Dharisanam ENதமிழ்
Stone entrance gateway with five painted deity figures in arched niches above the open doorway
Moovar sthalamSwayambu

Thiru Nanipalli Sri Natrunaiappar Swamy Temple 43rd of 129 on the south bank of the Kaveri · Chola Nadu · Temples near Mayiladuthurai

Darshan today8:00 am – 12:00 noon, 5:00 pm – 7:00 pm
Moolavar
Natrunaiappar, Swarnapureeswarar
Ambal
Parvatharaja Puthiri, Swarnambikai,Malayan Madanthai
Theertham
Swarna Theertham
Sthala vriksham
Shenbagam, Pinnai
Pathigam by
Thirugnanasambanthar-1,Thirunavukarasar (Appar)-1, andSaint Sundaramurthy (Sundarar)-1

Temple

Visited on: February 11, 2017.

Location

Thiru Nanipalli (Punjai) is situated at a distance of about 5 kms from Sembonar Koil on the Mayiladuthurai to Thirukadaiyur route. From Mayiladuthurai it is about 13 kms.

Other Devara Paadal Petra Shiva Sthalams near this temple are – Thiruppallavaneecharam (Poompuhar), Thiruchaikkadu, Thiruvenkadu, Kezhai Thirukkattuppalli, Thirukkalikkamur (Annappan Pettai), Pariyal Veerattam, Thiruchempon Palli, Thiru Valampuram, Thiru Kadaimudi (Keezhur), Thiru Nintriyur, Thalaichangadu, Aakkur, Thirukkadaiyur and Thirukkadaiyur Mayanam.

General Information

Moolavar
Sri Natrunaiappar, Sri Swarnapureeswarar
Ambal
Sri Parvatharaja Puthiri, Sri Swarnambikai,
Sri Malayan Madanthai
Theertham (Holy water)
Swarna Theertham
Sthala Vriksham (Sacred Tree)
Shenbagam, Pinnai
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar-1,
Saint Thirunavukarasar (Appar)-1, and
Saint Sundaramurthy (Sundarar)-1
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 43rd Shiva Sthalam on the Southern bank of the river Cauveri in Chozha Nadu (Thenkarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This is one of the 44 Paadal petra sthalams where the “Moovar” (the three saints - Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar) had rendered their Pathigams.
  • This is the birth place of Bhagavathi Ammaiyar, mother of Saint Thirugnanasambanthar.
  • This east facing temple has a single corridor and its main tower does not have any tiers. In place of the Gopuram, there are beautiful sculptures depicting the “Panchamurthy” (Lord Shiva, Goddess Parvathy, Vinayakar, Murugan and Chandikeswarar).
  • The last consecration ceremony (Maha Kumbabishekam) took place on 14.09.1970.

History of the Temple

This temple is believed to have been built by Chola King Paranthagan-I. There are 18 stone inscriptions in this temple, out of which 17 are related to the Chola periods (kings Kulothungan, Rajarajan, Rajendran and Vikraman) and one is from Vijayanagara (Krishna Devarayar) period.

This place’s name “Nani Palli” might have been derived from the name of the person Nanni, who had originally built this temple. (‘Palli” means temple in Tamil).

This temple is under the administrative control of the Hindu Religious and Charitable Endowments Department of Government of Tamil Nadu (HR&CE).

Weathered stone gateway with painted deity figures in arched niches above and a lit passage inside
Black lingam on a stone platform under a leafy tree beside the old temple wall

Legend

Lord Shiva here is praised as “Sri Natrunaiappar”. This can be translated as “the lord who guides us to a better life”.

According to legend, once Lord Vinayakar had to incur a curse from Sage Agasthiyar. This was because Vinayakar had taken the form of a crow and toppled Sage Agasthiyar’s Kamandalam (hand bowl). As a result of the curse, Vinayakar was unable to regain his original form. To seek relief, Vinayakar (still in the form of a crow) visited this temple, took a dip in this temple’s holy tank and worshiped the lord. When the crow emerged from the tank, its colour had changed to gold. Hence this place gets the name “Pon Sei” (“Pon” means gold and “Sei” means changed in Tamil). This was later changed to Punchai.

Another legend associated with this temple is that of Saint Thirugnanasambanthar. This village is the birth place of his mother, Bhagavathi Ammaiyar. On hearing that Sambanthar had started rendering pathigams praising Lord Shiva and had been blessed with golden plates by the lord, the people of this village wanted him to come here. Being a small child at that time, Sambanthar could not walk for long distances. His father carried him on his shoulders. When Saint Sambanthar reached this village, he sang his Pathigam while seated on the shoulders of his father, Sri Sivapatha Hrudhayar. To the delight of the villagers, the barren lands around this village were turned into fertile, cultivable land by the power of his pathigam. Another reason why this place is called “Ponsei” is that these lands started yielding a lot of food grains. Pon sei can also be interpreted as “golden land”. At the end of his pathigam, Sambanthar mentioned that he was sitting on his father’s shoulders while performing this rendition.

It is also believed that Sage Agasthiyar was blessed with Lord Shiva’s wedding darshan here. There is a separate shrine in the corridor for Sri Kalyana Sundareswarar which symbolises this incident.

Small stone shrine with a patterned dome and an open door showing a lingam under a cloth

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of Vinayakar, Murugan with his consorts, Natarajar, Nalvar, lingam, Suryan and Vinayakar (4) can be seen in the corridors.

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Vinayakar, Agasthiyar, Dakshinamurthy, Lingothbhavar, Brahma, Durgai and Chandikeswarar with his wife can be seen.

The sanctum also houses the idols of Sri Kalyanasundareswarar and Goddess Parvathy.

There are two shrines for Goddess Parvathy here - Sri Parvatharaja Puthri is on the right side of Lord Shiva’s shrine while Sri Malayan Madanthai is in the corridor.

Doorway under a blue Tamil name board, opening onto a lit pillared hall with a priest far inside
Open lattice doors lead into a dim pillared hall with a painted ceiling and a lamp-lit shrine at the end
Small shrine with a patterned dome and a tamil inscription, a draped deity standing inside by two oil lamps
Dark stone seated deity draped in yellow cloth in a shrine between two pillars, with a lit lamp below
Four dark stone idols draped in white cloth, with small lit lamps in front of them
Four dark stone idols stand against a wall under a Tamil name board, two with folded hands

Salient Features

Most of the Idols in this temple are large in size and beautifully carved.

It is believed that Lord Suryan (Sun) worships Lord Shiva of this temple by directing his rays on the lingam every year for seven days in the Tamil month of Chithirai from 7th to 13th (April-May). Special poojas are performed on these days to Lord Shiva here.

The sanctum sanctorum is very huge and spacious and it is believed that an elephant had entered into this sanctum and worshiped the lord.

Lord Shiva’s sanctum tower (Vimanam) is also very big and is in the shape of a dome. This tower is considered to be one of the biggest towers in Tamil Nadu.

The sanctum sanctorum and the halls (Mandapams) are aesthetically designed. The main hall in this temple is known as “Nanipalli Kodi Vattam”.

There are many reliefs on the outer walls of the sanctum sanctorum which depict stories from Ramayan.

There is a beautifully carved pillar in the corridor that also houses a small relief of Yaali (a mythological animal). The uniqueness of this relief is that there is a small hole in place of the Yaali’s nose. If you insert a rope or a stick on one end, it will emerge from the other end.

Large domed sanctum tower with painted figures above an old brick and stone wall and a small porch
Carved stone pillar with a small painted animal relief in a white circle and square frame
Black stone Vinayakar in white cloth and a seated idol in orange cloth, each in a niche of a stone wall
Dark carved relief of figures, one drawing a bow, beside another seated figure
Carved panel with several standing and seated figures in a row, some wearing crowns

Greatness of this temple

Those facing obstacles in their marriage proposals can worship Lord Kalyana Sundareswarar here.

Devotees also worship Lord Shiva of this temple for seeking the blessing of prosperity and wisdom.

Important Festivals

Some of the important festivals celebrated in the temple are –

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Navarathri in the Tamil month of Purattasi (Sept-Oct),

Skanda Shashti and Annabishekam in the Tamil month of Aippasi (Oct–Nov),

Thiru Karthikai in the Tamil month of Karthikai (Nov-Dec),

Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan), and

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham is also observed regularly.

Temple Timings

From 08.00 AM to 12.00 Noon and from 05.00 PM to 07.00 PM.

Temple Address

Sri Nattrunai Appar Temple,
Punchai (Thiru Nanipalli),
Kidaramkondon Post,
Mayiladuthurai Taluk,
Nagapattinam District,
Tamil Nadu – 609 304.
Tele: +91- 4364 - 283 188.

The temple priest, Sri Vaidyanatha Gurukkal can be contacted at +91 94439 06587.

*
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Today8:00 am – 12:00 noon, 5:00 pm – 7:00 pm
Phone+91- 4364 - 283 188
Domed sanctum tower in blue and brown above a stone wall, with a blue roof porch and palm trees
Rows of whitewashed stone pillars in a hall with a painted ceiling panel and a small shrine beyond
Pillars painted in orange, purple and green in a whitewashed hall with Tamil words on the wall
Small weathered shrine with a domed roof, trees and another shrine roof behind it under an evening sky
Small shrine with painted wall panels, an open door and a figure in a golden arch above the roof

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

What makes this temple great

The write-up points to a very large sanctum tower, large and finely carved idols, and a pillar relief with a curious hole.

  1. Large, finely carved idolsMost of the idols in this temple are large in size and beautifully carved.
  2. A very large sanctum towerThe sanctum tower (Vimanam) is very big, domed, and considered one of the biggest towers in Tamil Nadu.
  3. Worship by the SunLord Suryan is believed to worship Lord Shiva by directing his rays on the lingam, and special poojas are performed on those days.
  4. The relief with a holeA Yaali relief on a carved pillar has a small hole in place of its nose, through which a rope or stick passes.
Significance

Its place in the tradition

A Devara Paadal Petra Shiva Sthalam where all three saints of the Moovar rendered their Pathigams.

  1. Sung by the MoovarThe three saints, Thirugnanasambanthar, Thirunavukarasar (Appar) and Sundaramurthy (Sundarar), rendered their Pathigams here.
  2. Its place in the 276 sthalamsIt is one of the 276 Devara Paadal Petra Shiva Sthalams and the 43rd on the southern bank of the Cauveri.
  3. Birth place of Bhagavathi AmmaiyarThis is the birth place of Bhagavathi Ammaiyar, mother of Saint Thirugnanasambanthar.
  4. Believed built by Paranthagan-IThis temple is believed to have been built by Chola King Paranthagan-I.
Why devotees come

Why devotees come here

Devotees come to remove obstacles in marriage proposals and to seek prosperity and wisdom.

  1. For marriageThose facing obstacles in their marriage proposals can worship Lord Kalyana Sundareswarar here.
  2. For prosperity and wisdomDevotees also worship Lord Shiva of this temple for seeking the blessing of prosperity and wisdom.
  3. Where Agasthiyar saw the weddingSage Agasthiyar was blessed with Lord Shiva's wedding darshan here, and a separate shrine in the corridor symbolises this.
The entrance gateway of the temple
276Devara Paadal Petra Shiva Sthalams

Devara sthalams

The name Ponsei

  1. பொன்gold
  2. செய்changed

Pon Sei, later changed to Punchai

    Legends of Thiru Nanipalli

    Vinayakar, in the form of a crow, bathed in the holy tank and worshiped the lord; his colour changed to gold.

    Sambanthar sang his Pathigam seated on the shoulders of his father, and the barren lands became fertile.

    Sage Agasthiyar was blessed with Lord Shiva's wedding darshan here.

    Lord Shiva here is praised as Sri Natrunaiappar, the lord who guides us to a better life.

    Saints and sages of the temple

    1. Saint ThirugnanasambantharSang his Pathigam here while seated on the shoulders of his father.
    2. Saint Thirunavukarasar (Appar)One of the three saints who rendered their Pathigams here.
    3. Saint Sundaramurthy (Sundarar)One of the three saints who rendered their Pathigams here.
    4. Bhagavathi AmmaiyarMother of Saint Thirugnanasambanthar, born in this village.
    5. Sage AgasthiyarBlessed with Lord Shiva's wedding darshan here.

    Saints who sang here, and the sage and mother linked to this place.

    Kings in the stone inscriptions

    1. Paranthagan-IChola King Paranthagan-I is believed to have built this temple.
    2. KulothunganOne of the Chola kings whose periods the inscriptions relate to.
    3. RajarajanOne of the Chola kings whose periods the inscriptions relate to.
    4. Krishna DevarayarOne inscription is from the Vijayanagara period of Krishna Devarayar.

    The temple's stone inscriptions belong mostly to the Chola periods, with one from the Vijayanagara period.

    Festivals through the year

      Vinayakar Chaturthi, Navarathri, Skanda Shashti, Annabishekam, Thiru Karthikai, Thiruvadhirai and Shivrathri are celebrated, and Pradosham is observed regularly.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Doorway under a blue Tamil name board, opening onto a lit pillared hall with a priest far inside
      Moolavar

      Sri Natrunaiappar

      Lord Shiva here is praised as Sri Natrunaiappar, which can be translated as the lord who guides us to a better life. He is a Swayambumurthi (self-manifested).

      Small shrine with a patterned dome and a tamil inscription, a draped deity standing inside by two oil lamps
      Ambal

      Sri Parvatharaja Puthiri

      Sri Parvatharaja Puthri is on the right side of Lord Shiva's shrine.

      Ambal in the corridorம
      Ambal in the corridor

      Sri Malayan Madanthai

      There are two shrines for Goddess Parvathy here; Sri Malayan Madanthai is in the corridor.

      Shrine in the corridorக
      Shrine in the corridor

      Sri Kalyana Sundareswarar

      There is a separate shrine in the corridor for Sri Kalyana Sundareswarar, which symbolises Sage Agasthiyar being blessed with Lord Shiva's wedding darshan.

      Black stone Vinayakar in white cloth and a seated idol in orange cloth, each in a niche of a stone wall
      In the koshtam

      Vinayakar

      Idols of Vinayakar, Agasthiyar, Dakshinamurthy, Lingothbhavar, Brahma, Durgai and Chandikeswarar with his wife can be seen in the koshtam.

      Four dark stone idols stand against a wall under a Tamil name board, two with folded hands
      Shrine in the corridor

      Nalvar

      Shrines and idols of Nalvar can be seen in the corridors.

      Shrine in the corridorந
      Shrine in the corridor

      Natarajar

      Shrines and idols of Natarajar can be seen in the corridors.

      Shrine in the corridorமு
      Shrine in the corridor

      Murugan with his consorts

      Shrines and idols of Murugan with his consorts can be seen in the corridors.

      Visit & map

      Sacred geography
      Thiru Nanipalli Thiruchaikkadu Thalaichangadu Thiruchemponpalli Thiru Aakkur Thiru Valampuram Thiru Parialur Thirukannaar Koil Thirukkalikkamur Thiru Vilanagar Thiruvenkadu Thiruppallavaneecharam Thirukkadavur Veerattam
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today8:00 am – 12:00 noon, 5:00 pm – 7:00 pm
      8:00 – 12:005:00 – 7:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Nattrunai Appar Temple, Punchai (Thiru Nanipalli), Kidaramkondon Post, Mayiladuthurai Taluk, Nagapattinam District, Tamil Nadu – 609 304. The temple priest, Sri Vaidyanatha Gurukkal can be contacted at +91 94439 06587.

      +91- 4364 - 283 188

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 11.8 km in straight lines.

      Map of Thiru Nanipalli and the sthalams nearby, in route order: Thiruchaikkadu, Thalaichangadu, Thiru Valampuram, Thiruppallavaneecharam, Thiruvenkadu. Thirukannaar Koil · 6.2 km 1 Thiruchaikkadu 2 3 Thiru Valampuram 4 Thiruppallavaneecharam 5 Thiruvenkadu 2 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      Rows of whitewashed stone pillars in a hall with a painted ceiling panel and a small shrine beyond
      01

      The main hall

      The sanctum sanctorum and the halls (Mandapams) are aesthetically designed. The main hall in this temple is known as Nanipalli Kodi Vattam.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Thirugnanasambandar visited this temple and sang this Pathigam; Appar and Sundarar also sang here. Verse 1 of 11.

      Kāraikaḷ kūkaimullai kaḷavākai yīkai
      paṭarthoṭari kaḷḷi kaviṉich
      chūraikaḷ pam'mivim'mu suṭukāṭa marntha
      sivaṉmēya sōlai nakarthāṉ
      thēraika ḷāraisāya mithikoḷḷa vāḷai
      kuthikoḷḷa vaḷḷai thuvaḷa
      nāraika ḷāralvāri vayaṉmēthi vaikum
      naṉipaḷḷi pōlum namarkāḷ

      Thorny shrubs, creepers and trees grow thickly around the burning ground and the grove-city where Lord Shiva abides. In the fields, toads, fish, cranes and buffaloes fill the water-plants. Such is Nanipalli, O our people.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        காரைகள் கூகைமுல்லை களவாகை யீகைபடர்தொடரி கள்ளி கவினிச்சூரைகள் பம்மிவிம்மு சுடுகாட மர்ந்தசிவன்மேய சோலை நகர்தான்தேரைக ளாரைசாய மிதிகொள்ள வாளைகுதிகொள்ள வள்ளை துவளநாரைக ளாரல்வாரி வயன்மேதி வைகும்நனிபள்ளி போலும் நமர்காள்

        Kāraikaḷ kūkaimullai kaḷavākai yīkai / paṭarthoṭari kaḷḷi kaviṉich / chūraikaḷ pam'mivim'mu suṭukāṭa marntha / sivaṉmēya sōlai nakarthāṉ / thēraika ḷāraisāya mithikoḷḷa vāḷai / kuthikoḷḷa vaḷḷai thuvaḷa / nāraika ḷāralvāri vayaṉmēthi vaikum / naṉipaḷḷi pōlum namarkāḷ

      2. 02

        சடையிடை புக்கொடுங்கி யுளதங்கு வெள்ளம்வளர்திங்கள் கண்ணி அயலேஇடையிடை வைத்ததொக்கும் மலர்தொத்து மாலையிறைவன் னிடங்கொள் பதிதான்மடையிடை வாளைபாய முகிழ்வாய் நெரிந்துமணநாறு நீலம் மலரும்நடையுடை யன்னம்வைகு புனலம்ப டப்பைநனிபள்ளி போலும் நமர்காள்

        Saṭaiyiṭai pukkoṭuṅki yuḷathaṅku veḷḷam / vaḷarthiṅkaḷ kaṇṇi ayalē / iṭaiyiṭai vaiththathokkum malarthoththu mālai / yiṟaivaṉ ṉiṭaṅkoḷ pathithāṉ / maṭaiyiṭai vāḷaipāya mukizhvāy nerinthu / maṇanāṟu nīlam malarum / naṭaiyuṭai yaṉṉamvaiku puṉalampa ṭappai / naṉipaḷḷi pōlum namarkāḷ

      3. 03

        பெறுமலர் கொண்டுதொண்டர் வழிபாடு செய்யல்ஒழிபாடி லாத பெருமான்கறுமலர் கண்டமாக விடமுண்ட காளையிடமாய காதல் நகர்தான்வெறுமலர் தொட்டுவிட்ட விசைபோன கொம்பின்விடுபோ தலர்ந்த விரைசூழ்நறுமல ரல்லிபுல்லி யொலிவண் டுறங்குநனிபள்ளி போலும் நமர்காள்

        Peṟumalar koṇṭuthoṇṭar vazhipāṭu seyyal / ozhipāṭi lātha perumāṉ / kaṟumalar kaṇṭamāka viṭamuṇṭa kāḷai / yiṭamāya kāthal nakarthāṉ / veṟumalar thoṭṭuviṭṭa visaipōṉa kompiṉ / viṭupō thalarntha viraichūzh / naṟumala rallipulli yolivaṇ ṭuṟaṅku / naṉipaḷḷi pōlum namarkāḷ

      4. 04

        குளிர்தரு கங்கைதங்கு சடைமா டிலங்குதலைமாலை யோடு குலவிஒளிர்தரு திங்கள்சூடி உமைபாக மாகவுடையா னுகந்த நகர்தான்குளிர்தரு கொம்மலோடு குயில்பாடல் கேட்டபெடைவண்டு தானும் முரலநளிர்தரு சோலைமாலை நரைகுருகு வைகுநனிபள்ளி போலும் நமர்காள்

        kuḷirtharu kaṅkaithaṅku saṭaimā ṭilaṅku / thalaimālai yōṭu kulavi / oḷirtharu thiṅkaḷchūṭi umaipāka māka / vuṭaiyā ṉukantha nakarthāṉ / kuḷirtharu kom'malōṭu kuyilpāṭal kēṭṭa / peṭaivaṇṭu thāṉum murala / naḷirtharu chōlaimālai naraikuruku vaiku / naṉipaḷḷi pōlum namarkāḷ

      5. 05

        தோடொரு காதனாகி யொருகா திலங்குசுரிசங்கு நின்று புரளக்காடிட மாகநின்று கனலாடும் எந்தையிடமாய காதல் நகர்தான்வீடுடன் எய்துவார்கள் விதியென்று சென்றுவெறிநீர் தெளிப்ப விரலால்நாடுடனாடு செம்மை யொலிவெள்ள மாருநனிபள்ளி போலும் நமர்காள்

        Thōṭoru kāthaṉāki yorukā thilaṅku / surisaṅku niṉtṟu puraḷak / kāṭiṭa mākaniṉtṟu kaṉalāṭum enthai / yiṭamāya kāthal nakarthāṉ / vīṭuṭaṉ eythuvārkaḷ vithiyeṉtṟu seṉtṟu / veṟinīr theḷippa viralāl / nāṭuṭaṉāṭu sem'mai yoliveḷḷa māru / naṉipaḷḷi pōlum namarkāḷ

      6. 06

        மேகமொ டோடுதிங்கள் மலரா அணிந்துமலையான் மடந்தை மணிபொன்ஆகமோர் பாகமாக அனலாடும் எந்தைபெருமான் அமர்ந்த நகர்தான்ஊகமொ டாடுமந்தி யுகளுஞ் சிலம்பஅகிலுந்தி யொண்பொன் இடறிநாகமொ டாரம்வாரு புனல்வந்த லைக்கும்நனிபள்ளி போலும் நகர்காள்

        Mēkamo ṭōṭuthiṅkaḷ malarā aṇinthu / malaiyāṉ maṭanthai maṇipoṉ / ākamōr pākamāka aṉalāṭum enthai / perumāṉ amarntha nakarthāṉ / ūkamo ṭāṭumanthi yukaḷuñ chilampa / akilunthi yoṇpoṉ iṭaṟi / nākamo ṭāramvāru puṉalvantha laikkum / naṉipaḷḷi pōlum nakarkāḷ

      7. 07

        தகைமலி தண்டுசூலம் அனலுமிழு நாகங்கொடுகொட்டி வீணை முரலவகைமலி வன்னிகொன்றை மதமத்தம் வைத்தபெருமான் உகந்த நகர்தான்புகைமலி கந்தமாலை புனைவார்கள் பூசல்பணிவார்கள் பாடல் பெருகிநகைமலி முத்திலங்கு மணல் சூழ் கிடக்கைநனிபள்ளி போலும் நமர்காள்

        Thakaimali thaṇṭusūlam aṉalumizhu nākaṅ / koṭukoṭṭi vīṇai murala / vakaimali vaṉṉikoṉtṟai mathamaththam vaiththa / perumāṉ ukantha nakarthāṉ / pukaimali kanthamālai puṉaivārkaḷ pūsal / paṇivārkaḷ pāṭal peruki / nakaimali muththilaṅku maṇal chūḻ kiṭakkai / naṉipaḷḷi pōlum namarkāḷ

      8. 08

        வலமிகு வாளன்வேலன் வளைவா ளெயிற்றுமதியா அரக்கன் வலியோடுலமிகு தோள்கள்ஒல்க விரலால டர்த்தபெருமான் உகந்த நகர்தான்நிலமிகு கீழுமேலும் நிகராது மில்லையெனநின்ற நீதி யதனைநலமிகு தொண்டர்நாளும் அடிபரவல் செய்யும்நனிபள்ளி போலும் நமர்காள்

        Valamiku vāḷaṉvēlaṉ vaḷaivā ḷeyitṟu / mathiyā arakkaṉ valiyō / ṭulamiku thōḷkaḷolka viralāla ṭarththa / perumāṉ ukantha nakarthāṉ / nilamiku kīzhumēlum nikarāthu millai / yeṉaniṉtṟa nīthi yathaṉai / nalamiku thoṇṭarnāḷum aṭiparaval seyyum / naṉipaḷḷi pōlum namarkāḷ

      9. 09

        நிறவுரு வொன்றுதோன்றி யெரியொன்றி நின்றதொருநீர்மை சீர்மை நினையார்அறவுரு வேதநாவன் அயனோடு மாலும்அறியாத அண்ணல் நகர்தான்புறவிரி முல்லைமௌவல் குளிர்பிண்டி புன்னைபுனைகொன்றை துன்று பொதுளிநறவிரி போதுதாது புதுவாசம் நாறும்நனிபள்ளி போலும் நமர்காள்

        Niṟavuru voṉtṟuthōṉtṟi yeriyoṉtṟi niṉtṟa / thorunīrmai sīrmai niṉaiyār / aṟavuru vēthanāvaṉ ayaṉōṭu mālum / aṟiyātha aṇṇal nakarthāṉ / puṟaviri mullaimauval kuḷirpiṇṭi puṉṉai / puṉaikoṉtṟai thuṉṟu pothuḷi / naṟaviri pōthuthāthu puthuvāsam nāṟum / naṉipaḷḷi pōlum namarkāḷ

      10. 10

        அனமிகு செல்குசோறு கொணர்கென்று கையில்இடவுண்டு பட்ட அமணும்மனமிகு கஞ்சிமண்டை யதிலுண்டு தொண்டர்குணமின்றி நின்ற வடிவும்வினைமிகு வேதநான்கும் விரிவித்த நாவின்விடையா னுகந்த நகர்தான்நனமிகு தொண்டர்நாளும் அடிபரவல் செய்யும்நனிபள்ளி போலும் நமர்காள்

        Aṉamiku selkusōṟu koṇarkeṉtṟu kaiyil / iṭavuṇṭu paṭṭa amaṇum / maṉamiku kañchimaṇṭai yathiluṇṭu thoṇṭar / kuṇamiṉtṟi niṉtṟa vaṭivum / viṉaimiku vēthanāṉkum viriviththa nāviṉ / viṭaiyā ṉukantha nakarthāṉ / naṉamiku thoṇṭarnāḷum aṭiparaval seyyum / naṉipaḷḷi pōlum namarkāḷ

      11. 11

        கடல்வரை யோதம்மல்கு கழிகானல் பானல்கமழ்காழி யென்று கருதப்படுபொரு ளாறுநாலும் உளதாக வைத்தபதியான ஞான முனிவன்இடுபறை யொன்றஅத்தர் பியன்மே லிருந்தினிசையா லுரைத்த பனுவல்நடுவிரு ளாடுமெந்தை நனிபள்ளி யுள்கவினைகெடுதல் ஆணை நமதே

        The last verse says that Gnana Sambandar, the sage of Kazhi, sang this garland of verses on the Lord of Nanipalli, who dances in the dark of midnight, and that meditating on Nanipalli destroys one's deeds.

        Kaṭalvarai yōtham'malku kazhikāṉal pāṉal / kamazhkāzhi yeṉtṟu karuthap / paṭuporu ḷāṟunālum uḷathāka vaiththa / pathiyāṉa ñāṉa muṉivaṉ / iṭupaṟai yoṉtṟa'aththar piyaṉmē lirunthi / ṉisaiyā luraiththa paṉuval / naṭuviru ḷāṭumenthai naṉipaḷḷi yuḷka / viṉaikeṭuthal āṇai namathē

      Photos

      Photographs

      20 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      Stone entrance gateway with five painted deity figures in arched niches above the open doorway
      Weathered stone gateway with painted deity figures in arched niches above and a lit passage inside
      Black lingam on a stone platform under a leafy tree beside the old temple wall
      Small stone shrine with a patterned dome and an open door showing a lingam under a cloth
      Doorway under a blue Tamil name board, opening onto a lit pillared hall with a priest far inside
      Open lattice doors lead into a dim pillared hall with a painted ceiling and a lamp-lit shrine at the end
      Small shrine with a patterned dome and a tamil inscription, a draped deity standing inside by two oil lamps
      Dark stone seated deity draped in yellow cloth in a shrine between two pillars, with a lit lamp below
      Four dark stone idols draped in white cloth, with small lit lamps in front of them
      Four dark stone idols stand against a wall under a Tamil name board, two with folded hands
      Large domed sanctum tower with painted figures above an old brick and stone wall and a small porch
      Carved stone pillar with a small painted animal relief in a white circle and square frame
      Black stone Vinayakar in white cloth and a seated idol in orange cloth, each in a niche of a stone wall
      Dark carved relief of figures, one drawing a bow, beside another seated figure
      Carved panel with several standing and seated figures in a row, some wearing crowns
      Domed sanctum tower in blue and brown above a stone wall, with a blue roof porch and palm trees
      Rows of whitewashed stone pillars in a hall with a painted ceiling panel and a small shrine beyond
      Pillars painted in orange, purple and green in a whitewashed hall with Tamil words on the wall
      Small weathered shrine with a domed roof, trees and another shrine roof behind it under an evening sky
      Small shrine with painted wall panels, an open door and a figure in a golden arch above the roof