Dharisanam ENதமிழ்
A sculptured tower with a tall flagstaff before it
Swayambu

Thiru Naaraiyur Sri Soundareswarar Temple 33rd of 63 on the north bank of the Kaveri · Chola Nadu · Temples near Chidambaram

Darshan today6:30 am – 12:00 noon, 4:30 pm – 7:30 pm
Moolavar
Soundareswarar, Swayamprakasa Eswarar
Ambal
Thiripurasundari
Theertham
Karunya Theertham
Sthala vriksham
Punnai tree
Pathigam by
Thirugnanasambanthar-3,Thirunavukarasar (Appar)-2

Temple

Visited on: 19th October, 2017 and 30th March, 2018.

Location

Thiru Naaraiyur is situated at a distance of about 8 kms from Kattumannar Koil on the Kattumannar Koil to Chidambaram route, near Kumaratchi. It is about 18 kms from Chidambaram.

Other Devara Paadal Petra Shiva Sthalam near this place are – Omampuliyur, Thirukkadampur, Kanattampuliyur, Erukkathampuliyur (Rajendrapatinam) and Thiru Kudalaiyatrur.

General information

Moolavar
Sri Soundareswarar, Sri Swayamprakasa Eswarar
Ambal
Sri Thiripurasundari
Theertham (Holy water)
Karunya Theertham
Sthala Vriksham (Sacred Tree)
Punnai tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar-3,
Saint Thirunavukarasar (Appar)-2
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 33rd Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This east facing temple has a single corridor and its main tower (Raja Gopuram) has 3-tiers.
  • Lord Polla Pillaiyar (Vinayakar) in this temple is a Swayambu murthy and is very popular.

  • This is the birth place of Nambiyandar Nambi, who along with King Rajaraja Chola recovered the Saiva Thirumurais from the Chidambaram Shiva temple.

  • The last consecration ceremony (Kumbabishekam) took place on 06.09.2009.

History of the temple

The most significant aspect of this temple is the Vinayakar – also called “Polla Pillaiyar”. Polla Pillaiyar means that this idol is not chiselled but has appeared on its own as “Swayambu”. He is very popular and regarded as the most powerful deity here.

This temple is under the administrative control of the Hindu Religious and Charitable Endowments Department of Government of Tamil Nadu (HR&CE).

A yellow arch with small idols over a tree-lined road
A yellow gateway with bull statues, tower seen through it
The sculptured tower behind a tall metal flagstaff
A weed-covered pond with concrete banks and trees behind

Legend

The legend associated with this temple is that of Sage Durvasa. The sage wanted to seek the darshan of Lord Shiva and was performing rigorous penance. His penance was disturbed by a Gandharva (dancers and singers from the celestial world). Sage Durvasa cursed the Gandharva that he would turn into a crane (Naarai bird). When he begged for forgiveness, the sage advised him to come to this place (Naraiyur) and worship the lord every day with water from the Ganges in Banaras to get relieved from this curse.

As a bird, the Gandharva flew to Varanasi (Kasi) every day as fast as he could, fetched water from the Ganges in his beak and performed abishekam. One day there was a heavy storm and he could not continue his journey against the direction of the winds. Despite all the hardships, the bird laboured on. Slowly, he lost all his feathers and started falling down. Some of the water that he was carrying for the abishekam also fell from his mouth. Lord Shiva was very pleased with his devotion and blessed him with salvation (“mukthi”). Hence this place gets the name Naraiyur and this temple is considered to be a “Mukthi Sthalam”. The place where the water fell turned into a pond and it is now known as “Karunya Theertham”. The place where the feathers fell is known as “Sirakizhantha Nallur” (“siraku” means wing and “vizhuntha” means “to fall” in Tamil). This village is about 3 kms away from this temple.

Another legend associated with this temple is that of Nambiyandar Nambi and Chola King Rajarajan (985-1014 AD). Nambiyandar Nambi was born in Thirunaaraiyur and his father Ananthesar was the temple priest. At a young age, Nambiyandar was well versed in the Vedas and agamas. As a young boy, he used to watch his father perform poojas in the temple. One day, when his father returned from the temple, he asked his father where the offering (nivedhanam) was. His father replied that the Vinayakar (Polla Pillaiyar) had eaten it as usual. He had said this only in jest and the nivedhanam was distributed among the devotees.

One day, when his father had gone to a nearby village, Nambi was asked to perform poojas in the temple. After completing the regular poojas in the temple, he offered the nivedhanam to the Vinayakar and asked him to eat. However, there was no response from Lord Vinayakar idol. Nambi was worried that he had committed some mistakes in the poojas because of which the lord had refused the offering. He repeatedly requested the lord to eat the offerings. He started weeping and punishing himself by bashing his own head on the foot of the idol. Pleased with the sincere devotion of the child, Vinayakar came down to that shrine and stopped Nambi hurting himself. He also ate the offering. When Nambi told this story to his parents, they didn’t believe him. Next day, his parents hid themselves in the shrine and watched in bewilderment as Lord Vinayakar started eating the offering.

The story of this miracle spread all across the nation. When King Rajaraja Cholan came to know about this miracle, he refused to believe it and decided to come to this place. The King came with some offerings and asked Nambi to offer it to the Pillaiyar. Initially, the lord did not take the offering. Nambi became worried and rendered his hymn which later came to be known as “Irattai Mani Malai”. Pleased with his hymn, Vinayakar consumed the offerings in the presence of the gathering which included the king.

The King then bowed before the child and requested him to seek information about the whereabouts of the Devara hymns. On Nambi’s request, Polla Pillaiyar, by way of a divine voice, said that the hymns were kept in a room in the Chidambaram Natarajar temple. The divine voice also informed him that on the door, there would be a symbol of “hand”. Hence this Vinayakar is also praised as “Thirumurai Kattiya Vinayakar” (the lord who revealed the Thirumurais).

The lord further disclosed to Nambi the number of hymns rendered by each of the three saints - Thirugnanasambanthar (16000 pathigams), Thirunavukkarasar (4900 pathigams) and Sundharar (3800 pathigams).

The king took Nambi to Thillai Natarajar Temple at Chidambaram in search of the hymns written on the palm leaves. They found it in the room but most of them had been destroyed by termites.

Though the local Dikshithars from Chidambaram temple opposed this mission, the king intervened and helped Nambi procure these scripts and complete his task of compiling and arranging them. The king also assigned a few scholars to assist Nambi.

However, what could be recovered later was not even 10% of the total pathigams. The number of pathigams that were recovered is - Thirugnanasambanthar (383 pathigams), Thirunavukkarasar (313 pathigams) and Sundharar (100 pathigams) only. Nambi was saddened by the loss of so many pathigams. At that time, the divine voice was heard stating that whatever was essential had been recovered and instructed everyone to be content with it.

Nambi’s “Irattai Mani Malai” hymn, available in the 11th Thirumurai, is considered very auspicious. It is sung before the Polla Pillaiyar here at every “Sankatahara Chuthurthi” festival.

To read Saint Nambiyandar Nambi’s “Irattai Mani Malai” click here.

In Saint Sundarar’s “Thiruthondar Thogai”, the names of the 63 Nayanmars have been mentioned. Nambiyandar Nambi has written a brief history of each of the 63 Nayanmars. Saint Sekkizhar’s “Periya Puranam” (also called “Thiruthondar Puranam”) builds on the base provided by Nambi’s work. Nambi is also one of the authors of the 11th Thirumurai of the “Panniru Thirumurai”.

The whole Saivite world is indebted to these great people – King Rajaraja Chola and Nambiyandar Nambi – for recovering these priceless hymns, which would otherwise have never seen the light of the day.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of

Vinayakar (Polla Pillaiyar, a Swayambu Moorthy), Murugan, Thirumula Nathar, Natarajar, Gajalakshmi, Saneeswarar, Bairavar (3), Suryan, Navagraham and Bairavar, can be seen in the main hall and the corridors

There is a separate shrine in the corridor which houses the idols of Nalvar, Sekkizhar, Agasthiyar, Bagamunivar, Narayana Munivar and Ganapathy.

Also, in a separate shrine, the four Santhanacharyars - Meikanda Devar, Arul Nandhi Sivachariyar, Marai Ganasambanthar and Umapathy Sivachariyar can be seen.

There is a separate shrine for Polla Pillaiyar. Idols of Nambiyandar Nambi and King Rajaraja Cholan can be seen in this shrine.

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Dakshinamurthy, Annamalayar, Brahma, Durgai and Chandikeswarar (2) can be seen.

A shrine doorway with guardian statues and a lamp stand
A stone shrine with pillars and a niche figure above
A covered walkway with railings leading to a dark doorway
Draped black idols in a row under Tamil name labels
Cloth-draped idols under Tamil name boards
Four draped idols in a small painted shrine

Salient features

As the primary Shivalingam is “swayambu”, the lord here is praised as “Sri Swayamprakasa Eswarar”.

Like his brother Murugan, Lord Vinayakar also has six abodes. They are Thirunaraiyur (this place), Thiruvannamalai, Virudhachalam, Thirukkadaiyur, Madurai and Kasi. Thirunaraiyur is considered to be his first abode.

There are two Chandikeswarar here - one is for the Moolavar and the other one is for the Thirumulanathar.

The shikara on top of the sanctum sanctorum is in the shape of a half-moon. There are two “kalas” on top of it. This is an architectural rarity. It is believed that Goddess Parvathy is always a part of Lord Shiva, thus signifying the second Kalas.

An old stone tower crowded with figures
Tower sculptures of Vinayakar with devotees and a guardian
A crane sculpture beside a small Shivalingam on the tower

There is also a separate small temple for Nambiyandar Nambi in front of this temple.

During every “Sankatahara Chuthurthi” festival, Nambi’s “Irattai Mani Malai” Pathigam is recited before Polla Pillaiyar.

There are beautiful sculptures on either side of the second gopuram. On one side Polla Pillaiyar is shown taking offerings from Nambiyandar Nambi and on the other side, the sculpture depicts a crane (Naarai) worshiping a Shivalingam.

Greatness of this temple

By worshiping the lord here, devotees can seek forgiveness for all their sins – even those which were committed unknowingly.

Important festivals

The highlights of this temple are the 13-day Brahmotsavam - Rajarajan festival and the Nambiyandar’s Guru Poojai (date of salvation) festival which are celebrated in the Tamil month of Vaikasi (May-June).

Other important festivals celebrated in this temple are –

Vaikasi Visakam in the Tamil month of Vaikasi (May-June),

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Skanda Shashti and Annabishekam in the Tamil month of Aippasi (Oct–Nov),

Thiru Karthikai in the Tamil month of Karthikai (Nov-Dec),

Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan) and

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham is also observed regularly.

Note: It has been notified by the temple authorities that the Brahmotsavam festival will be celebrated this year (2018) after a long gap of 70 years.

Temple timings

From 06.30 AM to 11.30 Noon and from 04.30 PM to 07.30 PM.

Temple address

Sri Soundareswarar Temple,
Thiru Naaraiyur,
Kattumannarkoil Taluk,
Cuddalore District.
Tamil Nadu - 608 303.
Tele: +91-8807427945
The temple priest Sri Karthik Gurukkal can be contacted at 9789546807.

*
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Today6:30 am – 12:00 noon, 4:30 pm – 7:30 pm
Phone+91- 8807427945
Sculptures of Shiva and Parvathy on the bull over a doorway
A stone shrine with figures and bulls along its roof
A blue-roofed walkway with railings beside a stone wall
Colourful roof figures of Murugan between two goddesses
Roof figures and painted panels on yellow shrine walls

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

Why this temple is great

Devotees worship here seeking forgiveness for all sins, even those committed unknowingly. Polla Pillaiyar is regarded as the most powerful deity here.

  1. Forgiveness for all sinsBy worshiping the lord here, devotees can seek forgiveness for all sins, even those committed unknowingly.
  2. Most powerful Polla PillaiyarPolla Pillaiyar is very popular and regarded as the most powerful deity here.
  3. A Mukthi SthalamThis temple is considered to be a Mukthi Sthalam, where the crane won salvation.
Significance

Where the Thirumurais were found

This is the birth place of Nambiyandar Nambi, who recovered the Saiva Thirumurais with King Rajaraja Chola. Saints Thirugnanasambanthar and Thirunavukarasar rendered Pathigams here.

  1. Nambi's birth placeNambiyandar Nambi was born here; with the king he recovered the Saiva Thirumurais from Chidambaram.
  2. Thirumurais revealedPolla Pillaiyar revealed that the hymns lay in a room in the Chidambaram Natarajar temple.
  3. Sung by the saintsThirugnanasambanthar and Thirunavukarasar rendered Pathigams of this temple.
Why devotees come

Why devotees come here

Devotees come seeking forgiveness for sins, and to worship the popular Polla Pillaiyar. Festivals run from the Vaikasi Brahmotsavam to Shivrathri, and Pradosham is observed regularly.

  1. For forgiveness of sinsFor all sins: worshiping the lord here brings forgiveness, even for sins committed unknowingly.
  2. For Polla PillaiyarFor the beloved lord: Polla Pillaiyar is very popular and most powerful here.
  3. For the festivalsFor celebration: the Brahmotsavam and Nambi's Guru Poojai fill Vaikasi.
Raja Gopuram with 3 tiers
276Paadal Petra Sthalams

A Paadal Petra Sthalam

This temple is one of the 276 Devara Paadal Petra Shiva Sthalams.

Legends of the temple

Sage Durvasa cursed a Gandharva to become a crane; the bird won salvation worshiping here.

As a boy, Nambi wept until Vinayakar himself ate the offering.

King Rajaraja Cholan watched Vinayakar eat the offerings after Nambi's hymn.

Saints of this temple

  1. Nambiyandar NambiIdols of Nambiyandar Nambi and King Rajaraja Cholan can be seen in the Polla Pillaiyar shrine.
  2. Saint ThirugnanasambantharHe rendered Pathigams of this temple.
  3. Saint ThirunavukarasarHe rendered Pathigams of this temple.

Festivals through the year

    From the Vaikasi Brahmotsavam to Shivrathri in Masi, with Pradosham observed regularly.

    Deities

    The deities of this temple

    * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

    From the sanctum to the corridors
    Moolavarசி
    Moolavar

    Sri Soundareswarar, Sri Swayamprakasa Eswarar

    Lord Shiva in this temple is a Swayambumurthi (self-manifested). As the primary Shivalingam is swayambu, he is praised as Sri Swayamprakasa Eswarar.

    Ambalஅ
    Ambal

    Sri Thiripurasundari

    Goddess Parvathy is always a part of Lord Shiva, thus signifying the second Kalas.

    Tower sculptures of Vinayakar with devotees and a guardian
    Shrine in the temple

    Vinayakar (Polla Pillaiyar)

    Lord Polla Pillaiyar (Vinayakar) is a Swayambu murthy and is very popular. He is regarded as the most powerful deity here.

    Colourful roof figures of Murugan between two goddesses
    Shrine in the corridor

    Murugan

    Murugan can be seen in the main hall and the corridors.

    A shrine doorway with guardian statues and a lamp stand
    Shrine in the corridor

    Thirumula Nathar

    Thirumula Nathar can be seen in the main hall and the corridors.

    Shrine in the corridorந
    Shrine in the corridor

    Natarajar

    Natarajar can be seen in the main hall and the corridors.

    Shrine in the corridorகஜ
    Shrine in the corridor

    Gajalakshmi

    Gajalakshmi can be seen in the main hall and the corridors.

    Shrine in the corridorபை
    Shrine in the corridor

    Bairavar

    Bairavar idols (3) can be seen in the main hall and the corridors.

    Shrine in the corridorசூ
    Shrine in the corridor

    Suryan

    Suryan can be seen in the main hall and the corridors.

    Shrine in the corridorநவ
    Shrine in the corridor

    Navagraham

    Navagraham can be seen in the main hall and the corridors.

    Draped black idols in a row under Tamil name labels
    Shrine in the corridor

    Nalvar

    The Nalvar can be seen in a separate corridor shrine.

    Shrine in the corridorசே
    Shrine in the corridor

    Sekkizhar

    Sekkizhar can be seen in a separate corridor shrine with the Nalvar.

    Four draped idols in a small painted shrine
    Shrine in the corridor

    Santhanacharyars

    The four Santhanacharyars can be seen in a separate shrine.

    Idol in the koshtamத
    Idol in the koshtam

    Dakshinamurthy

    Dakshinamurthy can be seen in the koshtam.

    Idol in the koshtamது
    Idol in the koshtam

    Durgai

    Durgai can be seen in the koshtam.

    Shrine in the corridorச
    Shrine in the corridor

    Chandikeswarar

    Two Chandikeswarar are here: one for the Moolavar and one for Thirumulanathar.

    Visit & map

    Sacred geography
    Thiru Naaraiyur Kanattumullur Thiru Pazha Mannippadikkarai Omampuliur Melakkadambur Thirukurakkukka Thiruvazhkoliputhur Thiru Karuppariyalur Thiruppunkur Thirukkazhippalai, Chidambaram Thirunelvayil, Chidambaram Thiru Kurukkai Thirukkolakka
    You are hereThis temple

    Schematic. Distances as recorded on the visit; directions approximate.

    12a6a12p6p
    Darshan today6:30 am – 12:00 noon, 4:30 pm – 7:30 pm
    6:30 – 12:004:30 – 7:30 pm

    Hours as recorded on the visit. Festival days can differ.

    Plan the day around it

    Address and phone

    Sri Soundareswarar Temple, Thiru Naaraiyur, Kattumannarkoil Taluk, Cuddalore District. Tamil Nadu - 608 303. The temple priest Sri Karthik Gurukkal can be contacted at 9789546807.

    +91- 8807427945

    *

    A day of darshan nearby

    5 more sthalams within reach, nearest first: 18 km in straight lines.

    Map of Thiru Naaraiyur and the sthalams nearby, in route order: Kanattumullur, Thiru Pazha Mannippadikkarai, Thiruvazhkoliputhur, Thirukurakkukka, Thiru Karuppariyalur. Omampuliur · 10.1 km Melakkadambur · 10.2 km Thiru Naaraiyur 1 Kanattumullur 2 3 Thiruvazhkoliputhur 4 Thirukurakkukka 5 5 km N
    Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

    Temple plan

    Tower sculptures of Vinayakar with devotees and a guardian
    01

    Gopuram sculptures

    Beautiful sculptures stand on either side of the second gopuram. On one side Polla Pillaiyar is shown taking offerings from Nambiyandar Nambi.

    1 / 8

    Summary written with AI help from the temple write-up.

    Pathigam

    Saint Thirunavukkarasar (Appar) visited this temple and sang this Pathigam.

    Devotees visiting this temple should make it a practice to recite this Pathigam.

    V. Muthukumaraswamy

    Appar sang this Pathigam when he visited this temple. Verse 1 of 10.

    Sollāṉaip poruḷāṉaich suruthi yāṉaich
    chuṭarāzhi neṭumāluk karuḷcey thāṉai
    allāṉaip pakalāṉai ariyāṉ tṟaṉṉai
    aṭiyārkaṭ keḷiyāṉai araṇmūṉ tṟeytha
    villāṉaich charamvisayaṟ karuḷcey thāṉai
    veṅkathirōṉ māmuṉivar virumpi yēththum
    nallāṉaith thīyāṭu nampaṉ tṟaṉṉai
    nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    Appar hails Shiva as word, meaning and scripture, who graced Vishnu and Arjuna. He is night and day, hard to know yet easy for devotees, praised by the sun and the sages. The poet saw this fire-dancing Namban at Naaraiyur, the good city.

    Tap any Tamil word for its meaning

    Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

    All ten verses

    1. 01

      சொல்லானைப் பொருளானைச் சுருதி யானைச்சுடராழி நெடுமாலுக் கருள்செய் தானைஅல்லானைப் பகலானை அரியான் றன்னைஅடியார்கட் கெளியானை அரண்மூன் றெய்தவில்லானைச் சரம்விசயற் கருள்செய் தானைவெங்கதிரோன் மாமுனிவர் விரும்பி யேத்தும்நல்லானைத் தீயாடு நம்பன் றன்னைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Sollāṉaip poruḷāṉaich suruthi yāṉaich / chuṭarāzhi neṭumāluk karuḷcey thāṉai / allāṉaip pakalāṉai ariyāṉ tṟaṉṉai / aṭiyārkaṭ keḷiyāṉai araṇmūṉ tṟeytha / villāṉaich charamvisayaṟ karuḷcey thāṉai / veṅkathirōṉ māmuṉivar virumpi yēththum / nallāṉaith thīyāṭu nampaṉ tṟaṉṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    2. 02

      பஞ்சுண்ட மெல்லடியாள் பங்கன் றன்னைப்பாரொடுநீர் சுடர்படர்காற் றாயி னானைமஞ்சுண்ட வானாகி வானந் தன்னில்மதியாகி மதிசடைமேல் வைத்தான் றன்னைநெஞ்சுண்டென் நினைவாகி நின்றான் றன்னைநெடுங்கடலைக் கடைந்தவர்போய் நீங்க வோங்கும்நஞ்சுண்டு தேவர்களுக் கமுதீந் தானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Pañchuṇṭa mellaṭiyāḷ paṅkaṉ tṟaṉṉaip / pāroṭunīr suṭarpaṭarkāt ṟāyi ṉāṉai / mañchuṇṭa vāṉāki vāṉan thaṉṉil / mathiyāki mathisaṭaimēl vaiththāṉ tṟaṉṉai / neñchuṇṭeṉ niṉaivāki niṉtṟāṉ tṟaṉṉai / neṭuṅkaṭalaik kaṭainthavarpōy nīṅka vōṅkum / nañchuṇṭu thēvarkaḷuk kamuthīn thāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    3. 03

      மூவாதி யாவர்க்கும் மூத்தான் றன்னைமுடியாதே முதல்நடுவு முடிவா னானைத்தேவாதி தேவர்கட்குந் தேவன் றன்னைத்திசைமுகன்றன் சிரமொன்று சிதைத்தான் றன்னைஆவாத அடலேறொன் றுடையான் றன்னைஅடியேற்கு நினைதோறும் அண்ணிக் கின்றநாவானை நாவினில்நல் லுரையா னானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Mūvāthi yāvarkkum mūththāṉ tṟaṉṉai / muṭiyāthē muthalnaṭuvu muṭivā ṉāṉaith / thēvāthi thēvarkaṭkun thēvaṉ tṟaṉṉaith / thisaimukaṉtṟaṉ siramoṉtṟu sithaiththāṉ tṟaṉṉai / āvāta aṭalēṟoṉ tṟuṭaiyāṉ tṟaṉṉai / aṭiyēṟku niṉaithōṟum aṇṇik kiṉtṟa / nāvāṉai nāviṉilnal luraiyā ṉāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    4. 04

      செம்பொன்னை நன்பவளந் திகழு முத்தைச்செழுமணியைத் தொழுமவர்தஞ் சித்தத் தானைவம்பவிழும் மலர்க்கணைவேள் உலக்க நோக்கிமகிழ்ந்தானை மதிற்கச்சி மன்னு கின்றகம்பனையெங் கயிலாய மலையான் றன்னைக்கழுகினொடு காகுத்தன் கருதி யேத்தும்நம்பனையெம் பெருமானை நாதன் றன்னைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Sempoṉṉai naṉpavaḷan thikazhu muththaich / chezhumaṇiyaith thozhumavarthañ chiththath thāṉai / vampavizhum malarkkaṇaivēḷ ulakka nōkki / makizhnthāṉai mathiṟkachchi maṉṉu kiṉtṟa / kampaṉaiyeṅ kayilāya malaiyāṉ tṟaṉṉaik / kazhukiṉoṭu kākuththaṉ karuthi yēththum / nampaṉaiyem perumāṉai nāthaṉ tṟaṉṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    5. 05

      புரையுடைய கரியுரிவைப் போர்வை யானைப்புரிசடைமேற் புனலடைத்த புனிதன் றன்னைவிரையுடைய வெள்ளெருக்கங் கண்ணி யானைவெண்ணீறு செம்மேனி விரவி னானைவரையுடைய மகள்தவஞ்செய் மணாளன் றன்னைவருபிணிநோய் பிரிவிக்கும் மருந்து தன்னைநரைவிடைநற் கொடியுடைய நாதன் றன்னைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Puraiyuṭaiya kariyurivaip pōrvai yāṉaip / purisaṭaimēṟ puṉalaṭaiththa puṉithaṉ tṟaṉṉai / viraiyuṭaiya veḷḷerukkaṅ kaṇṇi yāṉai / veṇṇīṟu sem'mēṉi viravi ṉāṉai / varaiyuṭaiya makaḷthavañchey maṇāḷaṉ tṟaṉṉai / varupiṇinōy pirivikkum marunthu thaṉṉai / naraiviṭainaṟ koṭiyuṭaiya nāthaṉ tṟaṉṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    6. 06

      பிறவாதும் இறவாதும் பெருகி னானைப்பேய்பாட நடமாடும் பித்தன் றன்னைமறவாத மனத்தகத்து மன்னி னானைமலையானைக் கடலானை வனத்து ளானைஉறவானைப் பகையானை உயிரா னானைஉள்ளானைப் புறத்தானை ஓசை யானைநறவாரும் பூங்கொன்றை சூடி னானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Piṟavāthum iṟavāthum peruki ṉāṉaip / pēypāṭa naṭamāṭum piththaṉ tṟaṉṉai / maṟavātha maṉaththakaththu maṉṉi ṉāṉai / malaiyāṉaik kaṭalāṉai vaṉaththu ḷāṉai / uṟavāṉaip pakaiyāṉai uyirā ṉāṉai / uḷḷāṉaip puṟaththāṉai ōsai yāṉai / naṟavārum pūṅkoṉtṟai chūṭi ṉāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    7. 07

      தக்கனது வேள்விகெடச் சாடி னானைத்தலைகலனாப் பலியேற்ற தலைவன் றன்னைக்கொக்கரைசச் சரிவீணைப் பாணி யானைக்கோணாகம் பூணாகக் கொண்டான் றன்னைஅக்கினொடும் என்பணிந்த அழகன் றன்னைஅறுமுகனோ டானைமுகற் கப்பன் றன்னைநக்கனைவக் கரையானை நள்ளாற் றானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Thakkaṉathu vēḷvikeṭach chāṭi ṉāṉaith / thalaikalaṉāp paliyētṟa thalaivaṉ tṟaṉṉaik / kokkaraisach charivīṇaip pāṇi yāṉaik / kōṇākam pūṇākak koṇṭāṉ tṟaṉṉai / akkiṉoṭum eṉpaṇintha azhakaṉ tṟaṉṉai / aṟumukaṉō ṭāṉaimukaṟ kappaṉ tṟaṉṉai / nakkaṉaivak karaiyāṉai naḷḷāt ṟāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    8. 08

      அரிபிரமர் தொழுதேத்தும் அத்தன் றன்னைஅந்தகனுக் கந்தகனை அளக்க லாகாஎரிபுரியும் இலிங்கபுரா ணத்து ளானைஎண்ணாகிப் பண்ணா ரெழுத்தா னானைத்திரிபுரஞ்செற் றொருமூவர்க் கருள்செய் தானைச்சிலந்திக்கும் அரசளித்த செல்வன் றன்னைநரிவிரவு காட்டகத்தி லாட லானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Aripiramar thozhutēththum aththaṉ tṟaṉṉai / anthakaṉuk kanthakaṉai aḷakka lākā / eripuriyum iliṅkapurā ṇaththu ḷāṉai / eṇṇākip paṇṇā rezhuththā ṉāṉaith / thiripurañchetṟ ṟorumūvark karuḷsey thāṉaich / silanthikkum arasaḷiththa selvaṉ tṟaṉṉai / nariviravu kāṭṭakaththi lāṭa lāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    9. 09

      ஆலால மிடற்றணியா அடக்கி னானைஆலதன்கீழ் அறம்நால்வர்க் கருள்செய் தானைப்பாலாகித் தேனாகிப் பழமு மாகிப்பைங்கரும்பா யங்கருந்துஞ் சுவையா னானைமேலாய வேதியர்க்கு வேள்வி யாகிவேள்வியினின் பயனாய விமலன் றன்னைநாலாய மறைக்கிறைவ னாயி னானைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Ālāla miṭatṟaṇiyā aṭakki ṉāṉai / ālathaṉkīzh aṟamnālvark karuḷsey thāṉaip / pālākith thēṉākip pazhamu mākip / paiṅkarumpā yaṅkarunthuñ suvaiyā ṉāṉai / mēlāya vēthiyarkku vēḷvi yāki / vēḷviyiṉiṉ payaṉāya vimalaṉ tṟaṉṉai / nālāya maṟaikkiṟaiva ṉāyi ṉāṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    10. 10

      மீளாத ஆளென்னை உடையான் றன்னைவெளிசெய்த வழிபாடு மேவி னானைமாளாமை மறையவனுக் குயிரும் வைத்துவன்கூற்றின் உயிர்மாள உதைத்தான் றன்னைத்தோளாண்மை கருதிவரை யெடுத்த தூர்த்தன்தோள்வலியுந் தாள்வலியுந் தொலைவித் தாங்கேநாளோடு வாள்கொடுத்த நம்பன் றன்னைநாரையூர் நன்னகரிற் கண்டேன் நானே

      Mīḷātha āḷeṉṉai uṭaiyāṉ tṟaṉṉai / veḷiseytha vazhipāṭu mēvi ṉāṉai / māḷāmai maṟaiyavaṉuk kuyirum vaiththu / vaṉkūtṟiṉ uyirmāḷa uthaiththāṉ tṟaṉṉaith / thōḷāṇmai karuthivarai yeṭuththa thūrththaṉ / thōḷvaliyun thāḷvaliyun tholaivith thāṅkē / nāḷōṭu vāḷkoṭuththa nampaṉ hṟaṉṉai / nāraiyūr naṉṉakariṟ kaṇṭēṉ nāṉē

    Photos

    Photographs

    19 photographs, in the order they appear in the write-up. Captions are AI-assisted.

    A sculptured tower with a tall flagstaff before it
    A yellow arch with small idols over a tree-lined road
    A yellow gateway with bull statues, tower seen through it
    The sculptured tower behind a tall metal flagstaff
    A weed-covered pond with concrete banks and trees behind
    A shrine doorway with guardian statues and a lamp stand
    A stone shrine with pillars and a niche figure above
    A covered walkway with railings leading to a dark doorway
    Draped black idols in a row under Tamil name labels
    Cloth-draped idols under Tamil name boards
    Four draped idols in a small painted shrine
    An old stone tower crowded with figures
    Tower sculptures of Vinayakar with devotees and a guardian
    A crane sculpture beside a small Shivalingam on the tower
    Sculptures of Shiva and Parvathy on the bull over a doorway
    A stone shrine with figures and bulls along its roof
    A blue-roofed walkway with railings beside a stone wall
    Colourful roof figures of Murugan between two goddesses
    Roof figures and painted panels on yellow shrine walls