Dharisanam ENதமிழ்
A large dark stone bull seated on a platform under a pillared roof
Moovar sthalamSwayambu

Thiruppunkur Sri Shivalokanathaswamy temple 20th of 63 on the north bank of the Kaveri · Chola Nadu · Temples near Mayiladuthurai

Darshan today7:00 am – 12:00 noon, 4:00 pm – 8:30 pm
Moolavar
SriShivalokanathar
Ambal
Sokkanayaki Amman, Soundaranayaki
Theertham
Punka Theertham,Rishaba Theertham
Sthala vriksham
Punka tree
Pathigam by
Thirugnanasambanthar, Thirunavukarasar (Appar) and Sundaramurthy (Sundarar)

Temple

Visited on: 4th June, 2016 and 29th October, 2017.

Location

Thiruppunkur is situated at a distance of about 4 kms from Vaitheeswaran Koil on the Vaitheeswaran Koil to Manalmedu route. From Mayiladuthurai it is about 17 kms and from Chidambaram it is about 29 kms.

Other Devara Paadal Petra Shiva Sthalam near this place are – Vaitheeswaran Koil, Thirukkannar Koil, Thirunintriyur, Thiruvazhkoliputhur, Thiru Karuppariyalur, Thiru Kurakkuka, Thiru Kurukkai, Mayiladuthurai, Thiru Needur and Thiru Anniyur.

General Information

Moolavar
SriShivalokanathar
Ambal
Sri Sokkanayaki Amman, Sri Soundaranayaki
Theertham (Holy water)
Punka Theertham, Rishaba Theertham
Sthala Vriksham (Sacred Tree)
Punka tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar)
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 20th Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This is one of the 44 Paadal petra sthalams where the “Moovar” (the three saints - Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar) had rendered their Pathigams.
  • The Nandhi in this temple is huge and is placed a little distance away from its regular position to give a good view of the lord to Nanthanar, one of the 63 Nayanmars, from outside the temple.
  • This east facing temple has three corridors and its main tower (Rajagopuram) has 5-tiers.
  • The last consecration ceremony (Maha Kumbabishekam) took place on 03.05.1974.

History of the Temple

According to legend, in ancient times, this region was a forest densely covered with Punga trees. Hence this place gets the name Thiruppungur.

There are 5 stone inscriptions available here which date back to the period of Pallava Kings Sakalabhuvana and Kopperunsinga Devar. As per these inscriptions, this temple was renovated by these two kings.

The historical name of this place is “Karinchaaranyam” and the lord is praised as “Sri Sivalokamudaya Nayanar”.

A tall gateway tower covered in coloured figures, with coconut palms beside it
A pillared porch with a decorated roof and a wooden flagstaff in front

Legend

It is believed that Lord Brahma, Indran, Suryan, Chandran, Agni, Saints Agasthiyar, Patanjali, Vyakrapathar, Saptha Kanniyars and the monkeys (Vanaras) who were in search of Lord Ram’s wife, Sita have worshiped the lord here. Kings Rajendra Chola, Veera Vikrama Chola and his son Chirsabesa Chola have also worshiped the lord here.

It is believed that Saint Agasthiyar got the wedding dharshan of Lord Shiva here.

Thiru Nalai Povaar Nayanar

According to legend, Nanthanar, an ardent devotee of Lord Shiva, was born in Mela Adhanur village on the banks of the river Kollidam in a backward community. Though he was working as a peasant in a farm, he used to devote most of his time in the worship of Lord Shiva. He was very keen to worship Lord Shiva at the famous Chidambaram (Nataraja) temple and waited for an opportunity to go there. However, he could not get permission from his employer who kept stalling Nandanar’s request. Whenever anyone asked him about his trip, he used to say that “he would go tomorrow”. This earned him the nick name of “Thiru Nalai Povaar” – meaning “one who would go tomorrow”.

Noticing his eagerness, one day his employer finally granted him permission to go to Chidambaram. Nanthanar came to Thiruppungur en route Chidambaram. In those days, people from backward community were not allowed to enter into temples and had to worship the lord from the outside. However, in this temple, the Nandhi in front of the lord was so big that he could not see the lord. He then prayed to Lord Shiva to allow him to get his darshan. It is believed that Lord Shiva directed Nandhi to step aside to allow Nanthanar to see him fully without any hindrance. Nandhi obeyed immediately and the ecstatic Nanthanar got a full darshan of Lord Shiva.

A small blue-green shrine with a domed roof and a metal grille door

Overcome with joy, Nanthanar wanted to do something for this temple. He started digging a pond near the temple for the welfare of the devotees. He prayed to Lord Shiva for his blessings to accomplish his task. It is believed that Lord Shiva instructed Lord Vinayakar to help Nanthanar to complete his task. Lord Vinayakar along with his “Boothaganas” (the lord’s security), in the form of labourers, dug the pond overnight. This pond is known as “Rishabha Theertham” (also known as Ganapathy Theertham). Lord Vinayakar here is praised as “Kulam Vettiya Vinayakar” (meaning the god who dug the pond).

Normally the idols of Dhwarabalakas (gate keepers) at the sanctum’s entrance in Shiva temples are standing erect and facing ahead. However, here their faces are slightly tilted and positioned diagonally. This is meant to signify that one Dhwarabalaka informs the lord that “Nanthanar has come for a dharshan and is waiting outside”. The other one seems to be passing the lord’s instructions to Nandhi to step aside. Both the Nandhis, the one inside the sanctum and the other outside it is not in their regular position.

Pancha Lingams

Another legend associated with this temple is that involving a debate between Lord Shiva and Goddess Parvathi. When they had a debate as to who was more charming, Lord Shiva took out a Dharbhai (a grass used in rituals) and made three knots in it and threw it down to the earth. He further said that wherever the Dharbhai falls to the ground, he would comment on Goddess Parvathy’s beauty. The Dharbhai fell on the ground at this place and got converted into the “Pancha lingams”. These Pancha lingams are situated inside the temple.

Saint Sundaramurthy Nayanar

Sundaramurthy Nayanar visited this temple along with his friend Eyarkon Kalikkama Nayanar of Thiru Perumangalam, a nearby village. Kalikkama Nayanar is also one of the 63 Nayanmars. Interestingly, his wife is Manakkanchara Nayanar’s daughter (Manakkanchara Nayanar is also one of the 63 Nayanmars).

At the same time, it is believed that the Chola King Rajendran was also staying here. He had come to this place to worship the lord and seek his blessing for a good monsoon as that region had been facing a drought for a long time. The king requested Sundarar to address this problem. Sundarar put up a condition saying that 12 Veli* of land had to be given to the temple if he could make it rain. The king readily agreed to his proposition. Upon completing his songs, Lord Shiva brought rains to this place. Since the rains had not stopped for a few days, Sundarar was again summoned by the king to fix the problem of imminent floods. Sundarar once again insisted that 12 more Veli of land be given to the temple should the rains cease after his song. The king accepted to Sundarar’s demand. The rain stopped after his songs and the temple became richer by 12 more Veli. In his hymn of this temple, in the 2nd stanza, Saint Sundarar mentioned about this incident.

*(1 Veli = 5 kaani = 20 Ma = 6.62 Acre = 2.679 Hectares).

After the Thiripura Samharam (an incident involving the killing of three demons), Lord Shiva made two of the demons as the gate keepers (Dwarapalakas) of the sanctum sanctorum. The third one became the lord’s drummer.

In his hymn of this temple, in the 8th stanza, Saint Sundarar mentioned about this incident. Also, in front of Lord Natarajar of this temple, there is a musical instrument (“Panchamukha Vadhyam” or “Manimuzha” in Tamil) which is played by this demon.

Deities in the Temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of lords Sundara Vinayakar, Murugan with his consorts, Somaskandar, Natarajar, Gajalakshmi, Nagar, Nalvar, Kalikkama Nayanar, Suryan, Lingams worshiped by Suryan and Agasthiyar can be seen in the corridors.

There are four Shivlingams in the inner corridor. Each of this lingam is said to represent one of Lord Shiva’s faces – Thathpurusha, Aghora, Vamadeva and Sadyojatha.

The idols of Ganapathy, Mahavishnu, Mahalkshmi and Durgai are placed in a row in the inner corridor.

In the outer corridor, “Kulam Vettiya Vinayakar, Murugan with his consorts, Brahma lingam, Pancha lingams, 7 Santhana Nagars, Navagraham, Bairavar, Chandran can be seen.

A small tiled shrine with a seated Vinayakar figure above its roof
A small shrine with Murugan and his consorts above the roof, flanked by two peacocks
A dark stone figure between two elephants, draped in a red cloth
A dark standing figure in a niche, draped in yellow and green cloth
A dancing Vinayakar in dark stone on a round base, with a Tamil name board
A dark standing figure in a niche with a white cloth over one shoulder
A dark standing figure in a niche wearing a white cloth at the waist
A dark standing figure with a raised hand in a niche, beside a Tamil name board
A figure carved inside an upright oval, with a smaller figure on each side
A dark standing figure with several arms in a niche, beside a Tamil name board
A dark standing figure in a niche, wrapped in an orange cloth
A dark standing figure in a niche in a white and cream cloth, beside a name board

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Narthana Vinayakar, Pitchandavar, Agasthiyar, Dakshinamurthy, Lingothbavar, Brahma, Durgai, Arthanareeswarar and Kshethrabalar (Bairavar) can be seen.

There are five Shivalingams representing Lord Shiva’s “panchamukham”. These lingams can be seen under the Sthala Viruksham of this temple and are in front of Lord Bhrama’s shrine.

There are two separate shrines for Nanthanar here – one in the outer corridor and the other one outside the temple near the main tower.

Five small dark figures in white cloth on a stone ledge, with a row of Tamil names above
A small stone shrine with an open doorway and a name board above it
A yellow-walled shrine with a lingam visible inside the doorway
Several lingams and a small Nandhi on a platform shaded by a tree

Salient Features

In this temple, almost all the idols are artistically made and look very beautiful.

Since the lingam is made out of sand, abishekam is not performed to the lingam but only to the base (Aavudayar). Only “Punugu” (civet) is applied to the lingam on every Monday at the time of night pooja. The lingam is always covered with a metal sheet (“kavasam”).

In most of the temples, Nandhi will have its tongue protruding out but in this temple, its tongue is not visible. This Nandhi is carved out of a single stone and it looks very beautiful. Also, this is one of the biggest Nandhis in Tamil Nadu – it is 15 feet long, 7 feet wide and 7 feet tall.

A large dark stone bull seated on a platform under a pillared roof

At the entrance of the sanctum sanctorum, on either side, beautiful reliefs of lord Vinayakar and Murugan can be seen.

A small grey stone Vinayakar marked with spots of pink powder
A small grey stone Murugan with a peacock behind, marked with pink powder

Behind the sanctum sanctorum, on either sides of Lord Lingothbavar, there are idols of Lord Mahavishnu and Lord Brahma in a worshipping posture. Devotees can enjoy the darshan of all the three lords (Trimurthys) – Brahma, Vishnu and Shiva. This is considered to be very auspicious.

This temple is considered to be significant for its three important attributes – Moorthy, Sthalam and Theertham - glory of Lord, sacredness of the land and the auspicious temple tank.

The sanctum sanctorum is in the form of semi-circular tank (akazhi in Tamil).

Greatness of this Temple

Devotees believe that worshiping the lord here will lead to removal of “Naga doshams” (related to serpent) and sins from their previous birth.

Devotees also believe that worshipping the “Pancha lingams” here will remove the obstacles from their marriage proposals.

Important Festivals

Some of the important festivals celebrated in the temple are –

10-day Vaikasi Visakam Brahmotsavam in the Tamil month of Vaikasi (May-June)

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept)

Navarathri in the Tamil month of Purattasi (Sept-Oct)

Skanda Shashti and Annabishekam in the Tamil month of Aippasi (Oct–Nov)

Thiru Karthikai in the Tamil month of Karthikai (Nov-Dec)

Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan) and

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham is also observed regularly.

Temple Timings

From 07.00 AM to 12.00 Noon and 04.00 PM to 08.30 PM.

Temple Address

Sri Shivalokanathar Temple,
Thiruppungur Post,
Sirkazhi Taluk,
Nagapattinam District,
Tamil Nadu 609 112.
Tele: 04364 279784 and 094867 17634.

*
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Today7:00 am – 12:00 noon, 4:00 pm – 8:30 pm
Phone04364 279784094867 17634
A wide paved courtyard with a pillared hall on the left and the tower on the right
A gateway tower with many painted figures, with palms and a small pink building beside it
A long brick-paved corridor beside a high compound wall with a small shrine at the far end
A dim stone hall with tall square pillars and carved shrine fronts beyond them

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

Moorthy, Sthalam and Theertham

The temple is held significant for the glory of the lord, the sacredness of the land and the auspicious temple tank.

  1. The lingamThe lingam is made of sand, so abishekam is performed only to the base (Aavudayar) and the lingam is covered with a metal sheet.
  2. The NandhiThe Nandhi is carved out of a single stone and looks very beautiful.
  3. The three lords togetherBehind the sanctum devotees can see Brahma, Vishnu and Shiva together, which is considered very auspicious.
Significance

A Devara Paadal Petra Sthalam

The three saints sang their Pathigams here, and the temple is among the sthalams on the northern bank of the Cauvery.

  1. Sung by the three saintsSaint Thirugnanasambanthar, Saint Thirunavukarasar and Saint Sundaramurthy rendered their Pathigams here.
  2. A self-manifested lordLord Shiva in this temple is a Swayambumurthi.
  3. Where the Nandhi stepped asideLord Shiva directed Nandhi to step aside so that Nanthanar could see him fully.
Why devotees come

Why devotees come here

Devotees come with prayers for relief from serpent doshams and for a settled marriage.

  1. For relief from Naga doshamsFor relief from Naga doshams and sins from a previous birth: devotees believe worship here removes them.
  2. For marriageFor marriage: devotees believe worshipping the Pancha lingams removes obstacles from marriage proposals.
  3. For the festivalsFor the Vaikasi Visakam Brahmotsavam and the other festivals celebrated through the year.
The Rajagopuram
276Devara Paadal Petra Sthalams

Paadal Petra Sthalam

Legends of the temple

Nanthanar could not see the lord past the huge Nandhi, so Lord Shiva told Nandhi to step aside.

Lord Vinayakar and the Boothaganas dug the pond overnight, now known as Rishabha Theertham.

A Dharbhai thrown down by Lord Shiva fell here and became the Pancha lingams.

After Sundarar's songs Lord Shiva brought rain, and later stopped it, for land given to the temple.

What devotees pray for

  • Removal of Naga doshamsWorship of the lord here is believed to remove Naga doshams and sins from a previous birth.
  • MarriageWorship of the Pancha lingams is believed to remove obstacles from marriage proposals.

Saints of this temple

  1. Sundaramurthy NayanarVisited the temple with his friend Eyarkon Kalikkama Nayanar and sang a Pathigam here.
  2. NanthanarAn ardent devotee of Lord Shiva who got a full darshan here and began digging a pond for devotees.
  3. Eyarkon Kalikkama NayanarOne of the Nayanmars, from Thiru Perumangalam, and a friend of Sundaramurthy Nayanar.

Kings of this temple

  1. Sakalabhuvana and Kopperunsinga DevarPallava kings whose period the stone inscriptions date to; the temple was renovated by them.
  2. Rajendra CholaWorshiped the lord here and asked Sundarar to bring an end to the drought.
  3. Veera Vikrama CholaWorshiped the lord here along with his son Chirsabesa Chola.

Festivals through the year

    The Vaikasi Visakam Brahmotsavam, Navarathri, Thiru Karthikai, Thiruvadhirai and Shivrathri are among the festivals.

    Deities

    The deities of this temple

    * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

    From the sanctum to the corridors
    Moolavarசி
    Moolavar

    Sri Shivalokanathar

    Lord Shiva in this temple is a Swayambumurthi (self-manifested).

    Ambalசொ
    Ambal

    Sri Sokkanayaki Amman, Sri Soundaranayaki

    The Ambal of this temple is Sri Sokkanayaki Amman, also called Sri Soundaranayaki.

    A small shrine with Murugan and his consorts above the roof, flanked by two peacocks
    Shrine in the corridor

    Murugan with his consorts

    Shrines and idols of Murugan with his consorts can be seen in the corridors.

    A dark stone figure between two elephants, draped in a red cloth
    Shrine in the corridor

    Gajalakshmi

    Shrines and idols of Gajalakshmi can be seen in the corridors.

    A dancing Vinayakar in dark stone on a round base, with a Tamil name board
    In the koshtam

    Narthana Vinayakar

    In the koshtam, the place surrounding the sanctum sanctorum, idols of Narthana Vinayakar can be seen.

    A dark standing figure in a niche wearing a white cloth at the waist
    In the koshtam

    Pitchandavar

    In the koshtam, idols of Pitchandavar can be seen.

    A dark standing figure with a raised hand in a niche, beside a Tamil name board
    In the koshtam

    Agasthiyar

    In the koshtam, idols of Agasthiyar can be seen.

    A figure carved inside an upright oval, with a smaller figure on each side
    In the koshtam

    Lingothbavar

    In the koshtam, idols of Lingothbavar can be seen.

    A dark standing figure with several arms in a niche, beside a Tamil name board
    In the koshtam

    Brahma

    In the koshtam, idols of Brahma can be seen.

    A dark standing figure in a niche with a white cloth over one shoulder
    In the koshtam

    Arthanareeswarar

    In the koshtam, idols of Arthanareeswarar can be seen.

    A dark standing figure in a niche in a white and cream cloth, beside a name board
    In the koshtam

    Kshethrabalar (Bairavar)

    In the koshtam, idols of Kshethrabalar (Bairavar) can be seen.

    Several lingams and a small Nandhi on a platform shaded by a tree
    Shrine in the corridor

    Shivalingams

    Five Shivalingams representing Lord Shiva's panchamukham can be seen under the Sthala Viruksham, in front of Lord Bhrama's shrine.

    A small blue-green shrine with a domed roof and a metal grille door
    Shrine outside the temple

    Nanthanar

    There are two separate shrines for Nanthanar: one in the outer corridor and the other outside the temple near the main tower.

    Visit & map

    Sacred geography
    Thiruppunkur Thiru Karuppariyalur Thirukurakkukka Thirukannaar Koil Thiruvazhkoliputhur Thiru Needur Thirukkolakka Thiru Kurukkai Sirkazhi Thiru Pazha Mannippadikkarai Thiru Vilanagar Thiru Anniyoor Kanattumullur
    You are hereThis temple

    Schematic. Distances as recorded on the visit; directions approximate.

    12a6a12p6p
    Darshan today7:00 am – 12:00 noon, 4:00 pm – 8:30 pm
    7:00 – 12:004:00 – 8:30 pm

    Hours as recorded on the visit. Festival days can differ.

    Plan the day around it

    Address and phone

    Sri Shivalokanathar Temple, Thiruppungur Post, Sirkazhi Taluk, Nagapattinam District, Tamil Nadu 609 112.

    04364 279784

    *

    A day of darshan nearby

    5 more sthalams within reach, nearest first: 13.7 km in straight lines.

    Map of Thiruppunkur and the sthalams nearby, in route order: Thiru Karuppariyalur, Thirukurakkukka, Thiruvazhkoliputhur, Thiru Pazha Mannippadikkarai, Kanattumullur. Thiruppunkur 1 2 Thirukurakkukka 3 Thiruvazhkoliputhur 4 5 Kanattumullur 2 km N
    Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

    Temple plan

    A large dark stone bull seated on a platform under a pillared roof
    01

    The Nandhi

    This Nandhi is carved out of a single stone and it looks very beautiful.

    1 / 5

    Summary written with AI help from the temple write-up.

    Pathigam

    Saint Sundaramurthy Nayanar visited this temple and sang this Pathigam.

    Devotees visiting this temple should make it a practice to recite this Pathigam.

    V. Muthukumaraswamy

    Sundarar sang this Pathigam at this temple. Verse 1 of 10.

    Antha ṇāḷaṉuṉ aṭaikkalam pukutha
    avaṉaik kāppathu kāraṇa māka
    vantha kālaṉtṟaṉ āruyi rathaṉai
    vavvi ṉāykkuṉtṟaṉ vaṉmaikaṇ ṭaṭiyēṉ
    enthai nīyeṉai namaṉtṟamar naliyiṉ
    ivaṉmat ṟeṉṉaṭi yāṉeṉa vilakkuñ
    chinthai yālvanthuṉ tṟiruvaṭi adainthēṉ
    sezhumpo zhitṟirup puṉkūr uḷāṉē

    The poet recalls that the Brahmin boy took refuge in the lord, and that the lord seized the life of Yama who came for him. Having seen that power, he says he has come to the holy feet with a devoted mind. If Yama's servants torment him, he trusts the lord to keep them away, saying that this one is his devotee. He addresses the lord who dwells in Thiruppunkur, a town of lush groves.

    Tap any Tamil word for its meaning

    Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

    All ten verses

    1. 01

      அந்த ணாளன்உன் அடைக்கலம் புகுதஅவனைக் காப்பது காரண மாகவந்த காலன்றன் ஆருயி ரதனைவவ்வி னாய்க்குன்றன் வன்மைகண் டடியேன்எந்தை நீயெனை நமன்றமர் நலியின்இவன்மற் றென்னடி யானென விலக்குஞ்சிந்தை யால்வந்துன் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Antha ṇāḷaṉuṉ aṭaikkalam pukutha / avaṉaik kāppathu kāraṇa māka / vantha kālaṉtṟaṉ āruyi rathaṉai / vavvi ṉāykkuṉtṟaṉ vaṉmaikaṇ ṭaṭiyēṉ / enthai nīyeṉai namaṉtṟamar naliyiṉ / ivaṉmat ṟeṉṉaṭi yāṉeṉa vilakkuñ / chinthai yālvanthuṉ tṟiruvaṭi adainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    2. 02

      வைய கமுற்றும் மாமழை மறந்துவயலில் நீரிலை மாநிலந் தருகோம்உய்யக் கொள்கமற் றெங்களை என்னஒலிகொள் வெண்முகி லாய்ப்பரந் தெங்கும்பெய்யும் மாமழைப் பெருவெள்ளந் தவிர்த்துப்பெயர்த்தும் பன்னிரு வேலிகொண் டருளுஞ்செய்கை கண்டுநின் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Vaiya kamutṟum māmazhai maṟanthu / vayalil nīrilai mānilan tharukōm / uyyak koḷkamat ṟeṅkaḷai eṉṉa / olikoḷ veṇmuki lāypparan theṅkum / peyyum māmazhaip peruveḷḷan thavirthup / peyarthum paṉṉiru vēlikoṇ ṭaruḷuñ / seykai kaṇṭuniṉt ṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    3. 03

      ஏத நன்னிலம் ஈரறு வேலிஏயர் கோனுற்ற இரும்பிணி தவிர்த்துக்கோத னங்களின் பால்கறந் தாட்டக்கோல வெண்மணற் சிவன்றன்மேற் சென்றதாதை தாளற எறிந்ததண் டிக்குன்சடைமி சைமலர் அருள்செயக் கண்டுபூத ஆளிநின் பொன்னடி அடைந்தேன்பூம்பொ ழிற்றிருப் புன்கூர் உளானே

      Ētha naṉṉilam īraṟu vēli / ēyar kōṉutṟa irumpiṇi thavirththuk / kōtha ṉaṅkaḷiṉ pālkaṟan thāṭṭak / kōla veṇmaṇaṟ sivaṉtṟaṉmēṟ seṉtṟa / thāthai thāḷaṟa eṟinthathaṇ ṭikkuṉ / saṭaimi saimalar aruḷseyak kaṇdu / pūtha āḷiniṉ poṉṉaṭi aṭainthēṉ / pūmpo zhitṟirup puṉkūr uḷāṉē

    4. 04

      நற்ற மிழ்வல்ல ஞானசம் பந்தன்நாவினுக் கரையன் நாளைப்போ வானுங்கற்ற சூதன்நற் சாக்கியன் சிலந்திகண்ணப் பன்கணம் புல்லனென் றிவர்கள்குற்றஞ் செய்யினுங் குணமெனக் கருதுங்கொள்கை கண்டுநின் குரைகழல் அடைந்தேன்பொற்றி ரள்மணிக் கமலங்கள் மலரும்பொய்கை சூழ்திருப் புன்கூர் உளானே

      Natṟa mizhvalla gñāṉasam banthaṉ / nāviṉuk karaiyaṉ nāḷaippō vāṉuṅ / katṟa chūthaṉnaṟ chākkiyaṉ silanthi / kaṇṇap paṉkaṇam pullaṉeṉt ṟivarkaḷ / kutṟañ seyyiṉuṅ kuṇameṉak karuthuṅ / koḷkai kaṇṭuniṉ kuraikazhal aṭainthēṉ / potṟi raḷmaṇik kamalaṅkaḷ malarum / poykai chūzhthirup puṉkūr uḷāṉē

    5. 05

      கோல மால்வரை மத்தென நாட்டிக்கோள ரவுசுற் றிக்கடைந் தெழுந்தஆல நஞ்சுகண் டவர்மிக இரியஅமரர் கட்கருள் புரிவது கருதிநீல மார்கடல் விடந்தனை உண்டுகண்டத் தேவைத்த பித்தநீ செய்தசீலங் கண்டுநின் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Kōla mālvarai maththeṉa nāṭṭik / kōḷa ravusut ṟikkaṭain thezhuntha / āla nañchukaṇ ṭavarmika iriya / amarar kaṭkaruḷ purivathu karuthi / nīla mārkaṭal viṭanthaṉai uṇṭu / kaṇṭath thēvaiththa piththanī seytha / sīlaṅ kaṇṭuniṉ tṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    6. 06

      இயக்கர் கின்னரர் யமனொடு வருணர்இயங்கு தீவளி ஞாயிறு திங்கள்மயக்கம் இல்புலி வானரம் நாகம்வசுக்கள் வானவர் தானவர் எல்லாம்அயர்ப்பொன் றின்றிநின் றிருவடி அதனைஅர்ச்சித் தார்பெறும் ஆரருள் கண்டுதிகைப்பொன் றின்றிநின் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Iyakkar kiṉṉarar yamaṉoṭu varuṇar / iyaṅku thīvaḷi gñāyiṟu thiṅkaḷ / mayakkam ilpuli vāṉaram nākam / vasukkaḷ vāṉavar thāṉavar ellām / ayarppoṉ tṟiṉtṟiniṉ tṟiruvaṭi athaṉai / archchith thārpeṟum āraruḷ kaṇṭu / thikaippoṉ tṟiṉtṟiniṉ tṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    7. 07

      போர்த்த நீள்செவி யாளர்அந் தணர்க்குப்பொழில்கொள் ஆல்நிழற் கீழறம் புரிந்துபார்த்த னுக்கன்று பாசுப தங்கொடுத்தருளி னாய்பண்டு பகீரதன் வேண்டஆர்த்து வந்திழி யும்புனற் கங்கைநங்கை யாளைநின் சடைமிசைக் கரந்ததீர்த்த னேநின்றன் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Pōrththa nīḷsevi yāḷar'an thaṇarkkup / pozhilkoḷ ālnizhaṟ kīzhaṟam purinthu / pārththa ṉukkaṉtṟu pāsupa thaṅkoṭuth / tharuḷi ṉāypaṇṭu pakīrathaṉ vēṇṭa / ārththu vanthizhi yumpuṉaṟ gaṅgai / naṅkai yāḷainiṉ saṭaimisaik karantha / thīrththa ṉēniṉtṟaṉ tṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    8. 08

      மூவெ யில்செற்ற ஞான்றுய்ந்த மூவரில்இருவர் நின்றிருக் கோயிலின் வாய்தல்காவ லாளரென் றேவிய பின்னைஒருவ நீகரி காடரங் காகமானை நோக்கியோர் மாநடம் மகிழமணிமு ழாமுழக் கஅருள் செய்ததேவ தேவநின் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Mūve yilsetṟa gñāṉtṟuyntha mūvaril / iruvar niṉtṟiruk kōyiliṉ vāythal / kāva lāḷareṉ tṟēviya piṉṉai / oruva nīkari kāṭaraṅ kāka / māṉai nōkkiyōr mānaṭam makizha / maṇimu zhāmuzhak ka'aruḷ seytha / thēva thēvaniṉ tṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    9. 09

      அறிவி னால்மிக்க அறுவகைச் சமயம்அவ்வ வர்க்கங்கே ஆரருள் புரிந்துஎறியு மாகடல் இலங்கையர் கோனைத்துலங்க மால்வரைக் கீழடர்த் திட்டுக்குறிகொள் பாடலின் இன்னிசை கேட்டுக்கோல வாளொடு நாளது கொடுத்தசெறிவு கண்டுநின் றிருவடி அடைந்தேன்செழும்பொ ழிற்றிருப் புன்கூர் உளானே

      Aṟivi ṉālmikka aṟuvakaich chamayam / avva varkkaṅkē āraruḷ purinthu / eṟiyu mākaṭal ilaṅkaiyar kōṉaith / thulaṅka mālvaraik kīzhaṭarth thiṭṭuk / kuṟikoḷ pāṭaliṉ iṉṉisai kēṭṭuk / kōla vāḷoṭu nāḷathu koṭuththa / seṟivu kaṇṭuniṉ tṟiruvaṭi aṭainthēṉ / sezhumpo zhitṟirup puṉkūr uḷāṉē

    10. 10

      கம்ப மால்களிற் றின்னுரி யானைக்காமற் காய்ந்ததோர் கண்ணுடை யானைச்செம்பொ னேயொக்குந் திருவுரு வானைச்செழும்பொ ழிற்றிருப் புன்கூர் உளானைஉம்பர் ஆளியை உமையவள் கோனைஊரன் வன்றொண்டன் உள்ளத் தாலுகந்தன்பி னாற்சொன்ன அருந்தமிழ் ஐந்தோடைந்தும் வல்லவர் அருவினை இலரே

      The last verse says that Sundarar sang these Tamil verses with love, and that those who master them have no great karma.

      Kampa mālkaḷit ṟiṉṉuri yāṉaik / kāmaṟ kāynthathōr kaṇṇuṭai yāṉaich / chempo ṉēyokkun thiruvuru vāṉaich / chezhumpo zhitṟirup puṉkūr uḷāṉai / umpar āḷiyai umaiyavaḷ kōṉai / ūraṉ vaṉtṟoṇṭaṉ uḷḷath thālukan / thaṉpi ṉāṟsoṉṉa arunthamizh ainthō / ṭainthum vallavar aruviṉai ilarē

    Photos

    Photographs

    27 photographs, in the order they appear in the write-up. Captions are AI-assisted.

    A large dark stone bull seated on a platform under a pillared roof
    A tall gateway tower covered in coloured figures, with coconut palms beside it
    A pillared porch with a decorated roof and a wooden flagstaff in front
    A small blue-green shrine with a domed roof and a metal grille door
    A small tiled shrine with a seated Vinayakar figure above its roof
    A small shrine with Murugan and his consorts above the roof, flanked by two peacocks
    A dark stone figure between two elephants, draped in a red cloth
    A dark standing figure in a niche, draped in yellow and green cloth
    A dancing Vinayakar in dark stone on a round base, with a Tamil name board
    A dark standing figure in a niche with a white cloth over one shoulder
    A dark standing figure in a niche wearing a white cloth at the waist
    A dark standing figure with a raised hand in a niche, beside a Tamil name board
    A figure carved inside an upright oval, with a smaller figure on each side
    A dark standing figure with several arms in a niche, beside a Tamil name board
    A dark standing figure in a niche, wrapped in an orange cloth
    A dark standing figure in a niche in a white and cream cloth, beside a name board
    Five small dark figures in white cloth on a stone ledge, with a row of Tamil names above
    A small stone shrine with an open doorway and a name board above it
    A yellow-walled shrine with a lingam visible inside the doorway
    Several lingams and a small Nandhi on a platform shaded by a tree
    A large dark stone bull seated on a platform under a pillared roof
    A small grey stone Vinayakar marked with spots of pink powder
    A small grey stone Murugan with a peacock behind, marked with pink powder
    A wide paved courtyard with a pillared hall on the left and the tower on the right
    A gateway tower with many painted figures, with palms and a small pink building beside it
    A long brick-paved corridor beside a high compound wall with a small shrine at the far end
    A dim stone hall with tall square pillars and carved shrine fronts beyond them