Dharisanam ENதமிழ்
The tall temple tower rising behind a stone pillared hall under a grey sky.
Swayambu

Thirupachilachiramam Sri Maatrurai Varadeeswarar temple 62nd of 63 on the north bank of the Kaveri · Chola Nadu · Temples near Tiruchirappalli

Darshan today8:00 am – 12:00 noon, 5:00 pm – 8:00 pm
Moolavar
Maatrurai Varadeeswarar, Matrari Varathar,Sameevaneswarar, Brahmapureswarar
Ambal
Balambikai Amman, Balasoundari
Theertham
Annamam Poikai, Kollidam river, Silambu (Panguni) river
Sthala vriksham
Vanni Tree
Pathigam by
Thirugnanasambanthar, Sundaramurthy (Sundarar)

Temple

Visited on: January 10, 2016 and December 2, 2016

Location

Thiruvasi is located at a distance of about 13 kms from Trichy on the Trichy-Salem route via Ayyanpalayam. Nearest railway station is Uttamarkoil which is 5 kms away from this place.

Other Devara Paadal Petra Shiva Sthalams near this place are – Thiruvanaikkaval, Thiruchirappalli (Tiruchy Malaikkottai), Anbilanthurai, Thirumanthurai, Thiruppatrurai, Thiruppainjeeli, Mukkeecharam (Uraiyur) and Thiruverumbur.

General Information

Moolavar
Sri Maatrurai Varadeeswarar, Sri Matrari Varathar,
Sri Sameevaneswarar, Sri Brahmapureswarar
Ambal
Sri Balambikai Amman, Sri Balasoundari
Theertham (Holy water)
Annamam Poikai, Kollidam river, Silambu (Panguni) river
Sthala Vriksham (Sacred Tree)
Vanni Tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar, Saint Sundaramurthy (Sundarar)
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 62nd Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • Saint Sambanthar sang a hymn and cured a girl from Muyalagan disease.
  • Lord Shiva gave a purse containing gold to Saint Sundarar here.
  • This east facing temple has a 5-tiered main tower (Rajagopuram) and it has two corridors.
  • The last consecration ceremony (Kumbabishekam) took place on 14.06.2017.

History of the Temple

It is believed that this temple is 1500 years old and was built and renovated by Kings of the Hoysala, Chola and Pandiya dynasties. This temple is situated on the northern bank of the river Kollidam (Coleroon).

The historical name of this place is “Pachil Kutrathu Achiramam” which has been changed to Pachilachiramam.

As per the stone inscriptions, during the Chola and Pandiya period, the places on the northern bank of the river Kollidam was called “Parchil Kutram”. The village around it was called Thiruvachiramam. This was later changed to Thiruvasi.

Also, in ancient times this place was densely populated with Vanni trees. For this reason, this place is also known as Sameevanam and the lord here is praised as Sri Sameevaneswarar.

As Lord Brahma is believed to have worshiped the lord here, the lord is also known as “Sri Brahmapureswarar”.

The temple's tiered tower covered in white stucco figures, with palm trees beside it.

Legend

According to legend, this region was once called Mazhanadu and it was ruled by king Kolli Mazhavan. His daughter was suffering from a severe disease called Muyalagan (epilepsy), which could not be cured by the king’s doctors. The king decided to leave his daughter in this temple with the hope that the lord would cure her. Saint Thirugnanasambanthar came to this place during his pilgrimage and found the girl in the temple. The king explained to the saint the sad story of his daughter and begged him for help. Saint Sambanthar sang a pathigam in praise of Lord Natarajar. Pleased with his pathigam, Lord Nataraja transformed the muyalagan disease into a serpent and danced on it. The lord then blessed the princess and cured her disease.

Based on this event, Lord Nataraja appears here with his hair tied in a knot. Instead of his usual depiction of standing on top of Muyalagan, in this temple he is seen standing on a serpent. He is praised here as “Sarpa Nataraja” (“Sarpa” meaning serpent in Tamil). This is a rare posture of Lord Nataraja.

Another legend is that once a business man called Kamalan from Pachur, who was a staunch Shiva devotee, was childless. One day when he was going home from this temple he heard a child’s cry and found an abandoned baby. He took her home, named her Amalai and raised her as his own. When the child was ready for marriage, he wanted her to be married to his brother-in-law. Amalai was also an ardent devotee of Lord Shiva and she desired to marry Lord Shiva. Pleased with her prayers, Lord Shiva came to their house as Kamalan’s brother-in-law and married Amalai. After the wedding, the newly wedded couple left the house informing Kamalan that they are going to the temple. After they left, to the surprise of Kamalan his actual brother-in-law came home. It was only then that they realised what had happened. They went to the temple in search of Amalai. Lord Shiva appeared before them seated on his bull mount (Rishaba Vahanam) and gave dharisanam with Amalai as Goddess Parvathi. Goddess Parvathy threw her anklet and from the place where it hit the ground, water started flowing as a river. This river came to be known as Silambu river but its name was later changed to Panguni river.

A tall flagstaff wrapped in rope stands in a long stone hall with carved pillars.
A stone Nandi in the foreground, with a pillared stone hall behind it.
A shrine built of large stone blocks, with a single dark doorway and steps leading up.

Another legend associated with this temple is that Saint Sundaramurthy Nayanar got a bag of gold from Lord Shiva in this place. Saint Sundarar used to get gold from Lord Shiva to feed his followers. After worshipping the lord in Thiruvanaikaval, he came to this temple and sang in praise of the lord seeking gold. Lord Shiva kept mum. Angered, Sundarar continued his Pathigam in a loud voice questioning whether there was someone called Lord Shiva here or not. Pleased with Sundarar’s hymn, Lord Shiva gave him a purse containing gold. Yet he was doubtful about its purity and examined it closely. Two men came to him and asked him why he was doing so. Sundarar sought their help in determining the purity of the gold. Both of them confirmed the purity of the metal after scratching it. Both disappeared instantly. Sundarar sang again saying that he did not mean to insult or doubt the Lord. Lord Shiva appeared before him and said that he himself had come as the assessor and his companion was Lord Mahavishnu. Hence the Lord here is named “Matru Urai Nathar” – God who confirmed the purity of gold – (“Matru” means quality, Urai” means “Urasi Parthal” - scratching and assessing while “Nathar” is a respectful suffix in Tamil).

It is believed that Lord Brahma, Goddess Parvathi, Goddess Lakshmi and Sage Agasthiar have worshipped Lord Shiva of this temple.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of lords Vinayakar, Murugan, Natarajar, Nalvar, Dakshinamurthy, Arthanareeswarar, Brahma, Durgai, Chandikeswarar, 63 Nayanmars, Sapthamathakkal, Navagraham, Suryan, Chandran, Sahasra lingam and Bairavar can be seen in the corridor. In the Navagraham, Suryan is seen with his two consorts - Usha and Prathyusha. The other planets can be seen looking at him.

Goddess Balambikai has a separate temple on the left side of the entrance. The shrine of Lord Selva Vinayakar and Annamam Poigai (sacred well) are opposite to the shrine of Goddess Balambikai.

An open stone shrine with a small colourful tower above it, among trees.
A stone doorway with a brightly painted tower of small figures above it.
A dark standing figure holding a staff, set in a niche with a painted arch.
A painted four-armed goddess in a green and gold sari, with lotus flowers in her upper hands.
A small stone shrine with a green-roofed top, and a pink tower rising behind trees.
Four small dark figures in a row, dressed in white and red cloth, inside a white-tiled shrine.

Salient Features

Goddess Balambikai here has a unique posture – her left hand looks like a crab (Nandu / Kadagam in Tamil). It is also said that this is the only temple where you can see Goddess Parvathy’s hand like this. It is believed that taking the abishekam milk of this goddess for three consecutive Sundays would give relief to children who are born with the “Balarishta dosham” (The child who is afflicted by Balarishta dosha will suffer from frequent inexplicable ailments that will fail to respond to conventional medical treatment).

This temple is considered to be significant for its three important attributes – Murthy, Sthalam and Theertham (glory of Lord, sacredness of the land and the auspicious temple tank).

Devotees pray to Lord Shiva here by lighting lamps with “Iluppai” oil for welfare of their family and removal of evil effects surrounding them. Those seeking “Santhana Prapthi” (child boon) also pray to Goddess Balambikai here.

Greatness of this temple

Thiruvasi is considered to be equivalent to visiting Kasi (Banaras).

This temple is famous as a Parihara sthalam for those suffering from Balarishta Dosham.

Devotees believe that worshipping the goddess here for 5 consecutive Fridays will remove obstacles from their marriage proposals.

It is also believed that devotees who are facing stomach related illnesses, nervous weakness, epilepsy and paralysis can worship Lord Natarajar here for one mandalam (45 days) to get relief.

Important Festivals

Important festivals celebrated in this temple are –

11-day Brahmotsavam in the Tamil month of Vaikasi (May-June),

Thirukarthikai in the Tamil month of Karthikai (Nov-Dec),

Arudra Dharisanam in the Tamil month of Margazhi (Dec-Jan) and

Poosam in the Tamil month of Thai (Jan-Feb).

Monthly Pradosham is also observed regularly.

Temple Timings

From 08.00 AM to 12.00 noon and 05.00 PM to 08.00 PM.

Temple Address

Sri Matrurai Varadeeswarar Temple,
Thiruvasi,
Mannachanallur Taluk,
Trichy District,
Tamil Nadu – 621216.
Tele: +91 431 6574 972, +91 94436 92138.

The temple priest, Sri Vijaya Kumar Gurukkal can be contacted at +91 98656 64870.

*
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Today8:00 am – 12:00 noon, 5:00 pm – 8:00 pm
Phone+91 431 6574 972+91 94436 92138
A long open corridor with stone pillars beside a wet paved courtyard, under trees.
A brightly painted tower rises over a weathered stone structure, with trees behind.
The white tiered tower behind a stone-pillared hall, with palms and a heavy grey sky.

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

A sthalam like Kasi

Thiruvasi is considered equal to visiting Kasi, and the temple is famous as a Parihara sthalam for those suffering from Balarishta Dosham.

  1. Like visiting KasiThiruvasi is considered to be equivalent to visiting Kasi (Banaras).
  2. Parihara sthalamThe temple is famous as a Parihara sthalam for those suffering from Balarishta Dosham.
  3. Murthy, Sthalam and TheerthamThe temple is significant for its Murthy, Sthalam and Theertham: the glory of the Lord, the sacredness of the land and the temple tank.
Significance

A Devara Paadal Petra Sthalam

This is one of the 276 Devara Paadal Petra Shiva Sthalams, sung by Saint Thirugnanasambanthar and Saint Sundarar.

  1. On the northern bankIt is a Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  2. Sambanthar's hymnSaint Sambanthar sang a hymn here and cured a girl of Muyalagan disease.
  3. Gold for SundararLord Shiva gave a purse containing gold to Saint Sundarar here.
Why devotees come

Why devotees come here

Devotees come with prayers for their family, their children and their marriage, and for relief from illness.

  1. For family welfare: lampsDevotees light lamps with Iluppai oil for the welfare of their family and removal of evil effects.
  2. For a childThose seeking Santhana Prapthi also pray to Goddess Balambikai here.
  3. For marriageDevotees believe that worshipping the goddess here will remove obstacles from their marriage proposals.
  4. For relief from illnessDevotees facing stomach illnesses, nervous weakness, epilepsy and paralysis worship Lord Natarajar here.
The Rajagopuram
276Paadal Petra Sthalams

Among the Devara Paadal Petra Sthalams

The name Matru Urai Nathar

  1. மாற்றுquality
  2. உரைscratching and assessing
  3. நாதர்a respectful suffix

The Lord here is named for confirming the purity of gold.

Pachil Kutrathu Achiramam

    Legends of the temple

    Lord Nataraja turned Muyalagan disease into a serpent and danced on it, curing the princess.

    Lord Shiva married Amalai, and the river that began from Parvathy's anklet came to be known as the Silambu river.

    Lord Shiva gave Sundarar a purse of gold and confirmed its purity himself.

    Saints who sang here

    1. Saint ThirugnanasambantharSang the Pathigam here and cured the king's daughter.
    2. Saint SundararSang seeking gold, and received a purse of gold from Lord Shiva.

    Festivals through the year

      Brahmotsavam, Thirukarthikai, Arudra Dharisanam and Poosam are celebrated, and Pradosham is observed monthly.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarமா
      Moolavar

      Sri Maatrurai Varadeeswarar

      Lord Shiva in this temple is a Swayambumurthi (self-manifested). He is also known as Sri Sameevaneswarar and Sri Brahmapureswarar.

      Ambalபா
      Ambal

      Sri Balambikai Amman

      Goddess Balambikai has a separate temple on the left side of the entrance.

      Shrine of Lord Natarajaந
      Shrine of Lord Nataraja

      Sarpa Nataraja

      Lord Nataraja appears here with his hair tied in a knot, standing on a serpent. This is a rare posture of Lord Nataraja.

      Shrine in the corridorவி
      Shrine in the corridor

      Lord Selva Vinayakar

      The shrine of Lord Selva Vinayakar is opposite to the shrine of Goddess Balambikai.

      Shrine in the corridorந
      Shrine in the corridor

      Navagraham

      In the Navagraham, Suryan is seen with his two consorts, Usha and Prathyusha. The other planets can be seen looking at him.

      Visit & map

      Sacred geography
      2Thirupachilachiramam 1Thiruvanaikkaval Thirupparaithurai Anbil Alanthurai Thiru Nedungalam Thirukadaiyur Mayanam Thiruppurambayam Thiru Neithanam Thiru Kandiyur
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today8:00 am – 12:00 noon, 5:00 pm – 8:00 pm
      8:00 – 12:005:00 – 8:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Matrurai Varadeeswarar Temple, Thiruvasi, Mannachanallur Taluk, Trichy District, Tamil Nadu – 621216. The temple priest, Sri Vijaya Kumar Gurukkal can be contacted at +91 98656 64870.

      +91 431 6574 972

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 98.4 km in straight lines.

      Map of Thirupachilachiramam and the sthalams nearby, in route order: Thiruvanaikkaval, Thirupparaithurai, Thirukadaiyur Mayanam, Anbil Alanthurai, Thiru Nedungalam. Thirupachilachiramam 1 Thiruvanaikkaval 2 3 Thirukadaiyur Mayanam 4 5 Thiru Nedungalam 10 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A stone doorway with a brightly painted tower of small figures above it.
      01

      Goddess Balambikai's shrine

      Goddess Balambikai has a separate temple on the left side of the entrance.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Saint Thirugnanasambandar visited this temple and sang this Pathigam. Verse 1 of 11.

      Thuṇivaḷar thiṅkaḷ thuḷaṅki viḷaṅkach
      chuṭarchchaṭai chutṟimu ṭithup
      paṇivaḷar koḷkaiyar pāriṭañ chūzha
      vāriṭa mumpali thērvar
      aṇivaḷar kōlame lāñcheythu pāchchi
      lāchchirā mathuṟai kiṉtṟa
      maṇivaḷar kaṇṭarō maṅkaiyai vāṭa
      mayalseyva thō'ivar māṇpē

      The verse describes the Lord of Pachilachiramam with the crescent moon shining on his radiant matted hair, surrounded by devoted ghostly hosts and seeking alms. It speaks of him as the one with a jewel-like throat, and asks whether it is right for him to leave the lady languishing in confusion.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        துணிவளர் திங்கள் துளங்கி விளங்கச்சுடர்ச்சடை சுற்றிமு டித்துப்பணிவளர் கொள்கையர் பாரிடஞ் சூழவாரிட மும்பலி தேர்வர்அணிவளர் கோலமெ லாஞ்செய்து பாச்சிலாச்சிரா மத்துறை கின்றமணிவளர் கண்டரோ மங்கையை வாடமயல்செய்வ தோஇவர் மாண்பே

        Thuṇivaḷar thiṅkaḷ thuḷaṅki viḷaṅkach / chuṭarchchaṭai chutṟimu ṭithup / paṇivaḷar koḷkaiyar pāriṭañ chūzha / vāriṭa mumpali thērvar / aṇivaḷar kōlame lāñcheythu pāchchi / lāchchirā mathuṟai kiṉtṟa / maṇivaḷar kaṇṭarō maṅkaiyai vāṭa / mayalseyva thō'ivar māṇpē

      2. 02

        கலைபுனை மானுரி தோலுடை யாடைகனல்சுட ராலிவர் கண்கள்தலையணி சென்னியர் தாரணி மார்பர்தம்மடி கள்ளிவ ரென்னஅலைபுனல் பூம்பொழில் சூழ்ந்தமர் பாச்சிலாச்சிரா மத்துறை கின்றஇலைபுனைவேலரோ ஏழையை வாடஇடர்செய்வ தோஇவ ரீடே

        Kalaipuṉai māṉuri thōluṭai yāṭai / kaṉalsuṭa rālivar kaṇkaḷ / thalaiyaṇi seṉṉiyar thāraṇi mārpar / tham'maṭi kaḷḷiva reṉṉa / alaipuṉal pūmpozhil chūḻnthamar pāchchi / lāchchirā mathuṟai kiṉtṟa / ilaipuṉaivēlarō ēzhaiyai vāṭa / iṭarseyva thō'iva rīṭē

      3. 03

        வெஞ்சுட ராடுவர் துஞ்சிருள் மாலைவேண்டுவர் பூண்பது வெண்ணூல்நஞ்சடை கண்டர் நெஞ்சிட மாகநண்ணுவர் நம்மை நயந்துமஞ்சடை மாளிகை சூழ்தரு பாச்சிலாச்சிரா மத்துறை கின்றசெஞ்சுடர் வண்ணரோ பைந்தொடி வாடச்சிதைசெய்வ தோஇவர் சீரே

        Veñchuṭa rāṭuvar thuñhciruḷ mālai / vēṇṭuvar pūṇpathu veṇṇūl / nañchaṭai kaṇṭar neñchiṭa māka / naṇṇuvar nam'mai nayanthu / mañchaṭai māḷikai chūzhtharu pāchchi / lāchchirā mathuṟai kiṉtṟa / cheñchuṭar vaṇṇarō painthoṭi vāṭach / chitaiceyva thō'ivar sīrē

      4. 04

        கனமலர்க் கொன்றை அலங்கல்இ லங்கக்கனல்தரு தூமதிக் கண்ணிபுனமலர் மாலை யணிந்தழ காயபுநிதர்கொ லாமிவ ரென்னவனமலி வண்பொழில் சூழ்தரு பாச்சிலாச்சிரா மத்துறை கின்றமனமலி மைந்தரோ மங்கையை வாடமயல்செய்வ தோஇவர் மாண்பே

        Kaṉamalark koṉtṟai alaṅkali laṅkak / kaṉaltharu thūmathik kaṇṇi / puṉamalar mālai yaṇinthazha kāya / punitharko lāmiva reṉṉa / vaṉamali vaṇpozhil chūzhtharu pāchchi / lāchchirā mathuṟai kiṉtṟa / maṉamali maintharō maṅkaiyai vāṭa / mayalcheyva thō'ivar māṇpē

      5. 05

        மாந்தர்தம் பால்நறு நெய்மகிழ்ந் தாடிவளர்சடை மேற்புனல் வைத்துமோந்தை முழாக்குழல் தாளமொர் வீணைமுதிரவோர் வாய்மூரி பாடிஆந்தைவி ழிச்சிறு பூதத்தர் பாச்சிலாச்சிரா மத்துறை கின்றசாந்தணி மார்பரோ தையலை வாடச்சதுர்செய்வ தோஇவர் சார்வே

        Mānthartham pālnaṟu neymakizhn thāṭi / vaḷarsaṭai mēṟpuṉal vaithu / mōnthai muzhākkuzhal thāḷamor vīṇai / muthiravōr vāymūri pāṭi / ānthaivi zhichiṟu pūthaththar pāchchi / lāchchirā mathuṟai kiṉtṟa / chānthaṇi mārparō thaiyalai vāṭach / chathurseyva thō'ivar sārvē

      6. 06

        நீறுமெய் பூசி நிறைசடை தாழநெற்றிக்கண் ணாலுற்று நோக்கிஆறது சூடி ஆடர வாட்டியைவிரற் கோவண ஆடைபாறரு மேனியர் பூதத்தர் பாச்சிலாச்சிரா மத்துறை கின்றஏறது ஏறியர் ஏழையை வாடஇடர்செய்வ தோஇவ ரீடே

        Nīṟumey pūsi niṟaisaṭai thāzha / netṟikkaṇ ṇālutṟu nōkki / āṟathu chūṭi āṭara vāṭṭi / yaiviraṟ kōvaṇa āṭai / pāṟaru mēṉiyar pūthaththar pāchchi / lāchchirā mathuṟai kiṉtṟa / ēṟathu ēṟiyar ēzhaiyai vāṭa / iṭarseyva thō'iva rīṭē

      7. 07

        பொங்கிள நாகமொ ரேகவ டத்தோடாமைவெண் ணூல்புனை கொன்றைகொங்கிள மாலை புனைந்தழ காயகுழகர்கொ லாமிவ ரென்னஅங்கிள மங்கையோர் பங்கினர் பாச்சிலாச்சிரா மத்துறை கின்றசங்கொளி வண்ணரோ தாழ்குழல் வாடச்சதிர்செய்வ தோஇவர் சார்வே

        Poṅkiḷa nākamo rēkava ṭathō / ṭāmaiveṇ ṇūlpuṉai koṉtṟai / koṅkiḷa mālai puṉainthazha kāya / kuzhakarko lāmiva reṉṉa / aṅkiḷa maṅkaiyōr paṅkiṉar pāchchi / lāchchirā mathuṟai kiṉtṟa / saṅkoḷi vaṇṇarō thāzhkuzhal vāṭach / chathirseyva thō'ivar sārvē

      8. 08

        ஏவலத் தால்விச யற்கருள் செய்துஇராவணனையீ டழித்துமூவரி லும்முத லாய்நடுவாயமூர்த்தியை யன்றி மொழியாள்யாவர்க ளும்பர வும்மெழிற் பாச்சிலாச்சிரா மத்துறை கின்றதேவர்கள் தேவரோ சேயிழை வாடச்சிதைசெய்வ தோஇவர் சேர்வே

        Ēvalath thālvisa yaṟkaruḷ cheythu / irāvaṇaṉaiyī ṭazhithu / mūvari lum'mutha lāynaṭuvāya / mūrthiyai yaṉtṟi mozhiyāḷ / yāvarka ḷumpara vum'mezhiṟ pāchchi / lāchchirā mathuṟai kiṉtṟa / thēvarkaḷ thēvarō sēyizhai vāṭach / cithaiseyva thō'ivar sērvē

      9. 09

        மேலது நான்முகன் எய்திய தில்லைகீழது சேவடி தன்னைநீலது வண்ணனும் எய்திய தில்லையெனஇவர் நின்றது மல்லால்ஆலது மாமதி தோய்பொழிற் பாச்சிலாச்சிரா மத்துறை கின்றபாலது வண்ணரோ பைந்தொடி வாடப்பழிசெய்வ தோஇவர் பண்பே

        Mēlathu nāṉmukaṉ eythiya thillai / kīzhathu sēvaṭi thaṉṉai / nīlathu vaṇṇaṉum eythiya thillai / yeṉa'ivar niṉtṟathu mallāl / ālathu māmathi thōypozhiṟ pāchchi / lāchchirā mathuṟai kiṉtṟa / pālathu vaṇṇarō painthoṭi vāṭap / pazhiseyva thō'ivar paṇpē

      10. 10

        நாணொடு கூடிய சாயின ரேனும்நகுவ ரவரிரு போதும்ஊணொடு கூடிய வுட்கு நகையார்உரைக ளவைகொள வேண்டாஆணொடு பெண்வடி வாயினர் பாச்சிலாச்சிரா மத்துறை கின்றபூண்நெடு மார்பரோ பூங்கொடி வாடப்புனைசெய்வ தோஇவர் பொற்பே

        Nāṇoṭu kūṭiya sāyiṉa rēṉum / nakuva ravariru pōthum / ūṇoṭu kūṭiya vuṭku nakaiyār / uraika ḷavaikoḷa vēṇṭā / āṇoṭu peṇvaṭi vāyiṉar pāchchi / lāchchirā mathuṟai kiṉtṟa / pūṇneṭu mārparō pūṅkoṭi vāṭap / puṉaiseyva thō'ivar poṟpē

      11. 11

        அகமலி அன்பொடு தொண்டர் வணங்கஆச்சிரா மத்துறை கின்றபுகைமலி மாலை புனைந்தழ காயபுனிதர்கொ லாமிவ ரென்னநகைமலி தண்பொழில் சூழ்தரு காழிநற்றமிழ் ஞானசம் பந்தன்தகைமலி தண்டமிழ் கொண்டிவை யேத்தச்சாரகி லாவினை தானே

        In the last verse, Gnanasambandan of Kazhi sings these Tamil verses in praise of the Lord, and those who recite them are freed from the hold of their deeds.

        Akamali aṉpoṭu thoṇṭar vaṇaṅka / āchchirā mathuṟai kiṉtṟa / pukaimali mālai puṉainthazha kāya / puṉitharko lāmiva reṉṉa / nakaimali thaṇpozhil chūzhtharu kāzhi / natṟamizh gñāṉasam banthaṉ / thakaimali thaṇṭamizh koṇṭivai yēththach / chāraki lāviṉai thāṉē

      Photos

      Photographs

      14 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      The tall temple tower rising behind a stone pillared hall under a grey sky.
      The temple's tiered tower covered in white stucco figures, with palm trees beside it.
      A tall flagstaff wrapped in rope stands in a long stone hall with carved pillars.
      A stone Nandi in the foreground, with a pillared stone hall behind it.
      A shrine built of large stone blocks, with a single dark doorway and steps leading up.
      An open stone shrine with a small colourful tower above it, among trees.
      A stone doorway with a brightly painted tower of small figures above it.
      A dark standing figure holding a staff, set in a niche with a painted arch.
      A painted four-armed goddess in a green and gold sari, with lotus flowers in her upper hands.
      A small stone shrine with a green-roofed top, and a pink tower rising behind trees.
      Four small dark figures in a row, dressed in white and red cloth, inside a white-tiled shrine.
      A long open corridor with stone pillars beside a wet paved courtyard, under trees.
      A brightly painted tower rises over a weathered stone structure, with trees behind.
      The white tiered tower behind a stone-pillared hall, with palms and a heavy grey sky.