Dharisanam ENதமிழ்
Entrance gateway with painted walls and a blue name board, a small tower visible beyond
Swayambu

Thirunallam Sri Uma Maheswarar Swamy Temple 34th of 129 on the south bank of the Kaveri · Chola Nadu · Temples near Mayiladuthurai

Darshan today6:30 am – 12:00 noon, 4:30 pm – 8:30 pm
Moolavar
Uma Maheswarar, Maamani Eswarar, Bhoomi Nathar
Ambal
Angavala Nayagi, Mangala Nayagi, Thega Soundari
Theertham
Sakthi Theertham / Bhoomi Theertham
Sthala vriksham
Peepal tree (Arasa maram) / Vilvam
Pathigam by
Thirugnanasambanthar-1 and Thirunavukarasar (Appar)-1

Temple

Visited on: December 16, 2017.

Location

Thirunallam (Konerirajapuram) is situated at a distance of about 14 kms from Kumbakonam on the Kumbakonam to Karaikkal route. After crossing Thiruneelakkudi and S.Pudur, take the diversion road to Vadamattam and proceed further for about 4 kms to reach this temple.

Other Devara Paadal Petra Shiva Sthalams near this place are - Vaikal Madakkoil, Thiru Kozhambiam, Thiruneelakkudi, Thenkurangadu Thurai (Aduthurai), Thiruvidaimaruthur and Thiruvavaduthurai.

General Information

Moolavar
Sri Uma Maheswarar, Sri Maamani Eswarar, Sri Bhoomi Nathar
Ambal
Sri Angavala Nayagi, Sri Mangala Nayagi, Sri Thega Soundari
Theertham (Holy water)
Sakthi Theertham / Bhoomi Theertham
Sthala Vriksham (Sacred Tree)
Peepal tree (Arasa maram) / Vilvam
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar-1 and Saint Thirunavukarasar (Appar)-1
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 34th Shiva Sthalam on the Southern bank of the river Cauveri in Chozha Nadu (Thenkarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This temple is very popular for the unique Swayambu metal Natarajar - the biggest in the world.
  • This west facing temple has two corridors and its main tower does not have any tiers. In place of the Gopuram, there is a beautiful sculpture depicting Lord Shiva, Goddess Parvathy, Vinayakar and Murugan.
  • The last consecration ceremony (Maha Kumbabishekam) was held on 29.05.2015 and prior to that on 04.02.2001.

History of the Temple

The historical name of this place is Thiru Nallam. It is believed that this place got submerged and later excavated. Queen Sembian Mahadevi, wife of Chola King Kandarathithan (Grandmother of king Raja Raja Chola), replaced the old brick temple with granite and enlarged it.

There are some stone inscriptions in this temple which date back to the periods of Chola King Kandarathithan, his wife Sembian Mahadevi and their son Uthama Chola. Some of the inscriptions also bear mention of kings Rajarajan, Rajendran, Rajathirajan-I, Rajendran-II, Kulothungan I and III and Rajarajan-III. From these inscriptions it is evident that this temple was maintained by Chola kings for almost two and a half centuries.

This temple is under the administrative control of the Hindu Religious and Charitable Endowments Department of Government of Tamil Nadu (HR&CE).

Pillared hall with a painted stucco panel of deities above and a Natarajar shrine name board
Stone-pillared corridor with a shrine and ploughed ground seen on the left

Legend

According to legend, King Varaguna Pandya wanted to create a huge life-size Natarajar idol and ordered to his sculptor (“Sthapathi” in Tamil) to prepare it in metal. Despite his continuous efforts, the sculptor was unable to make an idol taller than 3 feet. The king gave him some more time to work on the idol but warned him that if he did not accomplish his task before the deadline, his head would be chopped off. As the deadline approached, the worried and frantic sculptor prayed to Lord Shiva for help. Lord Shiva and Goddess Parvathi came to his house in the form of an elderly couple and asked for little water to drink. The sculptor was engrossed in his work and out of frustration, he told them to drink the molten metal (“pancha lokam” – an amalgamation of five different metals). Both Lord Shiva and Goddess Parvathy drank it and they instantly turned into a beautiful statue of Natarajar and Sivakami. This idol of Natarajar with Goddess Parvathi is about 7 feet high. It was then that the sculptor realized that the aged couple had been none other than Lord Shiva and Goddess Parvathy.

On hearing about this incident, the king visited the sculptor’s place but he refused to believe the story. He hit the idol with his sword and to his astonishment, the idol started bleeding. The king surrendered to the lord and asked for forgiveness. The idol still bears the mark of the king’s sword. Another interesting thing to note about it is its life-like appearances – fingernails, a mole in the body and fingerprints in the hands.

Pink metal grille in front of the Natarajar shrine, with the deities faintly visible inside

Other Legends

As per the Sthala Puranam, this temple was originally constructed by Goddess Bhooma Devi on the advice of Lord Mahavishnu. Hence, this place also gets the name “Bhoomicharam” and the lord is praised as Sri Bhoomi Nathar.

Another Sthala Puranam mentions the story of King Pururavas. The king visited a number of Shiva temples seeking a cure for his leprosy. Finally, he reached this temple and worshiped Lord Shiva. Lord Shiva advised him to worship Lord Vaidyanatha Swami - another Swayambu lingam in this temple. The king performed poojas to this lord and was cured of his illness. As a gesture of gratitude, he constructed the Vimanam with gold covering and arranged the festival of Brahmotsavam during Vaikasi Visakam.

It is believed that Nandhi (the bull mount of Lord Shiva), 16 Siddhars and the deities of the 8 directions (Ashta thik Balakas) have worshiped the lord here.

It is believed that Lord Shiva granted his wedding darshan to Sage Agasthiyar here.

Before their journey to Thirunallar, Nala and Damayanthi worshipped Saneeswarar in this temple to seek his blessings.

It is believed that after being kicked by Lord Shiva in Thirukadaiyur, Yama (the God of Death) came to this place, worshiped Goddess Durgai here to recover from his shock.

It is believed that Goddess Parvathy, Bhooma Devi, Devas, Sage Agasthiyar, Nandhi and King Pururavas have worshiped the lord here. The mantra (“slogams”) believed to have been sung by Bhooma Devi and King Pururava are inscribed in stone and displayed in this temple.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of Vinayakar, Murugan with his consorts, Mahalakshmi, Nalvar, Brahmalingam, Agasthiya Lingam and the lingam worshiped by the Navagraham can be seen in the corridors and the main hall. Also, in the main hall are the idols of Vinayakar (six), Saneeswarar, Bairavar, Durgai and Suryan. In the Navagraham, all other planets are facing Suryan.

In the inner hall, there is a separate shrine that houses the Swayambu Natarajar and Sivakami. Other procession idols are also kept in that hall. For the procession purposes, there is a smaller procession idol of Natarajar with Sivakami.

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Vinayakar, Dakshinamurthy, Agasthiyar, Jurahareswarar, Lingothbavar, Gangatharar, Natarajar, Pitchandavar, Arthanareeswarar, Durgai, Brahma and Chandikeswarar (three) can be seen. In Chandikeswarar’s shrine, an idol of Sri Sundara Kusambikai can also be seen.

Also, in the corridors are idols of Sri Agneewarar, Sri Sanathkumara lingam, Sri Senbakaaranyeswarar, Sri Sundareswara lingam, Sri Pasupatheeswarar, Sri Kanva lingam, Sri Kailasa Nathar and Bairavar.

There are separate shrines for Goddess Parvathy, Vinayakar, Murugan with his consorts and Sri Vaithiyanathar in the corridor.

Stone pillars line a corridor leading to a decorated inner doorway
Two painted guardian figures flank steps up to the shrine door; a devotee sits inside
Open pillared shrine with a painted sculpture of deities on its roof
Dark stone idols dressed with cloth and flowers in a green-walled shrine
Small blue-walled niche with a Tamil name board above an idol draped in yellow cloth
Bearded stone figure in a wall niche, with a white cloth across its lap
Standing stone figure in a niche, with a white cloth at the waist and a small carving beside it
Stone figure in a niche with a bull's head beside it, draped in white and purple cloth
Stone Vinayakar in a niche, with small carved figures in alcoves on either side
Stone figure in a dancing pose in a niche, with a white cloth across the hips

Near the Sanctum, there is a separate shrine for Sri Kalyanasundarar and Goddess Parvathy in their wedding posture. An idol of Lord Mahavishnu is also present with them. The idol depicts him as participating in the marriage ceremony and handing over Goddess Parvathy to Lord Shiva.

Salient Features

It is believed that this place is considered to be equivalent to Mount Kailash and the holy water here is as auspicious as the Ganges.

Saint Thirunavukkarasar (Appar) mentioned that only those having the blessings from their previous births (“poorva janma punyam”) will have the good fortune of visiting this temple.

There are six idols of Lord Vinayakar in a single shrine.

Six dark stone idols of Vinayakar in a row, with a larger one in the centre

There are also three idols of Chandikeswarar in this temple.

Devotees believe that worshiping the lord here during Pradosham would bring manifold benefits.

Behind the sanctum sanctorum, on either sides of Lord Lingothbavar, there are idols of Lord Mahavishnu and Lord Brahma in a worshipping posture. Devotees can enjoy the darshan of all the three lords (Trimurthys) – Brahma, Vishnu and Shiva. This is considered to be very auspicious.

Three stone figures in side-by-side niches, each with a white cloth at the waist
Carved relief of figures including a seated worshipper and a lingam, with an inscription below

There is a beautiful relief on a wall in the corridor that depicts the Chola queen Sembian Maadevi worshiping Lord Shiva. Below this relief, there is a stone inscription. According to this inscription, the queen built this temple in memory of her husband, king Kandarathithan. This king was a staunch devotee of Lord Shiva and his devotional songs are known as “Thillai Thiruppathigam”. These songs are a part of the “Thiruvisaippa”.

There is a separate shrine for Lord Thiripura Samhara Murthy. It is believed that this lord burnt the three demons and their forts simply with his laughter. People pray here on Ashtami of new moon fortnight (eighth day from the full moon day) to conquer fear of death and to seek relief from the trouble caused by their enemies.

There are three important sthalams where the sacred tree (sthala viruksham) is peepal tree – they are Banaras (Kasi), Thiruvavaduthurai and this place.

Greatness of this temple

This is a “Parihara Sthalam” for doshas related to marriage and child birth. Those facing delays in their marriage or those seeking child boon (“Santhana Prapthi”) can pray to the lord here.

Devotees believe that by worshiping Lord Vaithiyanathaswamy here, they will be cured of various diseases.

Students believe that worshiping the lord here will yield them good results.

Important Festivals

Two Brahmotsavams are celebrated in this temple – “Vaikasi Visakam” in May-June and “Margazhi Thiruvadhirai” in December-January.

Abhishekam to Natarajar is performed six times in a year (in the Tamil months of Chithirai, Aani, Aavani, Purattasi, Markazhi and Maasi).

Some of the important festivals celebrated in this temple are -

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Skanda Shashti and Annabishekam in the Tamil month of Aippasi (Oct–Nov), and

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham is also observed regularly.

Temple Timings

From 06.30 AM to 12.00 Noon and from 04.30 PM to 08.30 PM.

Temple Address

Sri Uma Maheswarar Swamy Temple,
Thirunallam (Konerirajapuram),
Mayiladuthurai Taluk,
Nagapattinam District,
Tamil Nadu – 612201.
Tele: +91 94865 10515, 435-2449830 and 2449800.

*
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Today6:30 am – 12:00 noon, 4:30 pm – 8:30 pm
Phone+91 94865 10515435-2449830, 2449800
Long corridor of stone pillars with a painted frieze, and a tower at the far end
Domed vimana with painted figures above a shrine roof, and a tower in the distance
Small painted tower beside a long stone wall, with a shrine seen through the entrance
Small open shrine with Vinayakar on its roof, beside the temple entrance
Red-painted wall with carved pilasters and a tin-roofed doorway; a tower top at the left
Small golden figures and a lion on the stone wall, with a bull statue at the left

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

What makes this temple great

The temple is a Parihara Sthalam, and devotees can see Brahma, Vishnu and Shiva together here.

  1. A Parihara SthalamIt is a Parihara Sthalam for doshas related to marriage and child birth.
  2. Darshan of the three lordsBehind the sanctum, devotees can have the darshan of Brahma, Vishnu and Shiva together.
  3. A sacred peepal treeThis is one of three sthalams where the sacred tree is a peepal tree.
Significance

Its place in the tradition

Thirugnanasambanthar and Thirunavukarasar sang hymns here, and Chola inscriptions record its upkeep.

  1. A Paadal Petra SthalamIt is one of the 276 Devara Paadal Petra Shiva Sthalams.
  2. Southern bank of the CauveriIt is the 34th Shiva Sthalam on the Southern bank of the river Cauveri.
  3. Appar on this templeAppar mentioned that only those with blessings from previous births will have the good fortune of visiting this temple.
  4. Chola inscriptionsFrom the inscriptions it is evident that the temple was maintained by Chola kings for almost two and a half centuries.
Why devotees come

Why devotees come here

Devotees come with prayers for marriage, children, health and relief from fear.

  1. For marriage and childrenThose facing delays in their marriage or seeking child boon pray to the lord here.
  2. For healthDevotees believe that worshiping Lord Vaithiyanathaswamy here will cure them of various diseases.
  3. For good results in studiesStudents believe that worshiping the lord here will yield them good results.
  4. For freedom from fearPeople pray at the shrine of Thiripura Samhara Murthy to conquer fear of death and seek relief from trouble caused by enemies.
The temple's entrance gateway
276Paadal Petra Sthalams

Paadal Petra Sthalams

Legends of the temple

Lord Shiva and Goddess Parvathy drank the molten metal and turned into a statue of Natarajar and Sivakami.

The temple was originally constructed by Goddess Bhooma Devi on the advice of Lord Mahavishnu.

The king worshiped Lord Vaidyanatha Swami here and was cured of his leprosy.

Nala and Damayanthi worshipped Saneeswarar here before their journey to Thirunallar.

Festivals through the year

    Two Brahmotsavams are celebrated, and Pradosham is observed regularly.

    Kings and queens of the temple

    1. Sembian MahadeviThe Chola queen replaced the old brick temple with granite and enlarged it.
    2. KandarathithanA staunch devotee of Lord Shiva, whose devotional songs are known as Thillai Thiruppathigam.
    3. Varaguna PandyaThe king who wanted a huge life-size Natarajar idol made in metal.

    Deities

    The deities of this temple

    * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

    From the sanctum to the corridors
    Moolavarஉ
    Moolavar

    Sri Uma Maheswarar

    Lord Shiva in this temple is a Swayambumurthi (self-manifested).

    Two painted guardian figures flank steps up to the shrine door; a devotee sits inside
    Ambal

    Sri Angavala Nayagi

    There are separate shrines for Goddess Parvathy in the corridor.

    Pink metal grille in front of the Natarajar shrine, with the deities faintly visible inside
    Shrine in the inner hall

    Natarajar

    In the inner hall, there is a separate shrine that houses the Swayambu Natarajar and Sivakami.

    Six dark stone idols of Vinayakar in a row, with a larger one in the centre
    Shrine in the main hall

    Vinayakar

    There are six idols of Lord Vinayakar in a single shrine.

    Dark stone idols dressed with cloth and flowers in a green-walled shrine
    Shrine in the main hall

    Saneeswarar

    Also, in the main hall are the idols of Vinayakar (six), Saneeswarar, Bairavar, Durgai and Suryan.

    Small blue-walled niche with a Tamil name board above an idol draped in yellow cloth
    Koshtam idol

    Dakshinamurthy

    In the koshtam, idols of Vinayakar, Dakshinamurthy, Agasthiyar and others can be seen.

    Shrine in the corridorவை
    Shrine in the corridor

    Sri Vaithiyanathar

    There are separate shrines for Goddess Parvathy, Vinayakar, Murugan with his consorts and Sri Vaithiyanathar in the corridor.

    Shrine near the sanctumக
    Shrine near the sanctum

    Sri Kalyanasundarar

    Near the Sanctum, there is a separate shrine for Sri Kalyanasundarar and Goddess Parvathy in their wedding posture.

    Separate shrineதி
    Separate shrine

    Lord Thiripura Samhara Murthy

    There is a separate shrine for Lord Thiripura Samhara Murthy.

    Visit & map

    Sacred geography
    Thirunallam Thiruvazhunthur Sirukudi Vanniyur Thirukkozhambam Thiruppampuram Thiruvavaduthurai Vaikal Maadakkoil Thiruthuruthi Thirukkodikkaval Thirumiyachur Thirumiyachur Ilangkovil Thiru Velvikudi
    You are hereThis temple

    Schematic. Distances as recorded on the visit; directions approximate.

    12a6a12p6p
    Darshan today6:30 am – 12:00 noon, 4:30 pm – 8:30 pm
    6:30 – 12:004:30 – 8:30 pm

    Hours as recorded on the visit. Festival days can differ.

    Plan the day around it

    Address and phone

    Sri Uma Maheswarar Swamy Temple, Thirunallam (Konerirajapuram), Mayiladuthurai Taluk, Nagapattinam District, Tamil Nadu – 612201.

    +91 94865 10515

    *

    A day of darshan nearby

    5 more sthalams within reach, nearest first: 19.5 km in straight lines.

    Map of Thirunallam and the sthalams nearby, in route order: Thiruvazhunthur, Thiruthuruthi, Thiru Velvikudi, Thirukkodikkaval, Thiruvavaduthurai. Thirukkozhambam · 5.8 km Thirunallam 1 Thiruvazhunthur 2 Thiruthuruthi 3 Thiru Velvikudi 4 Thirukkodikkaval 5 Thiruvavaduthurai 2 km N
    Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

    Temple plan

    Entrance gateway with painted walls and a blue name board, a small tower visible beyond
    01

    Reaching the temple

    After crossing Thiruneelakkudi and S.Pudur, take the diversion road to Vadamattam to reach this temple.

    1 / 7

    Summary written with AI help from the temple write-up.

    Pathigam

    Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

    Devotees visiting this temple should make it a practice to recite this Pathigam.

    V. Muthukumaraswamy

    Thirugnanasambandar sang this Pathigam at this temple. Verse 1 of 11.

    Kallāl nizhalmēya kaṟaisēr kaṇṭāveṉ
    tṟellā mozhiyālum imaiyōr thozhuthēththa
    villāl araṇmūṉtṟum venthu vizhaveytha
    nallāṉ namaiyāḷvāṉ nallam nakarāṉē

    Sitting in the shade of the banyan tree, the one with the dark-marked throat is worshipped and praised by the celestials in every language. He burned the forts of the demons with his bow. This good one, who rules over us, is the lord of the town of Nallam.

    Tap any Tamil word for its meaning

    Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

    All eleven verses

    1. 01

      கல்லால் நிழல்மேய கறைசேர் கண்டாவென்றெல்லா மொழியாலும் இமையோர் தொழுதேத்தவில்லால் அரண்மூன்றும் வெந்து விழவெய்தநல்லான் நமையாள்வான் நல்லம் நகரானே

      Kallāl nizhalmēya kaṟaisēr kaṇṭāveṉ / tṟellā mozhiyālum imaiyōr thozhuthēththa / villāl araṇmūṉtṟum venthu vizhaveytha / nallāṉ namaiyāḷvāṉ nallam nakarāṉē

    2. 02

      தக்கன் பெருவேள்வி தன்னி லமரரைத்துக்கம் பலசெய்து சுடர்பொற் சடைதாழக்கொக்கின் இறகோடு குளிர்வெண் பிறைசூடும்நக்கன் நமையாள்வான் நல்லம் நகரானே

      Thakkaṉ peruvēḷvi thaṉṉi lamararaith / thukkam palaseythu suṭarpoṟ saṭaithāzhak / kokkiṉ iṟakōṭu kuḷirveṇ piṟaisūṭum / nakkaṉ namaiyāḷvāṉ nallam nakarāṉē

    3. 03

      அந்தி மதியோடும் அரவச் சடைதாழமுந்தி யனலேந்தி முதுகாட் டெரியாடிசிந்தித் தெழவல்லார் தீரா வினைதீர்க்கும்நந்தி நமையாள்வான் நல்லம் நகரானே

      Anthi mathiyōṭum aravach chaṭaithāzha / munthi yaṉalēnthi muthukāṭ ṭeriyāṭi / sinthith thezhavallār thīrā viṉaithīrkkum / nanthi namaiyāḷvāṉ nallam nakarāṉē

    4. 04

      குளிரும் மதிசூடிக் கொன்றைச் சடைதாழமிளிரும் மரவோடு வெண்ணூல் திகழ்மார்பில்தளிருந் திகழ்மேனித் தையல் பாகமாய்நளிரும் வயல்சூழ்ந்த நல்லம் நகரானே

      Kuḷirum mathichūṭik koṉtṟaich chaṭaithāzha / miḷirum maravōṭu veṇṇūl thikazhmārpil / thaḷirun thikazhmēṉith thaiyal pākamāy / naḷirum vayalchūzhntha nallam nakarāṉē

    5. 05

      மணியார் திகழ்கண்டம் முடையான் மலர்மல்குபிணிவார் சடையெந்தை பெருமான் கழல்பேணித்துணிவார் மலர்கொண்டு தொண்டர் தொழுதேத்தநணியான் நமையாள்வான் நல்லம் நகரானே

      Maṇiyār thikazhkaṇṭam muṭaiyāṉ malarmalku / piṇivār saṭaiyenthai perumāṉ kazhalpēṇith / thuṇivār malarkoṇṭu thoṇṭar thozhuthēththa / naṇiyāṉ namaiyāḷvāṉ nallam nakarāṉē

    6. 06

      வாசம் மலர்மல்கு மலையான் மகளோடும்பூசுஞ் சுடுநீறு புனைந்தான் விரிகொன்றைஈசன் னெனவுள்கி யெழுவார் வினைகட்குநாசன் நமையாள்வான் நல்லம் நகரானே

      Vāsam malarmalku malaiyāṉ makaḷōṭum / pūsuñ chuṭunīṟu puṉainthāṉ virikoṉtṟai / īsaṉ ṉeṉavuḷki yezhuvār viṉaikaṭku / nāsaṉ namaiyāḷvāṉ nallam nakarāṉē

    7. 07

      அங்கோல் வளைமங்கை காண அனலேந்திக்கொங்கார் நறுங்கொன்றை சூடிக் குழகாகவெங்கா டிடமாக வெந்தீ விளையாடும்நங்கோன் நமையாள்வான் நல்லம் நகரானே

      Aṅkōl vaḷaimaṅkai kāṇa aṉalēnthik / koṅkār naṟuṅkoṉtṟai chūṭik kuzhakāka / veṅkā ṭiṭamāka venthī viḷaiyāṭum / naṅkōṉ namaiyāḷvāṉ nallam nakarāṉē

    8. 08

      பெண்ணார் திருமேனிப் பெருமான் பிறைமல்குகண்ணார் நுதலினான் கயிலை கருத்தினால்எண்ணா தெடுத்தானை யிறையே விரலூன்றிநண்ணார் புரமெய்தான் நல்லம் நகரானே

      Peṇṇār thirumēṉip perumāṉ piṟaimalku / kaṇṇār nuthaliṉāṉ kayilai karuththiṉāl / eṇṇā theṭuththāṉai yiṟaiyē viralūṉtṟi / naṇṇār purameythāṉ nallam nakarāṉē

    9. 09

      நாகத் தணையானும் நளிர்மா மலரானும்போகத் தியல்பினாற் பொலிய அழகாகும்ஆகத் தவளோடும் அமர்ந்தங் கழகாரும்நாகம் மரையார்த்தான் நல்லம் நகரானே

      Nākath thaṇaiyāṉum naḷirmā malarāṉum / pōkath thiyalpiṉāṟ poliya azhakākum / ākath thavaḷōṭum amarnthaṅ kazhakārum / nākam maraiyārththāṉ nallam nakarāṉē

    10. 10

      குறியில் சமணோடு குண்டர் வண்தேரர்அறிவில் லுரைகேட்டங் கவமே கழியாதேபொறிகொள் ளரவார்த்தான் பொல்லா வினைதீர்க்கும்நறைகொள் பொழில்சூழ்ந்த நல்லம் நகரானே

      Kuṟiyil samaṇōṭu kuṇṭar vaṇthērar / aṟivil luraikēṭṭaṅ kavamē kazhiyāthē / poṟikoḷ ḷaravārththāṉ pollā viṉaithīrkkum / naṟaikoḷ pozhilchūzhntha nallam nakarāṉē

    11. 11

      நலமார் மறையோர்வாழ் நல்லம் நகர்மேயகொலைசேர் மழுவானைக் கொச்சை யமர்ந்தோங்குதலமார் தமிழ்ஞான சம்பந் தன்சொன்னகலைக ளிவைவல்லார் கவலை கழிவாரே

      The last verse says that Thirugnanasambandar sang these songs, and that those who can recite them will be free of their worries.

      Nalamār maṟaiyōrvāzh nallam nakarmēya / kolaisēr mazhuvāṉaik kochchai yamarnthōṅku / thalamār thamizh gñāṉa samban thaṉsoṉṉa / kalaika ḷivaivallār kavalai kazhivārē

    Photos

    Photographs

    23 photographs, in the order they appear in the write-up. Captions are AI-assisted.

    Entrance gateway with painted walls and a blue name board, a small tower visible beyond
    Pillared hall with a painted stucco panel of deities above and a Natarajar shrine name board
    Stone-pillared corridor with a shrine and ploughed ground seen on the left
    Pink metal grille in front of the Natarajar shrine, with the deities faintly visible inside
    Stone pillars line a corridor leading to a decorated inner doorway
    Two painted guardian figures flank steps up to the shrine door; a devotee sits inside
    Open pillared shrine with a painted sculpture of deities on its roof
    Dark stone idols dressed with cloth and flowers in a green-walled shrine
    Small blue-walled niche with a Tamil name board above an idol draped in yellow cloth
    Bearded stone figure in a wall niche, with a white cloth across its lap
    Standing stone figure in a niche, with a white cloth at the waist and a small carving beside it
    Stone figure in a niche with a bull's head beside it, draped in white and purple cloth
    Stone Vinayakar in a niche, with small carved figures in alcoves on either side
    Stone figure in a dancing pose in a niche, with a white cloth across the hips
    Six dark stone idols of Vinayakar in a row, with a larger one in the centre
    Three stone figures in side-by-side niches, each with a white cloth at the waist
    Carved relief of figures including a seated worshipper and a lingam, with an inscription below
    Long corridor of stone pillars with a painted frieze, and a tower at the far end
    Domed vimana with painted figures above a shrine roof, and a tower in the distance
    Small painted tower beside a long stone wall, with a shrine seen through the entrance
    Small open shrine with Vinayakar on its roof, beside the temple entrance
    Red-painted wall with carved pilasters and a tin-roofed doorway; a tower top at the left
    Small golden figures and a lion on the stone wall, with a bull statue at the left