Dharisanam ENதமிழ்
Stone relief of a standing four-armed figure in an oval niche, flanked by two smaller worshipping figures.
Swayambu

Thiruthinai Nagar Sri Shivakkozhuntheeswarar Temple 5th of 22 in Nadu Nadu · Temples near Chidambaram

Darshan today6:00 am – 12:00 noon, 5:00 pm – 8:00 pm
Moolavar
Shivakkozhuntheeswarar, Shivangareswarar,Thiruntheeswarar
Ambal
Neelayathakshi, Oppila Nayagi,Karunthadankanni, Ilangkompannal
Theertham
Jambava Theertham
Sthala vriksham
Kontrai tree
Pathigam by
Sundaramurthy Swamigal (Sundarar)

Temple

Visited on: 23rd July, 2016 and 5th November, 2016.

Location

Thiruthinai Nagar is at a distance of about 25 kms from Cuddalore. Take the Cuddalore to Chidambaram route to reach Mettupalayam (20 Kms). From Mettupalayam, take a diversion route and travel for about 5 kms to reach Thiruthinai Nagar.

The nearest railway station is Puduchathiram. It is at a distance of about 6 kms from Thiruthinai Nagar on the Chidambaram to Cuddalore route.

General Information

Moolavar
Sri Shivakkozhuntheeswarar, Sri Shivangareswarar,
Sri Thiruntheeswarar
Ambal
Sri Neelayathakshi, Sri Oppila Nayagi,
Sri Karunthadankanni, Sri Ilangkompannal
Theertham (Holy water)
Jambava Theertham
Sthala Vriksham (Sacred Tree)
Kontrai tree
Pathigam (Hymn) rendered by
Saint Sundaramurthy Swamigal (Sundarar)
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 5th Shiva Sthalam in Nadu Naadu.
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This east facing temple has a single corridor and its main tower (Rajagopuram) has 3-tiers.

History of the Temple

This temple is situated on the banks of river Pennai and is believed to have been built in the 6th century. The historical name of the village around the temple is "Thiru Thinai Nagar”. It has now been changed to "Theerthanagiri".

A weathered stone tower over a yellow gateway, with a tall flagstaff to its right under a blue sky.

Legend

It is believed that Jambavan, the king of the bears, worshiped Lord Shiva here and received his blessing. This temple’s tank is named after him - “Jambava Theertham”. It is believed that taking a dip in this tank will absolve you of your sins.

As per the Sthala Puranam, a farmer called Periyan and his wife lived in this village. They had the habit of taking food only after offering it to a Shiva devotee. One day, Lord Shiva decided to test their faith. That day, the couple could not find anyone to offer the food to. Periyan came to his field to ask one of his workers to come to his house so that he could make his offering. Surprisingly, he could not find anyone in the field. He waited for some time for them to return.

After some time, Periyan saw an old man pass by and he requested him to come and have food. The old man said that he could not accept food without earning it. He offered to do some work in the field and then accept the food as wage. The farmer asked him to plough the field. Once the old man started ploughing the field, the farmer went back home to fetch some food for him. When he returned with the food, he was astonished to see that the crops were fully grown and ready for harvest.

Periyan and his wife served the food for the old man under the kontrai tree. After he had finished eating, they asked him how he was able to do such a miraculous thing. The old man disappeared before answering. Thereafter Lord Shiva appeared on his bull mount (Rishabha Vakanam) with Goddess Parvathy and gave dharisanam to the couple. The lord further informed them that he had only come there in the form of an old man.

After worshiping the lord, Periyan and his wife requested Lord Shiva to stay back in the place and bless them. Lord Shiva stayed back as a Swayambu Lingam in this place under the kontrai tree.

The lord here is named as “Sivakozhundeeswarar”. Since the Lord Shiva himself is believed to have ploughed the field, sowed millet seeds (“Thinai”) and made it ready for harvest, this place gets the name “Thiru Thinai Nagar”.

Another legend associated with this temple is that of a king named Veeraseran who was suffering from leukoderma. Once he had come to this temple for worshiping the lord. His dog, who was also suffering from skin diseases, had also come with him. His dog accidentally fell in the temple’s tank. When it came out, its skin diseases had disappeared. Noticing this, the king decided to take a dip in the tank. To his surprise, when he came out, he was cured of his leukoderma. He worshiped the lord and conveyed his gratitude. It is believed that thereafter King Veeraseran constructed this temple. His idol can also be seen in the temple corridors.

Deities in the temple

Goddess Parvathi’s shrine can be seen in the outer corridors. The lingam worshiped by Jambavan is inside the Goddess’s shrine.

Shrines and idols of Lords Vinayakar, Murugan with his consorts, Saint Thirugnanasambanthar, Nalvar, Yoga Dakshinamurthy, Durgai, Chandikeswarar with his consort, Valampuri Vinayakar, Dandapani, Agasthiar Lingam, Bairavar, Suryan, Navagraham and King Veerasenan can be seen in the corridors.

A stone wall with a latticed window, a small image above it, and two seated bulls flanking a painted niche on top.
A small stone shrine with a Tamil name board above, holding a dark image draped in white cloth.
A small shrine with a Tamil name above the doorway and a cloth-draped image inside on a stone base.
A stone relief of a tall four-armed figure in an oval niche, with smaller figures kneeling on both sides.

Salient Features

The Sthala Vriksham of this temple is a kondrai tree. In the corridor, there is a kondrai tree with a Shiva Lingam under it.

Idols of Lord Mahavishnu and Lord Brahma can be seen behind the sanctum sanctorum in a worshipping posture on either sides of Lord Lingothbavar. Devotees can enjoy the darshan of all the three Lords (Trimurthys) – Brahmma, Vishnu and Shiva here. This is considered to be very auspicious.

On the walls of the sanctum, one can see beautifully chiselled sculptures (Pudai Sirpangal). These sculptures depict the stories related to the sthala puranam – the farmer couple, Lord Shiva ploughing the field and King Veeraseran.

There is also a sculpture of Nardhana Ganapathy with four “Boodha Ganas” (soldiers of the lord).

A large tree with yellow flower clusters beside a white wall, and a small image at the foot of its trunk.
Rows of small stone relief panels showing figures, a bull, a chariot and groups of people.
Three rows of stone relief panels with seated and standing figures, one carrying a bull.
A dark stone relief of a dancing, elephant-headed figure with a small figure on each side.

An idol of Lord Natarajar can be seen in a separate shrine along with idols of Lord Mahavishnu and Lord Brahma. Here Lord Vishnu is seen with his conch and Lord Brahma with a percussion instrument called “Panchamuga Vadhyam” (an instrument similar to Tabla). Lord Natarajar is seen in his “Ananda Thandavam” posture to which Lord Vishnu is singing with his conch and Lord Brahma is playing the Panchamuga Vadhyam. Such a display of the “Trimurthy” is very rare.

Lord Dakshinamurthy is seen sitting on a platform (peedam) with his legs folded. Four of his disciples are seen sitting near him. Unlike Lord Dakshinamurthy’s posture in other temples, Abhasmaram (the demon representing ignorance) is not seen under his foot. It is believed that when the farmer couple served food to Lord Shiva, he took it by sitting on the floor with his legs folded. To depict this, Lord Dakshinamurthy graces here in this form.

It is believed that every year, Suryan worships Lord Shiva for a period of three days from 20th to 22nd of the Tamil month of Panguni (Mar-Apr) by illuminating the lingam in the sanctum.

A bronze dancing figure in an orange cloth under an arch of garlands, with a draped image at the right.
A colourful tower with many painted figures rising above a weathered white stone wall under a blue sky.
A painted tower with figures and plants growing on it, above a stone doorway with a red and yellow frame.

Greatness of this temple

Worshiping of Lord Natarajar here is considered to be auspicious for those seeking excellence in the fields of music and dance.

It is also believed that worshiping Lord Dakshinamurthy here will reward devotees with a rich yield from their farms.

Important Festivals

Important festivals celebrated in this temple are –

13-day Vaikasi Brahmotsavam in the Tamil month of Vaikasi (May-June),

Shivrathri in the Tamil month of Masi (Feb-Mar),

Annabishekam in the Tamil month of Aipasi (Oct-Nov),

Arudra Dharisanam in the Tamil month of Margazhi (Dec-Jan).

Pradosham is also observed regularly.

Temple Timings

From 06:00 AM to 12:00 Noon and from 05:00 PM to 08:00 PM

Temple Address

Sri Sivakkozhuntheswarar Temple,
Theerthanagiri Post,
Cuddalore Taluk and District,
Tamil Nadu – 608801.
Tele: +91 4142 278324.

Contact the temple priest Sri S.Venkatarama Iyer at 97864 67593, 90471 40464.

*
Open the map →
NavigateGet directions in Google Maps
Today6:00 am – 12:00 noon, 5:00 pm – 8:00 pm
Phone+91 4142 278324
A dark stone tower on a yellow base beside a tall red flagstaff, with a blue shrine at the right.
A courtyard with stone-pillared corridors in front, a dark tower behind, and a palm tree at the right.
A weathered stone sanctum with a painted tower, and a dark entrance tower to its right in the dim light.

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

What makes this temple great

Devotees come here for the worship of Natarajar and Dakshinamurthy, and for the rare sight of the Trimurthys together.

  1. NatarajarWorshiping Natarajar here is considered auspicious for those seeking excellence in music and dance.
  2. DakshinamurthyWorshiping Dakshinamurthy here is believed to reward devotees with a rich yield from their farms.
  3. The Trimurthys togetherDevotees can have darshan of Brahma, Vishnu and Shiva here, which is considered very auspicious.
  4. A rare displayVishnu with his conch and Brahma with the Panchamuga Vadhyam are shown beside Natarajar's Ananda Thandavam, a display of the Trimurthy that is very rare.
Significance

Its place in the tradition

A Paadal Petra Sthalam, sung by Sundarar and sanctified by legends of Jambavan, Periyan and King Veeraseran.

  1. A Paadal Petra SthalamOne of the 276 Devara Paadal Petra Shiva Sthalams and the 5th Shiva Sthalam in Nadu Naadu.
  2. Sung by SundararSaint Sundaramurthy visited this temple and sang the Pathigam.
  3. A self-manifested LordLord Shiva in this temple is a Swayambumurthi.
  4. Worshiped by JambavanJambavan, the king of the bears, worshiped Lord Shiva here and received his blessing.
Why devotees come

Why devotees come here

Devotees come for blessings in music and dance, for a good harvest, and for freedom from sins and illness.

  1. For music and danceFor excellence in the fields of music and dance, devotees worship Natarajar here.
  2. For a rich harvestFor a rich yield from their farms, devotees worship Dakshinamurthy here.
  3. For freedom from sinsIt is believed that taking a dip in the Jambava Theertham absolves you of your sins.
  4. For relief from skin diseaseIn the legend of King Veeraseran, a dip in the tank cured his leukoderma and his dog's skin diseases.
The entrance tower and the flagstaff of the temple.
276Paadal Petra Sthalams

Paadal Petra Sthalams

The name Thiru Thinai Nagar

  1. தினைMillet, which Lord Shiva sowed

Lord Shiva is believed to have ploughed the field, sowed millet and made it ready for harvest, and so the place got its name.

The village is now called Theerthanagiri.

    Legends of the temple

    Jambavan, the king of the bears, worshiped Lord Shiva here, and the tank is named after him.

    Lord Shiva came as an old man to test a farmer couple, ploughed their field, and then gave them dharisanam with Goddess Parvathy.

    A dip in the tank cured the king's leukoderma, and he is believed to have constructed this temple.

    What devotees pray for

    • Excellence in music and danceWorship of Natarajar is considered auspicious for those seeking this.
    • A rich yield from the farmWorship of Dakshinamurthy is believed to reward devotees with this.
    • Absolution from sinsA dip in the Jambava Theertham is believed to absolve you of your sins.

    Prayers here are offered for skill in the arts, for good farms and for the cleansing of sins.

    Festivals through the year

      The Vaikasi Brahmotsavam, Shivrathri, Annabishekam and Arudra Dharisanam are celebrated here, and Pradosham is observed regularly.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarசி
      Moolavar

      Sri Shivakkozhuntheeswarar

      Lord Shiva in this temple is a Swayambumurthi (self-manifested). He stayed back as a Swayambu Lingam under the kontrai tree.

      Ambalநீ
      Ambal

      Sri Neelayathakshi

      Goddess Parvathi's shrine can be seen in the outer corridors.

      Lingam in the Ambal shrineலி
      Lingam in the Ambal shrine

      The lingam worshiped by Jambavan

      The lingam worshiped by Jambavan is inside the Goddess's shrine.

      A small stone shrine with a Tamil name board above, holding a dark image draped in white cloth.
      Shrine in the corridor

      Valampuri Vinayakar

      The shrines and idols of Vinayakar and Valampuri Vinayakar can be seen in the corridors.

      A small shrine with a Tamil name above the doorway and a cloth-draped image inside on a stone base.
      Shrine in the corridor

      Dandapani

      The shrine of Dandapani can be seen in the corridors, along with Murugan with his consorts.

      Shrine in the corridorத
      Shrine in the corridor

      Yoga Dakshinamurthy

      Dakshinamurthy sits on a platform (peedam) with his legs folded, with his disciples near him. Abhasmaram is not seen under his foot.

      A bronze dancing figure in an orange cloth under an arch of garlands, with a draped image at the right.
      Shrine in the corridor

      Lord Natarajar

      Natarajar is seen in his Ananda Thandavam posture in a separate shrine, along with Lord Mahavishnu and Lord Brahma.

      A dark stone relief of a dancing, elephant-headed figure with a small figure on each side.
      Shrine in the corridor

      Nardhana Ganapathy

      A sculpture of Nardhana Ganapathy with four Boodha Ganas, the soldiers of the lord.

      Behind the sanctumலி
      Behind the sanctum

      Lingothbavar

      Idols of Lord Mahavishnu and Lord Brahma can be seen behind the sanctum sanctorum in a worshipping posture on either side of Lord Lingothbavar.

      Shrine in the corridorசூ
      Shrine in the corridor

      Suryan

      Suryan is believed to worship Lord Shiva every year, illuminating the lingam in the sanctum.

      Visit & map

      Sacred geography
      Thiruthinai Nagar Thiruchopuram Thirumanikkuzhi Thiruvetkalam, Chidambaram Thirunelvayil, Chidambaram Thirukkazhippalai, Chidambaram Mahendirapalli Thiru Koodalaiyatrur Nallur Perumanam Thiru Naaraiyur Thiruthuraiyur Thirunavalur Then Thirumullaivasal
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today6:00 am – 12:00 noon, 5:00 pm – 8:00 pm
      6:00 – 12:005:00 – 8:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Sivakkozhuntheswarar Temple, Theerthanagiri Post, Cuddalore Taluk and District, Tamil Nadu – 608801. Contact the temple priest Sri S.Venkatarama Iyer at 97864 67593, 90471 40464.

      +91 4142 278324

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 102.7 km in straight lines.

      Map of Thiruthinai Nagar and the sthalams nearby, in route order: Thiruchopuram, Thirumanikkuzhi, Thiruvadhigai, Thiru Koodalaiyatrur, Thirunelvayil, Chidambaram. Thiruvetkalam, Chidambaram · 20.3 km Thirukkazhippalai, Chidambaram · 22.4 km Mahendirapalli · 26.1 km Thiruthuraiyur · 32.3 km Thirunavalur · 36.9 km Thiruthinai Nagar 1 Thiruchopuram 2 Thirumanikkuzhi 3 Thiruvadhigai 4 Thiru Koodalaiyatrur 5 Thirunelvayil, Chidambaram 20 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A small stone shrine with a Tamil name board above, holding a dark image draped in white cloth.
      01

      Valampuri Vinayakar

      Shrines and idols of Lords Vinayakar and Valampuri Vinayakar can be seen in the corridors.

      1 / 6

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Sundaramurthy Nayanar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Sung here by Sundarar. Verse 1 of 10.

      Nīṟu thāṅkiya thirunutha lāṉai
      netṟik kaṇṇaṉai niraivaḷai maṭanthai
      kūṟu thāṅkiya koḷkaiyi ṉāṉaik
      kutṟam illiyaik katṟaiyañ chaṭaimēl
      āṟu thāṅkiya azhakaṉai amarark
      kariya chōthiyai varivarāl ukaḷuñ
      chēṟu thāṅkiya thiruthiṉai nakaruṭ
      sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      The verse praises the Lord who wears sacred ash and has an eye on his forehead, and who bears the lady of rows of bangles as a part of himself. He is faultless, carries the river on his matted hair, and is the light hard for the celestials to reach. He stays in Thiruthinai Nagar, where striped fish leap in the mud, and the poet tells his mind to go and reach Sivakkozhunthu.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All ten verses

      1. 01

        நீறு தாங்கிய திருநுத லானைநெற்றிக் கண்ணனை நிரைவளை மடந்தைகூறு தாங்கிய கொள்கையி னானைக்குற்றம் இல்லியைக் கற்றையஞ் சடைமேல்ஆறு தாங்கிய அழகனை அமரர்க்கரிய சோதியை வரிவரால் உகளுஞ்சேறு தாங்கிய திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Nīṟu thāṅkiya thirunutha lāṉai / netṟik kaṇṇaṉai niraivaḷai maṭanthai / kūṟu thāṅkiya koḷkaiyi ṉāṉaik / kutṟam illiyaik katṟaiyañ chaṭaimēl / āṟu thāṅkiya azhakaṉai amarark / kariya chōthiyai varivarāl ukaḷuñ / chēṟu thāṅkiya thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      2. 02

        பிணிகொள் ஆக்கை பிறப்பிறப் பென்னும்இதனைநீக்கி ஈசன் திருவடி யிணைக்காள்துணிய வேண்டிடிற் சொல்லுவன் கேள்நீஅஞ்சல் நெஞ்சமே வஞ்சர்வாழ் மதின்மூன்றணிகொள் வெஞ்சிலை யால்உகச் சீறும்ஐயன் வையகம் பரவிநின் றேத்துந்திணியும் வார்பொழில் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Piṇikoḷ ākkai piṟappiṟap peṉṉum / ithaṉainīkki īsaṉ thiruvaṭi yiṇaikkāḷ / thuṇiya vēṇṭiṭiṟ cholluvaṉ kēḷnī / añchal neñchamē vañcharvāzh mathiṉmūṉ / tṟaṇikoḷ veñchilai yālukach chīṟum / aiyaṉ vaiyakam paraviniṉ tṟēthun / thiṇiyum vārpozhil thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      3. 03

        வடிகொள் கண்ணிணை மடந்தையர் தம்பால்மயல துற்றுவஞ் சனைக்கிட மாகிமுடியு மாகரு தேலெரு தேறும்மூர்த்தி யைமுத லாயபி ரானைஅடிகள் என்றடி யார்தொழு தேத்தும்அப்பன் ஒப்பிலா முலைஉமை கோனைச்செடிகொள் கான்மலி திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Vaṭikoḷ kaṇṇiṇai maṭanthaiyar thampāl / mayala thutṟuvañ chaṉaikkiṭa māki / muṭiyu mākaru thēleru thēṟum / mūrthi yaimutha lāyapi rāṉai / aṭikaḷ eṉtṟaṭi yārthozhu thēthum / appaṉ oppilā mulai'umai kōṉaich / cheṭikoḷ kāṉmali thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      4. 04

        பாவ மேபுரிந் தகலிடந் தன்னிற்பலப கர்ந்தல மந்துயிர் வாழ்க்கைக்காவ என்றுழந் தயர்ந்துவீ ழாதேஅண்ணல் தன்றிறம் அறிவினாற் கருதிமாவின் ஈருரி உடைபுனைந் தானைமணியை மைந்தனை வானவர்க் கமுதைத்தேவ தேவனைத் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Pāva mēpurin thakaliṭan thaṉṉiṟ / palapa karnthala manthuyir vāzhkkaik / kāva eṉtṟuzhan thayarnthuvī zhāthē / aṇṇal thhaṉṟiṟam aṟiviṉāṟ karuthi / māviṉ īruri uṭaipuṉain thāṉai / maṇiyai mainthaṉai vāṉavark kamuthaith / thēva thēvaṉaith thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      5. 05

        ஒன்ற லாவுயிர் வாழ்க்கையை நினைந்திட்டுடல்த ளர்ந்தரு மாநிதி இயற்றிஎன்றும் வாழலாம் எமக்கெனப் பேசும்இதுவும் பொய்யென வேநினை உளமேகுன்று லாவிய புயமுடை யானைக்கூத்த னைக்குலா விக்குவ லயத்தோர்சென்றெ லாம்பயில் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Oṉtṟa lāvuyir vāzhkkaiyai niṉainthiṭ / ṭuṭaltha ḷarntharu mānithi iyatṟi / eṉtṟum vāzhalām emakkeṉap pēsum / ithuvum poyyeṉa vēniṉai uḷamē / kuṉtṟu lāviya puyamuṭai yāṉaik / kūtha ṉaikkulā vikkuva layathōr / seṉtṟe lāmpayil thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      6. 06

        வேந்த ராயுல காண்டறம் புரிந்துவீற்றி ருந்தஇவ் வுடலிது தன்னைத்தேய்ந்தி றந்துவெந் துயருழந் திடுமிப்பொக்க வாழ்வினை விட்டிடு நெஞ்சேபாந்த ளங்கையில் ஆட்டுகந் தானைப்பரமனைக் கடற் சூர்தடிந் திட்டசேந்தர் தாதையைத் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Vēntha rāyula kāṇṭaṟam purinthu / vītṟi runtha'iv vuṭalithu thaṉṉaith / thēynthi ṟanthuven thuyaruzhan thiṭumip / pokka vāzhviṉai viṭṭiṭu neñchē / pāntha ḷaṅkaiyil āṭṭukan thāṉaip / paramaṉaik kaṭaṟ chūrthaṭin thiṭṭa / sēnthar thāthaiyaith thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      7. 07

        தன்னில் ஆசறு சித்தமு மின்றித்தவ முயன்றவ மாயின பேசிப்பின்ன லார்சடை கட்டியென் பணிந்தாற்பெரிதும் நீந்துவ தரிதது நிற்கமுன்னெ லாம்முழு முதலென்று வானோர்மூர்த்தி யாகிய முதலவன் றன்னைச்செந்நெ லார்வயல் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Thaṉṉil āsaṟu chithamu miṉtṟith / thava muyaṉtṟava māyiṉa pēsip / piṉṉa lārsaṭai kaṭṭiyeṉ paṇinthāṟ / perithum nīnthuva tharithathu niṟka / muṉṉe lām'muzhu muthaleṉtṟu vāṉōr / mūrthi yākiya muthalavaṉ tṟaṉṉaich / chenne lārvayal thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      8. 08

        பரிந்த சுற்றமும் மற்றுவன் றுணையும்பலருங் கண்டழு தெழவுயிர் உடலைப்பிரிந்து போமிது நிச்சயம் அறிந்தாற்பேதை வாழ்வெனும் பிணக்கினைத் தவிர்ந்துகருந்த டங்கண்ணி பங்கனை உயிரைக்கால காலனைக் கடவுளை விரும்பிச்செருந்தி பொன்மலர் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Parintha sutṟamum matṟuvaṉ tṟuṇaiyum / palaruṅ kaṇṭazhu thezhavuyir uṭalaip / pirinthu pōmithu nichayam aṟinthāṟ / pēthai vāzhveṉum piṇakkiṉait thavirnthu / karuntha ṭaṅkaṇṇi paṅkaṉai uyiraik / kāla kālaṉaik kaṭavuḷai virumpich / cherunthi poṉmalar thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      9. 09

        நமையெ லாம்பலர் இகழ்ந்துரைப் பதன்முன்நன்மை ஒன்றிலாத் தேரர்புன் சமணாஞ்சமய மாகிய தவத்தினார் அவத்தத்தன்மை விட்டொழி நன்மையை வேண்டில்உமையோர் கூறனை ஏறுகந் தானைஉம்பர் ஆதியை எம்பெரு மானைச்சிமய மார்பொழில் திருத்தினை நகருட்சிவக்கொ ழுந்தினைச் சென்றடை மனனே

        Namaiye lāmpalar ikazhnthuraip pathaṉmuṉ / naṉmai oṉtṟilāth thērarpuṉ samaṇāñ / chamaya mākiya thavattiṉār avaththath / thaṉmai viṭṭozhi naṉmaiyai vēṇṭil / umaiyōr kūṟaṉai ēṟukan thāṉai / umpar āthiyai emperu māṉaich / chimaya mārpozhil thiruthiṉai nakaruṭ / sivakko zhunthiṉaich cheṉtṟaṭai maṉaṉē

      10. 10

        நீடு பொக்கையிற் பிறவியைப் பழித்துநீங்க லாமென்று மனத்தினைத் தெருட்டிச்சேடு லாம்பொழில் திருத்தினை நகருட்சிவக்கொ ழுந்தினைத் திருவடி யிணைதான்நாடெ லாம்புகழ் நாவலூ ராளிநம்பி வன்றொண்ட னூரன் உரைத்தபாட லாந்தமிழ் பத்திவை வல்லார்முத்தி யாவது பரகதிப் பயனே

        The last verse names the singer as Sundarar and says that those who master these Tamil verses will attain mukti, the supreme goal.

        Nīṭu pokkaiyiṟ piṟaviyaip pazhithu / nīṅka lāmeṉtṟu maṉathiṉaith theruṭṭich / chēṭu lāmpozhil thiruthiṉai nakaruṭ / sivakko zhunthiṉaith thiruvaṭi yiṇaithāṉ / nāṭe lāmpukazh nāvalū rāḷi / nampi vaṉtṟoṇṭa ṉūraṉ uraitha / pāṭa lāntamizh pathivai vallār / muthi yāvathu parakathip payaṉē

      Photos

      Photographs

      16 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      Stone relief of a standing four-armed figure in an oval niche, flanked by two smaller worshipping figures.
      A weathered stone tower over a yellow gateway, with a tall flagstaff to its right under a blue sky.
      A stone wall with a latticed window, a small image above it, and two seated bulls flanking a painted niche on top.
      A small stone shrine with a Tamil name board above, holding a dark image draped in white cloth.
      A small shrine with a Tamil name above the doorway and a cloth-draped image inside on a stone base.
      A stone relief of a tall four-armed figure in an oval niche, with smaller figures kneeling on both sides.
      A large tree with yellow flower clusters beside a white wall, and a small image at the foot of its trunk.
      Rows of small stone relief panels showing figures, a bull, a chariot and groups of people.
      Three rows of stone relief panels with seated and standing figures, one carrying a bull.
      A dark stone relief of a dancing, elephant-headed figure with a small figure on each side.
      A bronze dancing figure in an orange cloth under an arch of garlands, with a draped image at the right.
      A colourful tower with many painted figures rising above a weathered white stone wall under a blue sky.
      A painted tower with figures and plants growing on it, above a stone doorway with a red and yellow frame.
      A dark stone tower on a yellow base beside a tall red flagstaff, with a blue shrine at the right.
      A courtyard with stone-pillared corridors in front, a dark tower behind, and a palm tree at the right.
      A weathered stone sanctum with a painted tower, and a dark entrance tower to its right in the dim light.