவே

        Pūṇaṟ poṟikoḷ aravam puṉsaṭaik / kōṇaṟ piṟaiyaṉ kuzhakaṉ kōlakkā / māṇap pāṭi maṟaival lāṉaiyē / pēṇap paṟaiyum piṇika ḷāṉavē

      4. 04

        தழுக்கொள் பாவந் தளர வேண்டுவீர்மழுக்கொள் செல்வன் மறிசே ரங்கையான்குழுக்கொள் பூதப் படையான் கோலக்காஇழுக்கா வண்ணம் ஏத்தி வாழ்மினே

        Tazhukkoḷ pāvan thaḷara vēṇṭuvīr / mazhukkoḷ selvaṉ maṟisē raṅkaiyāṉ / kuzhukkoḷ pūthap paṭaiyāṉ kōlakkā / izhukkā vaṇṇam ēththi vāzhmiṉē

      5. 05

        மயிலார் சாயல் மாதோர் பாகமாஎயிலார் சாய எரித்த எந்தைதன்குயிலார் சோலைக் கோலக் காவையேபயிலா நிற்கப் பறையும் பாவமே

        Mayilār sāyal māthōr pākamā / eyilār sāya erithah enthaithaṉ / kuyilār chōlaik kōlak kāvaiyē / payilā niṟkap paṟaiyum pāvamē

      6. 06

        வெடிகொள் வினையை வீட்ட வேண்டுவீர்கடிகொள் கொன்றை கலந்த சென்னியான்கொடிகொள் விழவார் கோலக் காவுளெம்அடிகள் பாதம் அடைந்து வாழ்மினே

        Veṭikoḷ viṉaiyai vīṭṭa vēṇṭuvīr / kaṭikoḷ koṉtṟai kalantta seṉṉiyāṉ / koṭikoḷ vizhavār kōlak kāvuḷem / aṭikaḷ pātham aṭainthu vāzhmiṉē

      7. 07

        நிழலார் சோலை நீல வண்டினங்குழலார் பண்செய் கோலக் காவுளான்கழலான் மொய்த்த பாதங் கைகளால்தொழலார் பக்கல் துயர மில்லையே

        Nizhalār chōlai nīla vaṇṭiṉaṅ / kuzhalār paṇsey kōlak kāvuḷāṉ / kazhalāṉ moyththa pāthaṅ kaikaḷāl / thozhalār pakkal thuyara millaiyē

      8. 08

        எறியார் கடல்சூழ் இலங்கைக் கோன்றனைமுறியார் தடக்கை யடர்த்த மூர்த்திதன்குறியார் பண்செய் கோலக் காவையேநெறியால் தொழுவார் வினைகள் நீங்குமே

        Eṟiyār kaṭalchūzh ilaṅkaik kōṉtṟaṉai / muṟiyār thaṭakkai yaṭarththa mūrththithaṉ / kuṟiyār paṇsey kōlak kāvaiyē / neṟiyāl thozhuvār viṉaikaḷ nīṅkumē

      9. 09

        நாற்ற மலர்மேல் அயனும் நாகத்தில்ஆற்ற லணைமே லவனுங் காண்கிலாக்கூற்ற முதைத்த குழகன் கோலக்காஏற்றான் பாதம் ஏத்தி வாழ்மினே

        Nātṟa malarmēl ayaṉum nākaththil / ātṟa laṇaimē lavaṉuṅ kāṇkilāk / kūtṟa muthaiththa kuzhakaṉ kōlakkā / ētṟāṉ pātham ēththi vāzhmiṉē

      10. 10

        பெற்ற மாசு பிறக்குஞ் சமணரும்உற்ற துவர்தோ யுருவி லாளருங்குற்ற நெறியார் கொள்ளார் கோலக்காப்பற்றிப் பரவப் பறையும் பாவமே

        Petṟa māsu piṟakkuñ chamaṇarum / utṟa thuvarthō yuruvi lāḷaruṅ / kutṟa neṟiyār koḷḷār kōlakkāp / patṟip paravap paṟaiyum pāvamē

      11. 11

        நலங்கொள் காழி ஞான சம்பந்தன்குலங்கொள் கோலக் காவு ளானையேவலங்கொள் பாடல் வல்ல வாய்மையார்உலங்கொள் வினைபோய் ஓங்கி வாழ்வரே

        The last verse names Gnana Sambandan of Kazhi as the singer and says that those who can recite these verses on the lord of Kolakka will see their past deeds go and live exalted.

        Nalaṅkoḷ kāzhi gñāṉa sambanthaṉ / kulaṅkoḷ kōlak kāvu ḷāṉaiyē / valaṅkoḷ pāṭal valla vāymaiyār / ulaṅkoḷ viṉaipōy ōṅki vāzhvarē

      Photos

      Photographs

      12 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      A weathered stone entrance arch with a tiled barrel roof, set in a white compound wall
      A yellow gateway with three stucco niches above it, seen from the road, with a motorcycle parked beside
      An old stone arch gateway topped by a small finial, with trees growing behind it
      A stone Nandi draped in white cloth before the barred doorway of the inner shrine
      Devotees seated on the floor before a pillared mandapam while a priest conducts a pooja at a side shrine
      Bronze images of a dancing Natarajar and robed standing figures inside a shrine
      A seated black stone image in yellow cloth in a niche, with garlands hanging on either side
      A standing black stone image in a niche with a smaller image on either side
      A row of black stone figures wrapped in cloth, standing on a low platform against a plain wall
      A long pillared corridor with scaffolding around the tower behind it
      A stone corridor with scaffolding around the inner tower and a white compound wall to the right
      Two women walking along a stone pillared corridor with green netting over the tower above