Dharisanam ENதமிழ்
A colourful temple tower rising behind a small shrine in a sandy courtyard, with visitors walking past
Moovar sthalamSwayambu

Thirunageswaram Sri Nageswaraswamy Temple 29th of 129 on the south bank of the Kaveri · Chola Nadu · Temples near Kumbakonam

Darshan today6:00 am – 12:00 noon, 4:00 pm – 8:30 pm
Moolavar
Thiru Nageswarar, Naganathaswami,Shanbakaaranyeswarar
Ambal
Kuntramulai Nayagi, Girigujaambigai,Piraiyanivaal Nuthal Ammai
Theertham
Surya Theertham
Sthala vriksham
Shenbagam tree
Pathigam by
Thirugnanasambanthar-2,Thirunavukarasar (Appar)-3,Sundaramurthy (Sundarar)-1

Temple

Visited on: 25th March, 2018.

Location

Thirunageswaram is situated at a distance of about 8 kms east of Kumbakonam on the Kumbakonam to Karaikkal route. From Thiruvidaimaruthur it is about 5 kms. There is a railway station in Thirunageswaram on the Kumbakonam to Mayiladuthurai route.

Other Paadal Petra Shiva Sthalams near this place are – Thiruvidaimaruthur, Kumbakonam (3 temples – Kudamukku, Kharonam and Keezhkkottam), Aduthurai, Thiruneelakkudi, Thiruvavaduthurai, Thirukkozhambam, Therizhanthur, Kuthalam, Thirumanancheri, Velvikkudi, Ethirkolpadi and Mayiladuthurai.

One of the famous Vaishnava temples, Oppliyappan Koil (Lord Venkatesa Perumal of Thirupathi) is very close to this place.

General information

Moolavar
Sri Thiru Nageswarar, Sri Naganathaswami,
Sri Shanbakaaranyeswarar
Ambal
Sri Kuntramulai Nayagi, Sri Girigujaambigai,
Sri Piraiyanivaal Nuthal Ammai
Theertham (Holy water)
Surya Theertham
Sthala Vriksham (Sacred Tree)
Shenbagam tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar-2,
Saint Thirunavukarasar (Appar)-3,
Saint Sundaramurthy (Sundarar)-1
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 29th Shiva Sthalam on the Southern bank of the river Cauvery in Chozha Nadu (Thenkarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This is one of the 44 Paadal petra sthalams where the “Moovar” (the three saints - Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar)) had rendered their Pathigams.
  • This is a very famous “Parihara Sthalam” for Raahu dosham.
  • This east facing temple has three corridors and its main tower (Rajagopuram) has 5-tiers. There are 6 other towers (Gopurams) in this temple.
  • The last consecration ceremony (Maha Kumbabishekam) took place on 15.08.2005.

History of the temple

According to legend, in ancient times, this region was a forest densely covered with Shenbaka trees. Hence this place gets the name Shenbakaranyam and the lord is praised as Sri Shenbakaranyeswarar.

The historical names of this place are Shenbaka vanam and Girikannikai vanam.

There are 16 stone inscriptions in this temple which date back to the periods of Chola kings Kandarathithan, Raajarajan and Rajendran. This temple was originally built by Kandarathithan. Later it was renovated and extended by Saint Sekkizhar and Govinda Dikshithar, a minister in the kingdom of Achuthappa Nayakkar.

This temple is under the administrative control of the Hindu Religious and Charitable Endowments Department of Government of Tamil Nadu (HR&CE).

A painted arch with sculpted deities over a busy street, the temple tower visible far beyond
A tall tower covered in colourful sculptures stands above shops and houses on a narrow street
A large green temple tank with stepped sides and arched walls, seen between stone pillars

Legend

It is believed that Lord Shiva himself declared that this is the best Sthalam in the world.

According to legend, Lord Shiva had asked Goddess Parvathi to go to earth and perform penance because she had punished Sage Birunki severely. Lord Shiva also told her that Goddesses Lakshmi and Saraswathi will accompany her. Goddess Parvathi selected this place (Thirunageswaram) to perform her penance. Pleased with her penance, Lord Shiva blessed her with his darshan and took her back to Mount Kailash. Goddess Parvathi is praised here as Sri Girigujambal. Her idol is also believed to be “Swayambu”.

All the “Ashtamaha” serpents – the eight great serpents- (Ananthan, Vasuki, Thatchakan, Karkodakan, Sankapalan, Kulikan, Padman and Mahapadman) along with Adhiseshan worshiped the lord here. Adhiseshan came from the “Padhala logam” (underworld) and visited this place. Hence, Lord Shiva here is praised as “Thiru Nageswarar” (“Nagam” means snake and “Nathar” means the lord in Tamil) and the place gets the name Thiru Nageswaram. In his hymn, Saint Thirunavukkarasar mentioned that this lord was worshiped by the five-headed serpent.

The legend of this temple also finds a mention in the “Samudra Manthan” episode in Hindu mythology. After extracting the nectar from the “Thiruparkadal” ocean, it was distributed among all the devas. Raahu also took a portion of the nectar. However, when Lord Mahavishnu realised that Raahu was the son of a demon woman, he severed his head. Raahu prayed to Lord Shiva for forgiveness. It is believed that Lord Shiva restored him back to life by placing the severed head on a snake’s body. Lord Shiva also blessed him and gave him a place among the nine planets.

Raahu is believed to have worshiped Lord Shiva here. Normally, Raahu appears in a snake form with human head in other temples but here he has a separate shrine. In this shrine, the idol is depicted in a human form. Also, this is the only place where the idol of Raahu can be seen with his consorts - Nagavalli and Nagakanni.

Sekkizhar, who wrote the famous “Periya Puranam”, was an ardent Shiva devotee. He renovated this temple in the 12th century and built a hall in the second corridor. It is believed that he received “Thiruvadi gnanam” from Lord Shiva in this temple. “Thiruvadi gnanam” means that the lord’s feet are placed on a devotee’s head. The idol of Saint Sekkizhar can be seen with the idols of his mother Azhakaambigai and brother Balaravaayar in the main hall (Thiruppani Mandapam). He also built a temple in his native place, Kuntrathur near Chennai, and named that with this temple’s name – Thirunageswaram.

It is also believed that Nandhi, Chandran, Suryan, Nalan, Gauthamar, Paraasarar and Bhageerathan have worshiped the lord here.

The Sthala Puranam mentions many legends associated with this temple. Some of them are -

Sage Gauthamar was re-united with his wife Akalika after worshiping the lord here.

King Nalan regained his lost wealth.

Paandavas regained their kingdom.

Chandira Varman, who had been turned into a dog due to a curse, was restored to his original form after he took a dip in this temple’s holy water and worshiped the lord here.

Nandi, after worshipping Lord Shiva here, attained the status of “Adhikara Nandheeswarar”.

Lord Vinayakar, after worshipping Lord Shiva here, attained the status of “Ganapathy” - the head of Ganas (“Ganas” are the attendants of Lord Shiva).

Indira, the King of Devas, worshiped Goddess Girigujambal here to seek absolution for sins.

It is believed that Sage Brinki got the darshan of all the three goddesses (Parvathy, Lakshmi and Saraswathi) simultaneously here.

This is the only place where Goddess Parvathy is depicted as a child in the morning, a young girl in the noon and in the evening as a fully-grown woman with knowledge of the 16 arts.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy (both facing the east), shrines and idols of Nirutha Ganapathy, Shenbaga Vinayakar, Nandhi, Aadhi Vinayakar, Murugan with his consorts, Natarajar, Somaskandar, Nalvar, Sapthamathakkal, Mahalakshmi, Saraswathi, Navagraham, Chandran, Suryan and Maha Bairavar can be seen in the main hall and corridors.

Shivalingams worshiped by Agasthiyar, Parasarar, Gauthama, Viyakrapathar, Pathanjali and Markandeya can also be seen in the corridors.

63 Nayanmars can be seen in the corridors along with idols of Vinayakar, Murugan, Natarajar and Dakshinamurthy.

There is a separate shrine for Lord Vinayakar near the Theertham and it is known as “Sri Mazhuporutha Vinayakar”.

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Narthana Ganapathy, Natarajar, Agasthiyar, Dakshinamurthy, Lingothbavar with Brahma and Mahavishnu, Durgai and Chandikeswarar can be seen. In the Navagraham, all the other idols are facing Suryan.

There are two shrines for Goddess Parvathy here. One is “Sri Arthachandra Bimba Gujambigai” or “Sri Piraiyanivaal Nuthal Ammai” (“Pirai” means Chandran (moon), “anivaal” means “to wear” and “nuthal” means forehead in Tamil). Every year, during the Tamil month of Karthigai, on the full moon day, the rays of Chandran fall on this goddess.

The other one is “Sri Girigujaambigai”. This goddess is shown in a yogic posture. This idol is made of clay (sudhai) and no abhishekam is performed. Only civet (“Punugu”) is applied on some specific days. On her either side, idols of Goddesses Lakshmi and Saraswathi can be seen. Saraswathi is holding her veena and Lakshmi is holding lotus flowers.

In Goddess Girigujaambigai’s shrine, idols of Vinayakar, Balamurugan, Navashakthi, Sanganidhi, Thathpurusha Sakthi, Padumanidhi, Ganga, Vaishnavi with Sanakathi rishis, Giriyashakthi, Gnanambigai, Bairavar, Balasastha (Iyanar), and Durgai can be seen.

A pillared corridor leading to a shrine, with a sign naming the Goddess and sculptures on its roof
Three painted idols behind a wire grille: a central goddess with two attendants, one holding a veena
Two dark stone idols draped in white cloth sit inside a worn shrine niche, a lamp lit beside them

Salient features

An important event in this temple is the milk abhishekam that is performed for Raahu. Special poojas are performed for Raahu between 4:30 p.m. and 6:00 p.m. (“Rahukaalam”) on all Sundays. At this time, the milk that is poured on this idol changes its colour to blue as it passes over the body. The colour of the milk again changes back to white when it reaches the ground. A large number of devotees gather here to worship Raahu during this time.

Lord Murugan’s shrine is in between those of Lord Shiva and Goddess Piraiyanivaal Nuthal Ammai. This type of placement is called “Somaskanda”.

Behind the sanctum sanctorum, on either side of Lord Lingothbavar, there are idols of Lord Mahavishnu and Lord Brahma in a worshipping posture. Devotees can enjoy the darshan of all the three lords (Trimurthys) – Brahma, Vishnu and Shiva. This is considered to be very auspicious.

The 100-pillared hall has beautiful sculptures. It looks as if the entire hall is placed on a chariot.

A dim stone hall with carved pillars, a woman in a pink sari walking through it

The three Goddesses – Girigujambikai (Parvathy), Mahalakshmi and Saraswathi are gracing the devotees from a single shrine here.

On 16th February 1986, a snake shed its skin (length 5.5 feet) in the form of a garland on the idol of Lord Raahu. This skin is preserved in a glass box.

Worshiping Lord Shiva in the morning at the Sri Nageswarar temple in Kudanthai Keezhkkottam, at noon in this temple and in the evening at the Thiruppampuram temple is considered very auspicious.

It is believed that earlier this temple had 12 Theerthams, including those of the three rivers – Naattaru, Arisilaru and Kirthimanaru which were created by Lord Shiva using his trident. However, now only one of them - the “Surya Pushkarini” can be seen inside the temple.

Saint Arunagirinadhar has sung songs in praise of Lord Murugan of this temple in his revered Thirupugazh.

There is a Tamil proverb which can be loosely translated as follows – No one can bless like Raahu and no one can create obstacles like Kethu. Since this is a parihara sthalam for Raahu, devotees can worship him here to seek his blessings.

In Goddess Girigujambikai’s shrine, there is a small enclave which houses idols of Lord Vinayakar and Yoga Raahu. This idol of Yoga Raahu is quite unique.

There are beautiful paintings in Goddess Girigujambikai’s shrine depicting the legends associated with this temple.

A painted panel of a woman and two men with folded hands before a lingam under a tree
A painted panel of a sage in penance and Shiva striking the ground with his trident to create a pool
A painted panel of a seated Shiva before a bull-faced figure holding offerings, with a figure behind
A painted panel of a goddess in flames between two goddesses, one with a veena
A painted panel of a goddess doing penance amid flames, Shiva and his bull appearing in a glowing circle
A painted panel of a goddess flanked by two attendants, with a golden Vinayakar and Murugan on the sides

Greatness of this temple

This is a famous “Parihara Sthalam” for those suffering from the adverse effects of planet Raahu and Kethu. For example, doshas like “Sarpa dosha”, “Kalathira dosha”, “Pithru dosha” and “Kalasarpa dosha”.

Devotees believe that by worshiping the lord here, obstacles from their marriage proposals will be removed.

Important festivals

Some of the important festivals celebrated in this temple are –

10-day Brahmmotsavam in the Tamil month of Karthikai (Nov-Dec) and Saint Sekkizhar festival in the Tamil month of Vaikasi Poosam star day.

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Thiru Karthikai in the Tamil month of Karthikai (Nov-Dec),

Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan),

Masi Maham and Shivarathri in the Tamil month of Masi (Feb-Mar) and

Panguni Uthiram in the Tamil month of Panguni (Mar-Apr).

The transition days of the Raahu planet are also celebrated here with special poojas.

Pradosham is also observed regularly.

Temple timings

From 06:00 AM to 12:00 Noon and from 04:00 PM to 08:30 PM.

Temple address

Sri Nageswaraswamy Temple,
Thirunageswaram,
Kumbakonam Taluk,
Thanjavur District,
Tamil Nadu-612 204.
Tele: +91- 435-246 3354, 94434 89839.

*
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Today6:00 am – 12:00 noon, 4:00 pm – 8:30 pm
Phone+91- 435-246 335494434 89839
A stepped stone tower beyond a sandy path, with a carved shrine roof on the right
A long stone wall with a green shade over a metal walkway, a tower showing at the far right
A small stone gateway with a figure carved above its arch, set in a low curved wall
A small shrine with a domed roof in an open sandy courtyard, a tower behind and red-striped wall at right
A wide courtyard with a covered walkway, one tower at left and a colourful one at right, devotees walking
A long wall painted in red and white stripes, with a colourful tower rising behind its corner
A long corridor under a sloping metal roof, stone wall at left and railings at right

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

A Parihara Sthalam for Raahu and Kethu

Devotees come here for relief from the adverse effects of the planets Raahu and Kethu.

  1. Milk abhishekham for RaahuThe milk poured on Raahu's idol changes its colour to blue as it passes over the body, and back to white on the ground.
  2. Raahu with his consortsRaahu has a separate shrine here, in human form with his consorts Nagavalli and Nagakanni.
  3. Three goddesses in one shrineGirigujambikai (Parvathy), Mahalakshmi and Saraswathi grace the devotees from a single shrine.
  4. Brahma, Vishnu and ShivaBehind the sanctum, Mahavishnu and Brahma stand in a worshipping posture beside Lingothbavar, giving darshan of all three lords.
Significance

Among the Devara Paadal Petra Sthalams

A Shiva Sthalam on the southern bank of the Cauvery in Chozha Nadu, sung by the three saints.

  1. Sung by the MoovarSaint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar) all rendered their Pathigams here.
  2. A self-manifested LordLord Shiva in this temple is a Swayambumurthi.
  3. Where Sekkizhar received Thiruvadi gnanamSekkizhar, who wrote the Periya Puranam, is believed to have received Thiruvadi gnanam from Lord Shiva here.
  4. The Samudra ManthanThe legend of this temple finds a mention in the Samudra Manthan episode of Hindu mythology.
Why devotees come

Why devotees come here

They come to ask for marriages without obstacles and for relief from doshas.

  1. For marriageDevotees believe that worshiping the lord here removes obstacles from their marriage proposals.
  2. For relief from doshasFor Sarpa dosha, Kalathira dosha, Pithru dosha and Kalasarpa dosha, caused by the adverse effects of Raahu and Kethu.
  3. To worship RaahuSpecial poojas are performed for Raahu on all Sundays between 4:30 p.m. and 6:00 p.m., and a large number of devotees gather.
  4. For the festivalsThe 10-day Brahmmotsavam in Karthikai is among the important festivals celebrated here.
The temple's main tower seen from the street
276Devara Paadal Petra Shiva Sthalams

A Devara sthalam

Thiru Nageswarar

  1. நாகம்Nagam means snake
  2. நாதர்Nathar means the lord

Shenbaka vanam and Girikannikai vanam

    Legends of the temple

    Goddess Parvathy chose this place for her penance; pleased, Lord Shiva blessed her with his darshan.

    The eight great serpents and Adhiseshan worshiped the lord here, hence the name Thiru Nageswarar.

    Lord Shiva restored Raahu to life and gave him a place among the nine planets.

    Chandira Varman, turned into a dog by a curse, was restored after bathing in the holy water and worshiping here.

    Saints of this temple

    1. Saint ThirugnanasambantharOne of the Moovar who rendered Pathigams at this temple.
    2. Saint Thirunavukarasar (Appar)In his hymn he mentioned that the lord was worshiped by the five-headed serpent.
    3. Saint Sundaramurthy (Sundarar)One of the Moovar who rendered Pathigams at this temple.
    4. Saint SekkizharRenovated the temple, built a hall in the second corridor and is believed to have received Thiruvadi gnanam here.
    5. Saint ArunagirinadharSang songs in praise of Lord Murugan of this temple in his Thirupugazh.

    Kings and patrons

    1. KandarathithanThe Chola king who originally built the temple.
    2. RaajarajanThe temple's inscriptions date back to his period.
    3. RajendranThe temple's inscriptions date back to his period.
    4. Govinda DikshitharA minister in the kingdom of Achuthappa Nayakkar, who renovated and extended the temple.

    Festivals through the year

      Brahmmotsavam, the Sekkizhar festival, Vinayakar Chaturthi, Thiruvadhirai, Masi Maham, Shivarathri and Panguni Uthiram, with special poojas on Raahu's transition days.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarநா
      Moolavar

      Sri Thiru Nageswarar

      Lord Shiva in this temple is a Swayambumurthi (self-manifested), praised here as Thiru Nageswarar.

      Ambalபி
      Ambal

      Sri Piraiyanivaal Nuthal Ammai

      Every year, during the Tamil month of Karthigai, on the full moon day, the rays of Chandran fall on this goddess.

      Three painted idols behind a wire grille: a central goddess with two attendants, one holding a veena
      Ambal

      Sri Girigujaambigai

      This goddess is shown in a yogic posture. Her idol is made of clay and no abhishekam is performed; only civet is applied on some specific days.

      Shrineரா
      Shrine

      Raahu

      Raahu has a separate shrine here, where the idol is in human form, with his consorts Nagavalli and Nagakanni.

      Two dark stone idols draped in white cloth sit inside a worn shrine niche, a lamp lit beside them
      Shrine

      Yoga Raahu

      In Goddess Girigujambikai's shrine, a small enclave houses idols of Lord Vinayakar and Yoga Raahu. This idol of Yoga Raahu is quite unique.

      Shrine near the tankவி
      Shrine near the tank

      Sri Mazhuporutha Vinayakar

      There is a separate shrine for Lord Vinayakar near the Theertham, known as Sri Mazhuporutha Vinayakar.

      Shrineமு
      Shrine

      Murugan

      Lord Murugan's shrine is in between those of Lord Shiva and Goddess Piraiyanivaal Nuthal Ammai. This type of placement is called Somaskanda.

      Behind the sanctumலி
      Behind the sanctum

      Lingothbavar

      Behind the sanctum sanctorum, on either side of Lord Lingothbavar, there are idols of Lord Mahavishnu and Lord Brahma in a worshipping posture.

      Main hallசே
      Main hall

      Saint Sekkizhar

      The idol of Saint Sekkizhar can be seen with the idols of his mother Azhakaambigai and brother Balaravaayar in the main hall (Thiruppani Mandapam).

      Visit & map

      Sacred geography
      Thirunageswaram Thiru Sivapuram Arisir Karai Puthur Kaduvaikarai Puthur Thiruviyalur Kalayanallur Thirunaraiyur Thiru Karukkudi Kudanthai Karonam Kudanthai Keezhkkottam Thirunthudhevan Kudi Thiruneelakkudi Kudanthai Kudamukku
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today6:00 am – 12:00 noon, 4:00 pm – 8:30 pm
      6:00 – 12:004:00 – 8:30 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Nageswaraswamy Temple, Thirunageswaram, Kumbakonam Taluk, Thanjavur District, Tamil Nadu-612 204.

      +91- 435-246 3354

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 10.9 km in straight lines.

      Map of Thirunageswaram and the sthalams nearby, in route order: Thiru Sivapuram, Arisir Karai Puthur, Kaduvaikarai Puthur, Thirunaraiyur, Thiru Karukkudi. Kalayanallur · 4.6 km Kudanthai Karonam · 5.2 km Kudanthai Keezhkkottam · 5.6 km Thiruneelakkudi · 6.2 km Kudanthai Kudamukku · 6.4 km Thirunageswaram 1 Thiru Sivapuram 2 Arisir Karai Puthur 3 4 Thirunaraiyur 5 Thiru Karukkudi 2 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A large green temple tank with stepped sides and arched walls, seen between stone pillars
      01

      The Surya Pushkarini

      Now only one of the Theerthams, the Surya Pushkarini, can be seen inside the temple.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Thirugnanasambandar visited this temple and sang this Pathigam. Verse 1 of 11.

      Poṉnēr tharumē ṉiyaṉē puriyum
      miṉnēr saṭaiyāy viraikā viriyiṉ
      naṉṉīr vayalnā kēchchara nakariṉ
      maṉṉē yeṉaval viṉaimāyn thaṟumē

      O Lord of golden form and lightning-like matted hair, king of the town of Nageswaram, whose fields are watered by the good, fragrant water of the Cauvery. Those who call upon you in this way will see their strong deeds perish and come to an end.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        பொன்நேர் தருமே னியனே புரியும்மின்நேர் சடையாய் விரைகா விரியின்நன்னீர் வயல்நா கேச்சர நகரின்மன்னே யெனவல் வினைமாய்ந் தறுமே

        Poṉnēr tharumē ṉiyaṉē puriyum / miṉnēr saṭaiyāy viraikā viriyiṉ / naṉṉīr vayalnā kēchchara nakariṉ / maṉṉē yeṉaval viṉaimāyn thaṟumē

        பொன்னை யொத்த மேனியனே, வளைத்துக் கட்டப்பட்ட மின்னல் போன்ற

        சடையினை உடையவனே, மணத்துடன் வரும் காவிரி நதியின் நல்ல நீரால்

        வளம் பெறும் வயல்களை உடைய நாகேச்சுரத் திருக்கோயிலில் விளங்கும்

        மன்னவனே என்று ஏத்த, வலிய வினைகள் அழிந்து கெடும்.

      2. 02

        சிறவார் புரமூன் றெரியச் சிலையில்உறவார் கணையுய்த் தவனே உயரும்நறவார் பொழில்நா கேச்சர நகருள்அறவா எனவல் வினையா சறுமே

        Siṟavār puramūṉ tṟeriyach chilaiyil / uṟavār kaṇaiyuyth thavaṉē uyarum / naṟavār pozhilnā kēchchara nakaruḷ / aṟavā eṉaval viṉaiyā saṟumē

        சிறவாதவராகிய அசுரர்களின் முப்புரங்கள் எரியுமாறு வில்லிற் பொருந்திய நீண்ட கணையைச் செலுத்தியவனே, உயர்ந்த தேன் பொருந்திய மலர்ச்சோலைகள் சூழ்ந்த திருநாகேச்சுரக் கோயிலில் விளங்கும் அறவடிவினனே! என்று கூறி ஏத்த, வலிய வினைக்குற்றங்கள் அழிந்து கெடும்.

      3. 03

        கல்லால் நிழல்மே யவனே கரும்பின்வில்லான் எழில்வே வவிழித் தவனேநல்லார் தொழுநா கேச்சர நகரில்செல்வா எனவல் வினைதேய்ந் தறுமே

        Kallāl nizhalmē yavaṉē karumpiṉ / villāṉ ezhilvē vavizhith thavaṉē / nallār thozhunā kēchchara nakaril / selvā eṉaval viṉaithēyn thaṟumē

        கல்லால மரநிழலில் எழுந்தருளியவனே, கரும்பு வில்லை ஏந்திய

        மன்மதனின் அழகிய உடல் வேகுமாறு விழித்தவனே, நல்லவர்களால்

        வணங்கப்பெறும் நாகேச்சுரத்திருக்கோயிலில் விளங்கும் செல்வனே என்று

        கூறி ஏத்த வலிய வினைகள் தேய்ந்து கெடும்.

      4. 04

        நகுவான் மதியோ டரவும் புனலும்தகுவார் சடையின் முடியாய் தளவம்நகுவார் பொழில்நா கேச்சர நகருள்பகவா எனவல் வினைபற் றறுமே

        Nakuvāṉ mathiyō ṭaravum puṉalum / thakuvār saṭaiyiṉ muṭiyāy thaḷavam / nakuvār pozhilnā kēchchara nakaruḷ / pakavā eṉaval viṉaipat ṟaṟumē

        விளங்குகின்ற வானத்தில் ஊரும் திங்கள், பாம்பு, கங்கை ஆகியன

        பொருந்திய தக்க நீண்ட சடையை உடையவனே, 107 முல்லை மலர்கள்

        விளங்கும் நீண்ட பொழில்கள் சூழ்ந்த நாகேச்சுரத்திருக்கோயிலில் விளங்கும் பெருமானே என்று கூறி ஏத்த வலிய வினைகளின் தொடக்கு அறும்.

      5. 05

        கலைமான் மறியுங் கனலும் மழுவும்நிலையா கியகை யினனே நிகழும்நலமா கியநா கேச்சர நகருள்தலைவா எனவல் வினைதான் அறுமே

        Kalaimāṉ maṟiyuṅ kaṉalum mazhuvum / nilaiyā kiyakai yiṉaṉē nikazhum / nalamā kiyanā kēchchara nakaruḷ / thalaivā eṉaval viṉaithāṉ aṟumē

        மான்கன்று, அழல், மழு ஆகியன நிலையாக விளங்கும் கைகளை

        உடையவனே, நன்மை விளையும் தலமாகிய நாகேச்சுரக் கோயிலில்

        விளங்கும் தலைவனே! என்று கூறி ஏத்த வலியவினைகள் கெடும்.

      6. 06

        குரையார் கழலா டநடங் குலவிவரையான் மகள்கா ணமகிழ்ந் தவனேநரையார் விடையே றுநாகேச் சரத்தெம்அரைசே எனநீங் கும்அருந் துயரே

        Kuraiyār kazhalā ṭanaṭaṅ kulavi / varaiyāṉ makaḷkā ṇamakizhn thavaṉē / naraiyār viṭaiyē ṟunākēch charaththem / araisē eṉanīṅ kumarun thuyarē

        மலைமகளாகிய பார்வதி தேவி கண்டு மகிழ, கால்களில் ஒலிக்கின்ற

        வீரக்கழல்கள் ஆடநடனம் ஆடி மகிழ்பவனே, வெண்ணிறமான

        விடையின்மீது ஏறி நாகேச்சுரத்துள் விளங்கும் அரசனே! என்று கூறி ஏத்த,

        நீங்குதற்கு அரியவாய் வரும் துன்பங்கள் கெடும்.

      7. 07

        முடையார் தருவெண் டலைகொண் டுலகில்கடையார் பலிகொண் டுழல்கா ரணனேநடையார் தருநா கேச்சர நகருள்சடையா எனவல் வினைதான் அறுமே

        Muṭaiyār tharuveṇ ṭalaikoṇ ṭulakil / kaṭaiyār palikoṇ ṭuzhalkā raṇaṉē / naṭaiyār tharunā kēchchara nakaruḷ / saṭaiyā eṉaval viṉaithāṉ aṟumē

        முடை நாற்றம் பொருந்திய வெள்ளிய தலையோட்டை ஏந்தி உலகில் பலர்

        வீட்டு வாயில்களிலும் பலி கொண்டு உழலும் உலகக் காரணனே,

        நாகேச்சுரக் கோயிலுள் எழுந்தருளிய சடையனே! என்று கூறி ஏத்த, வலிய

        வினைகள் கெடும்.

      8. 08

        ஓயா தஅரக் கன்ஒடிந் தலறநீயா ரருள்செய் துநிகழ்ந் தவனேவாயா ரவழுத் துவர்நா கேச்சரத்தாயே எனவல் வினைதான் அறுமே

        Ōyā tha'arak kaṉoṭin thalaṟa / nīyā raruḷsey thunikazhn thavaṉē / vāyā ravazhuth thuvarnā kēchcharath / thāyē eṉaval viṉaithāṉ aṟumē

        தன் வலிமையால் இடைவிடாது போர்புரியும் இராவணன் மனம் உடைந்து

        அலற நீ அவனுக்கு அரிய அருளைச் செய்து மனம் இளகுதலாகிய உன் நடை முறையைக் காட்டியவன், என்று உன்னைப் பலரும் வாயார வாழ்த்துவர். நாகேச்சுரத்தில் எழுந்தருளிய இறைவனே! என உன்னை நினைந்து போற்றுவார் வலிய வினைகள் கெடும்.

      9. 09

        நெடியா னொடுநான் முகன்நே டலுறச்சுடுமா லெரியாய் நிமிர்சோ தியனேநடுமா வயல்நா கேச்சர நகரேஇடமா வுறைவா யெனஇன் புறுமே

        Neṭiyā ṉoṭunāṉ mukaṉnē ṭaluṟach / chuṭumā leriyāy nimirchō thiyaṉē / naṭumā vayalnā kēchchara nakarē / iṭamā vuṟaivā yeṉa'iṉ puṟumē

        திருமாலும், பிரமனும் அடிமுடி தேடலை மேற்கொள்ளச் சுடுகின்ற பெரிய

        தீப்பிழம்பாய் எழுந்து நின்ற ஒளி வடிவினனே, நாற்று நடத்தக்க பெரிய

        வயல்களைக் கொண்டுள்ள நாகேச்சுரத்துக் கோயிலை உனக்குரிய

        கோயிலாகக் கொண்டு உறைபவனே என்று போற்ற அவன் இன்புறுவான்.

      10. 10

        மலம்பா வியகை யொடுமண் டையதுண்கலம்பா வியர்கட் டுரைவிட் டுலகில்நீலம்பா வியநா கேச்சர நகருள்சிலம்பா எனத்தீ வினைதேய்ந் தறுமே

        Malampā viyakai yoṭumaṇ ṭaiyathuṇ / kalampā viyarkaṭ ṭuraiviṭ ṭulakil / nīlampā viyanā kēchchara nakaruḷ / silampā eṉaththī viṉaithēyn thaṟumē

        அழுக்கேறிய கையினராய் உணவுகொள்ள மண்டை முதலான

        உண்கலங்களைப் பயன்படுத்தும் சமண, புத்தர்களின் பொய்மொழிகளை

        விடுத்து, உலகின்கண் நன்மைகள் வளர நாகேச்சுரக்கோயிலுள்

        எழுந்தருளிய கயிலை மலையானே! எனப் போற்றுவார் தீவினைகள் தேய்ந்து கெடும்.

      11. 11

        கலமார் கடல்சூழ் தருகா ழியர்கோன்தலமார் தருசெந் தமிழின் விரகன்நலமார் தருநா கேச்சரத் தரனைச்சொலமா லைகள்சொல் லநிலா வினையே

        The last verse names the singer as the lord of Kazhi, skilled in Tamil, and says that those who recite these songs of praise to Aran of Nageswaram will not be bound by their deeds.

        Kalamār kaṭalchūḻ tharukā zhiyarkōṉ / thalamār tharusen thamizhiṉ virakaṉ / nalamār tharunā kēchcharath tharaṉaich / cholamā laikaḷchol lanilā viṉaiyē

        மரக்கலங்கள் பல நிறைந்த கடல் சூழ்ந்த தலங்களில் சிறந்த காழிப்பதிக்குத் தலைவனும் செந்தமிழ் விரகனும் ஆகிய ஞானசம்பந்தன் நன்மைகள் நிறைந்த நாகேச்சுரத்து அரனைப் போற்றிச் சொன்ன பாமாலைகளாகிய இப்பதிகத்தை இசையுடன் ஓத வினைகள் நில்லா.

      Photos

      Photographs

      21 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      A colourful temple tower rising behind a small shrine in a sandy courtyard, with visitors walking past
      A painted arch with sculpted deities over a busy street, the temple tower visible far beyond
      A tall tower covered in colourful sculptures stands above shops and houses on a narrow street
      A large green temple tank with stepped sides and arched walls, seen between stone pillars
      A pillared corridor leading to a shrine, with a sign naming the Goddess and sculptures on its roof
      Three painted idols behind a wire grille: a central goddess with two attendants, one holding a veena
      Two dark stone idols draped in white cloth sit inside a worn shrine niche, a lamp lit beside them
      A dim stone hall with carved pillars, a woman in a pink sari walking through it
      A painted panel of a woman and two men with folded hands before a lingam under a tree
      A painted panel of a sage in penance and Shiva striking the ground with his trident to create a pool
      A painted panel of a seated Shiva before a bull-faced figure holding offerings, with a figure behind
      A painted panel of a goddess in flames between two goddesses, one with a veena
      A painted panel of a goddess doing penance amid flames, Shiva and his bull appearing in a glowing circle
      A painted panel of a goddess flanked by two attendants, with a golden Vinayakar and Murugan on the sides
      A stepped stone tower beyond a sandy path, with a carved shrine roof on the right
      A long stone wall with a green shade over a metal walkway, a tower showing at the far right
      A small stone gateway with a figure carved above its arch, set in a low curved wall
      A small shrine with a domed roof in an open sandy courtyard, a tower behind and red-striped wall at right
      A wide courtyard with a covered walkway, one tower at left and a colourful one at right, devotees walking
      A long wall painted in red and white stripes, with a colourful tower rising behind its corner
      A long corridor under a sloping metal roof, stone wall at left and railings at right