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A painted tower above a porch on the left, and another tower rising behind bamboo scaffolding on the right.
Swayambu

Mylapore, Chennai Sri Kapaleeswarar Temple 24th of 32 in Thondai Nadu · Temples near Chennai

Darshan today6:00 am – 12:00 noon, 4:00 pm – 9:00 pm
Moolavar
SriKapaleeswarar, Punnaivana Nathar
Ambal
Karpakambikai
Theertham
Kapali Theertham, Kadavul Theertham, Veda Theertham, Vali Theertham, Ganga Theertham, Velli Theertham and Rama Theertham.
Sthala vriksham
Punnai tree
Pathigam by
Thirugnanasambanthar

Temple

Visited on: 19th February, 2016 and 22nd March, 2017

Location

Mylapore is situated in the heart of Chennai at a distance of about 14 kms from Koyambedu. There is a railway station in Mylapore on the Beach to Velachery MRTS train route.

Other Devara Paadal Petra Shiva sthalams near this temple are – Thiruvotriyur, Thirumullaivayil, Thiruverkadu, Thiruvalithayam and Thiruvanmiyur.

General Information

Moolavar
Sri Kapaleeswarar, Punnaivana Nathar
Ambal
Sri Karpakambikai
Theertham (Holy water)
Kapali Theertham, Kadavul Theertham, Veda Theertham, Vali Theertham, Ganga Theertham, Velli Theertham and Rama Theertham.
Sthala Vriksham (Sacred Tree)
Punnai tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 24th Shiva Sthalam in Thondai Nadu.
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • This is the most popular of the “Sapthasthana” temples in Chennai.
  • This is the birth place of Vayilar Nayanar- one of the 63 Nayanmars.
  • This is the birth place of Thiruvalluvar.
  • This east facing temple has a 7-tiered main tower (Rajagopuram) and it has 2 corridors. The 3-tiered west facing tower is facing the temple’s sacred tank.
  • The last consecration ceremony (Maha Kumbabishegam) took place on 03.04.2016 and prior to that in the year 2004.

History of the Temple

The historical name of this place is Kapaleecharam.

Mylapore is on the sea coast and the shore is just one kilometre away.

There are three places where Goddess Parvathy took the form of peacock (“Mayil” in Tamil) and worshiped Lord Shiva – they are Mayiladuthurai (Mayuram), Thirumayiladi and Mylapore.

The original temple was located near the sea but was believed to have been submerged in the sea. The current temple was built around 350 years ago.

The temple’s towers are very beautiful. There is a big tank opposite to the temple’s western tower. The view of the temple and the tank is picturesque.

A tall tiered tower seen from below, crowded with painted figures on every level, against a blue sky.
A tall painted tower on the left and a smaller domed shrine tower beside trees and scaffolding.

Legend

Goddess Parvathy’s penance

It is believed that once Goddess Parvathi wanted to understand the full meaning of the five lettered Mantra (“Na Ma Shi Va Ya”) and the significance of the sacred ash. She requested Lord Shiva to explain it to her. While Lord Shiva was teaching her, she was attracted by the beauty of a peacock dancing there. For her lack of attention, Lord Shiva cursed her to become a peacock. For relief from this curse, he advised her to go to Earth and perform penance. She worshiped Lord Shiva under a “Punnai” tree in this place in the form of Peacock. Pleased with her penance, Lord Shiva appeared before her, relieved her from the curse and named her “Karpagambal”.

Hence the lord here is known as Sri Punnaivana Nathar (“Punnai vanam” means a forest of Punnai trees). The idol of Goddess Parvathi in a peacock form can be seen in this shrine. Lord Punnaivana Nathar’s shrine under a Punnai tree (Sthala Vriksham) can be seen in the outer corridor. The name Mayilai or Mylapore is derived from the legend that the Goddess Parvathi worshipped Lord Shiva in the form of a peacock.

Lord Brahma’s pride

Another legend is that Lord Brahma worshiped the lord here and got relieved from his sins. Once, it is believed that he was arrogant and thought himself to be the equal of Lord Shiva. To teach him a lesson and to rein in his pride, Lord Shiva nipped one of Brahma’s head and held the skull in his hand. “Kapala” in Sanskrit means skull, hence Lord Shiva here is also praised as “Sri Kapaleeswarar” and this place is called “Kapaleeswaram”.

Lord Murugan’s penance

Before waging his war on the demon Surapadma, Lord Murugan performed penance in this temple. Lord Shiva and Goddess Parvathy blessed their son and gifted him the weapon “Vel” (spear) to conquer the demon. Lord Murugan returned triumphantly as Singaravelan. After the demon Surapadman’s defeat, he took the form of a peacock and became Lord Murugan’s mount (Vahanam).

After Lord Murugan’s return, Lord Indiran gave his daughter Deivanai’s hand to Lord Murugan for marriage. Iravadham, Lord Indiran’s elephant could not bear the separation of Deivanai and chose to stay with her. In this temple, Lord Murugan gives darshan to his devotees with his consorts Valli and Deivanai sitting on the Iravadham. Seeing Lord Murugan in such a form is very rare.

Saint Thirugnanasambanthar and Pumpavay

The temple is closely associated with the history of Saint Thirugnanasambanthar who restored Pumpavay to life from the bones and ashes preserved by her father Sivanesar. The father was intending to give his daughter to the saint in marriage. But fate had it that she died of a snake bite. Yet, the father preserved her bones in a pot to be handed over to the saint whenever he visited this place. When Sambandar came to this place, Sivanesar told him the sad story and placed the pot before the saint.

Sambandar rendered a pathigam containing 10 verses, beginning with the line, ‘Mattitta Punnai’. In his pathigam, he listed the various festivals celebrated in this temple before asking Pumpavay how she could miss all of these festivals. After he finished his pathigam, the pot broke off and Pumpavay came out of it alive in her beautiful form. Everyone was amazed to see the power of the saint’s songs. Pumpavay’s father urged Sambanthar to accept his daughter’s hand in marriage. However, Sambandar told him that he had now become her father as he had given her life again. For this reason, he could only see her as his daughter. Pumpavay spent the rest of her life worshiping Lord Shiva before attaining salvation.

Vayilar Nayanar

This is also the birth place of Vayilar Nayanar, one among the 63 Nayanmars.

He was a staunch devotee of Lord Shiva. It is believed that he constructed a temple inside his mind (“manaseekamaka”) and worshiped Lord Shiva there. He had transcended the stage of idol worship. He had attained such purity of heart and clarity of vision that he did not need the aid of symbols or rituals. He was able to raise his mind to the sublime heights of the abstract before attaining salvation.

The inclusion of Vayilar Nayanar among the 63 Nayanmars highlights the facts that devotion is of many types. Whatever be the path one chooses, ultimately, the goal is to be united with Lord Shiva. Hindu mythology has often emphasised that there is no stereotyped spiritual path and idol worship is not the only way to attain salvation.

Deities in the temple

Lord Shiva’s shrine is facing the west while Goddess Parvathy is facing south. Shrines and idols of Lords Narthana Vinayakar (Lord Vinayakar in a dancing form), Palani Aandavar, Natarajar, Sundareswarar, Annamalayar, Jagadeeswarar, Navagraham, Saint Vayilar Nayanar, Dakshinamurthy, Brahma, Lingothbavar, Durgai, Sarasvathi, Lakshimi, Lord Murugan as Singaravelan, Saint Arunagirinathar, Bairavar, Veerabadhrar, Devara Moovar, Santhana Kuravarkal and the 63 Nayanmars can be seen in the corridors.

There is a separate shrine for Lord Saneeswarar. There is also a lingam that is believed to have been worshiped by planet Sukran. There is a shrine for Pumpavay near the western tower.

A shrine front with a roof of painted figures, a ring-shaped sculpture in the centre, and a dark doorway below.
Two painted pillars frame a small shrine with a lit doorway and a painted tower above it.
A small painted dome on the left, and a porch with bamboo scaffolding on the right.
A stone doorway under a green board naming Sundareswarar, with painted figures on the roof above.
A stone porch with plain pillars and a painted roof, covered by a lattice of bamboo scaffolding.
A small shrine with green pillars and a painted roof, framed by a blue painted pillar in front.

Salient Features

There is a famous saying "Mylai is Kylai" which means that Mylapore is Mount Kailash itself.

There is a beautiful hall called “Navratri Mandapam” in the western side of the outer corridor.

In the Cauvery river belt, there are a group of seven temples called the “Saptha Sthaana temples”. These are - Thiruvaiyaru, Thirupazhanam, Thiruchotruthurai, Thiruvedhikudi, Thirukandiyur, Thirupoonthuruthi and Thiruneithanam. Similarly, near Mylapore there are seven (Saptha Sthaana) Shiva temples. These include –

(1) Sri Karaneeswarar Temple,

(2) Sri Theerthapaleeswarar Temple,

(3) Sri Velleeswarar Temple,

(4) Sri Virupaksheeswarar Temple,

(5) Sri Valeeswarar Temple,

(6) Sri Malleeswarar Temple, and

(7) Sri Kapaleeswarar Temple.

Devotees should keep in mind that practice of worshiping these seven Shiva temples predates to Thiru Gnanasambanthar's time. It is significant to note that when he visited Mylapore, he visited these temples in that order.

It is believed that Lord Ram visited this sacred place and worshiped Lord Shiva here. It is also believed that the Vedas, Planet Sukran and Sage Kasyapar have worshiped the lord of this temple.

In his hymn, Saint Thirugnanasambanthar narrated the greatness of this temple and the festivals celebrated here while reinstating the soul of devotee Pumpavay. He also mentioned about the festival “Kadalattu Vizha” (Lord Shiva gives Theerthavari in the sea) that is celebrated in the Tamil month of Maasi. This pathigam is unlike the others where the greatness of the lord is highlighted instead of the festivals celebrated at each place.

Saint Thiruvalluvar Temple

Saint Thiruvalluvar the celebrated author of Thirukkural, the world-famous ethical treatise, was born and lived in Mylapore nearly 2,000 years ago. Thiruvalluvar’s Thirukkural is honoured with translations in many other languages of the world. There is an old temple in his birth place that is located very near to the Mundakkanni Amman temple. There is an old “Iluppai” tree there which is believed to be more than 2000 years old. It is believed that Thiruvalluvar was born under this tree. In the year 1935, the tree got damaged and its base is being protected with a cover. It is believed that once when Thiruvalluvar’s wife was fetching water from a well, Thiruvalluvar called her inside. She dropped the pot that she was using to haul water and instantly went to answer her husband’s call. When she returned, she was astonished to find the pot hanging halfway in the well. The well from this famous incident can still be seen here.

Two painted standing figures with their mounts inside a hall, and a gilded ornament in the foreground.
The ornate front of a porch roof, covered with painted figures, above carved stone pillars.
A seated painted figure with many heads and arms, holding weapons, on a green platform.

Greatness of this temple

This temple is considered to be a significant place to conduct one’s 61st and 81st birth days.

It is believed that those seeking “santhana prapthi” (child boon) can pray to Goddess Karpakambikai here. Also, devotees believe that worshiping Goddess Karpakambikai here will remove obstacles from their marriage proposals.

It is also strongly believed by devotees that their prayers here will bring them relief from any illness.

Important Festivals

Almost all festivals related to Lord Shiva temple are observed in a grand manner here. Some of the important ones are –

10-day Brahmotsavam in the Tamil month of Panguni (Mar-Apr). On the 8th day of Brahmotsavam, the event of Sambanthar giving rebirth to Pumpavay is celebrated.

The 63 Nayanmars festival is very popular in this temple and draws a large number of devotees.

During Maasi Maham in the Tamil month of Maasi (Feb-Mar), the “Kadalattu Vizha” (Theerthavari) is celebrated.

This temple attracts a large number of devotees on new moon and full moon days and during Pradosham.

Temple Timings

From 06.00 AM to 12.00 Noon and 04.00 PM to 09.00 PM.

Temple Address

Sri Kapaleeswarar Temple,
Vadaku Mada Veethi,
Mylapore,
Chennai,
Tamil Nadu – 600 004.
Tele: +91 44 2464 1670, +91 44 2461 1356.

*
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Today6:00 am – 12:00 noon, 4:00 pm – 9:00 pm
Phone+91 44 2464 1670+91 44 2461 1356
Several painted towers, one partly behind scaffolding, rise against a clear blue sky.
Towers with painted figures rise above a shrine whose front is striped red and white.
The tall tower at the left, with a smaller dome and a scaffolded shrine in the courtyard beside it.

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

Mylai is Kylai

A famous saying holds that Mylapore is Mount Kailash itself, and devotees believe their prayers here bring relief from any illness.

  1. Mylapore is KailashThere is a famous saying "Mylai is Kylai" which means that Mylapore is Mount Kailash itself.
  2. Birth days at this templeThis temple is considered a significant place to conduct one's 61st and 81st birthdays.
  3. Relief from illnessDevotees strongly believe that their prayers here will bring them relief from any illness.
Significance

A Devara Paadal Petra Sthalam

This is one of the 276 Devara Paadal Petra Shiva Sthalams, sung by Saint Thirugnanasambanthar.

  1. In Thondai NaduIt is the 24th Shiva Sthalam in Thondai Nadu.
  2. A Sapthasthana templeThis is the most popular of the Sapthasthana temples in Chennai.
  3. Birth place of Vayilar NayanarThis is the birth place of Vayilar Nayanar, one of the 63 Nayanmars.
  4. Birth place of ThiruvalluvarThis is the birth place of Thiruvalluvar.
Why devotees come

Why devotees come here

Devotees come for a child, for marriage, for relief from illness and to mark special birthdays.

  1. For a childThose seeking santhana prapthi (child boon) can pray to Goddess Karpakambikai here.
  2. For marriageWorshiping Goddess Karpakambikai here is believed to remove obstacles from marriage proposals.
  3. For relief from illnessDevotees believe their prayers here will bring relief from any illness.
  4. For special birth daysThe temple is a significant place to conduct one's 61st and 81st birthdays.
A temple tower covered in painted figures
276Paadal Petra Sthalams

Among the Devara Paadal Petra Sthalams

The name Kapaleeswarar

  1. கபாலம்skull (in Sanskrit)

Lord Shiva held the skull of Brahma in his hand, so he is praised here as Kapaleeswarar.

Kapaleecharam

    Legends of the temple

    Goddess Parvathi, cursed to become a peacock, worshiped Lord Shiva under a Punnai tree and was named Karpagambal.

    Lord Shiva nipped one of Brahma's heads to rein in his pride and held the skull in his hand.

    Murugan performed penance here and was gifted the Vel to conquer the demon Surapadma.

    Sambandar's pathigam brought Pumpavay back to life from the bones and ashes kept by her father Sivanesar.

    Saints of Mylapore

    1. Saint ThirugnanasambantharRestored Pumpavay to life and sang a pathigam listing the festivals celebrated here.
    2. Vayilar NayanarBorn here, he built a temple inside his mind and worshiped Lord Shiva there.
    3. Saint ThiruvalluvarThiruvalluvar wrote the Thirukkural and was born and lived in Mylapore.

    Festivals through the year

      Brahmotsavam, the 63 Nayanmars festival and Maasi Maham with Kadalattu Vizha are celebrated, and Pradosham draws many devotees.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarக
      Moolavar

      Sri Kapaleeswarar

      Lord Shiva in this temple is a Swayambumurthi (self-manifested), also known as Sri Punnaivana Nathar. His shrine faces the west.

      Ambalக
      Ambal

      Sri Karpakambikai

      Goddess Parvathy faces south. The idol of Goddess Parvathi in a peacock form can be seen in this shrine.

      A stone doorway under a green board naming Sundareswarar, with painted figures on the roof above.
      Shrine in the corridors

      Sundareswarar

      Shrines and idols of Lords Narthana Vinayakar, Palani Aandavar, Natarajar, Sundareswarar, Annamalayar, Jagadeeswarar and others can be seen in the corridors.

      Shrine in the corridorsமு
      Shrine in the corridors

      Lord Murugan

      Lord Murugan gives darshan to his devotees with his consorts Valli and Deivanai sitting on the Iravadham. Seeing Lord Murugan in such a form is very rare.

      Shrine in the corridorsச
      Shrine in the corridors

      Lord Saneeswarar

      There is a separate shrine for Lord Saneeswarar.

      Shrine near the western towerபூ
      Shrine near the western tower

      Pumpavay

      There is a shrine for Pumpavay near the western tower.

      Visit & map

      Sacred geography
      Mylapore, Chennai Thiruvanmiyur, Chennai Thiruvalidayam Thiruvotriyur, Chennai Thiruverkadu Thirumullaivoyal
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today6:00 am – 12:00 noon, 4:00 pm – 9:00 pm
      6:00 – 12:004:00 – 9:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Kapaleeswarar Temple, Vadaku Mada Veethi, Mylapore, Chennai, Tamil Nadu – 600 004.

      +91 44 2464 1670

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 57.4 km in straight lines.

      Map of Mylapore, Chennai and the sthalams nearby, in route order: Thiruvanmiyur, Chennai, Thiruvalidayam, Thirumullaivoyal, Thiruverkadu, Thiruvotriyur, Chennai. Mylapore, Chennai 1 Thiruvanmiyur, Chennai 2 Thiruvalidayam 3 Thirumullaivoyal 4 Thiruverkadu 5 Thiruvotriyur, Chennai 5 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A stone porch with plain pillars and a painted roof, covered by a lattice of bamboo scaffolding.
      01

      Lord Saneeswarar's shrine

      There is a separate shrine for Lord Saneeswarar.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Saint Thirugnanasambandar sang this Pathigam here, calling on Pumpavay. Verse 1 of 11.

      Maṭṭiṭṭa puṉṉaiyaṅ kāṉal maṭamayilaik
      kaṭṭiṭṭaṅ koṇṭāṉ kapālīch charamamarnthāṉ
      oṭṭiṭṭa paṇpiṉ uruththira palkaṇaththārk
      kaṭṭiṭṭal kāṇāthē pōthiyō pūmpāvāy

      The verse speaks of the Lord who dwells at Kapaleecharam, amid beautiful Punnai groves by the shore, where the young peahen worshiped him. It then asks Pumpavay whether she would go away without seeing the offering made to his hosts.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        மட்டிட்ட புன்னையங் கானல் மடமயிலைக்கட்டிட்டங் கொண்டான் கபாலீச் சரம்அமர்ந்தான்ஒட்டிட்ட பண்பின் உருத்திர பல்கணத்தார்க்கட்டிட்டல் காணாதே போதியோ பூம்பாவாய்

        Maṭṭiṭṭa puṉṉaiyaṅ kāṉal maṭamayilaik / kaṭṭiṭṭaṅ koṇṭāṉ kapālīch charamamarnthāṉ / oṭṭiṭṭa paṇpiṉ uruththira palkaṇaththārk / kaṭṭiṭṭal kāṇāthē pōthiyō pūmpāvāy

      2. 02

        மைப்பயந்த ஒண்கண் மடநல்லார் மாமயிலைக்கைப்பயந்த நீற்றான் கபாலீச் சரம்அமர்ந்தான்ஐப்பசி ஓண விழாவும் அருந்தவர்கள்துய்ப்பனவுங் காணாதே போதியோ பூம்பாவாய்

        Maippayantha oṇkaṇ maṭanallār māmayilaik / kaippayantha nītṟāṉ kapālīch charamamarnthāṉ / aippasi ōṇa vizhāvum arunthavarkaḷ / thuyppaṉavuṅ kāṇāthē pōthiyō pūmpāvāy

      3. 03

        வளைக்கை மடநல்லார் மாமயிலை வண்மறுகில்துளக்கில் கபாலீச் சரத்தான்தொல் கார்த்திகைநாள்தளத்தேந் திளமுலையார் தையலார் கொண்டாடும்விளக்கீடு காணாதே போதியோ பூம்பாவாய்

        Vaḷaikkai maṭanallār māmayilai vaṇmaṟukil / thuḷakkil kapālīch charaththāṉthol kārththikaināḷ / thaḷathēn thiḷamulaiyār thhaiyalār koṇṭāṭum / viḷakkīṭu kāṇātē pōthiyō pūmpāvāy

      4. 04

        ஊர்திரை வேலை யுலாவும் உயர்மயிலைக்கூர்தரு வேல்வல்லார் கொற்றங்கொள் சேரிதனில்கார்தரு சோலைக் கபாலீச் சரம்அமர்ந்தான்ஆதிரைநாள் காணாதே போதியோ பூம்பாவாய்

        Ūrthirai vēlai yulāvum uyarmayilaik / kūrtharu vēlvallār kotṟaṅkoḷ sērithaṉil / kārtharu chōlaik kapālīch charamamarnthāṉ / āthiraināḷ kāṇāthē pōthiyō pūmpāvāy

      5. 05

        மைப்பூசும் ஒண்கண் மடநல்லார் மாமயிலைக்கைப்பூசு நீற்றான் கபாலீச் சரம்அமர்ந்தான்நெய்ப்பூசு மொண்புழுக்கல் நேரிழையார் கொண்டாடும்தைப்பூசங் காணாதே போதியோ பூம்பாவாய்

        Maippūsum oṇkaṇ maṭanallār māmayilaik / kaippūsu nītṟāṉ kapālīch charamamarnthāṉ / neyppūsu moṇpuzhukkal nērizhaiyār koṇṭāṭum / thaippūsaṅ kāṇāthē pōthiyō pūmpāvāy

      6. 06

        மடலார்ந்த தெங்கின் மயிலையார் மாசிக்கடலாட்டுக் கண்டான் கபாலீச் சரம்அமர்ந்தான்அடல்ஆனே றூரும் அடிக ளடிபரவிநடமாடல் காணாதே போதியோ பூம்பாவாய்

        Maṭalārntha theṅkiṉ mayilaiyār mācik / kaṭalāṭṭuk kaṇṭāṉ kapālīch charamamarnthāṉ / aṭalāṉē ṟūrum aṭika ḷaṭiparavi / naṭamāṭal kāṇāthē pōthiyō pūmpāvāy

      7. 07

        மலிவிழா வீதி மடநல்லார் மாமயிலைக்கலிவிழாக் கண்டான் கபாலீச் சரம்அமர்ந்தான்பலிவிழாப் பாடல்செய் பங்குனி யுத்திரநாள்ஒலிவிழாக் காணாதே போதியோ பூம்பாவாய்

        Malivizhā vīthi maṭanallār māmayilaik / kalivizhāk kaṇṭāṉ kapālīch charamamarnthāṉ / palivizhāp pāṭalsey paṅkuṉi yuththiranāḷ / olivizhāk kāṇāthē pōthiyō pūmpāvāy

      8. 08

        தண்ணா அரக்கன்தேள் சாய்த்துகந்த தாளினான்கண்ணார் மயிலைக் கபாலீச் சரம்அமர்ந்தான்பண்ணார் பதினெண் கணங்கள்தம் அட்டமிநாள்கண்ணாரக் காணாதே போதியோ பூம்பாவாய்

        Thaṇṇā arakkaṉthēḷ sāyththukantha thāḷiṉāṉ / kaṇṇār mayilaik kapālīch charamamarnthāṉ / paṇṇār pathiṉeṇ kaṇaṅkaḷtham aṭṭamināḷ / kaṇṇārak kāṇāthē pōthiyō pūmpāvāy

      9. 09

        நற்றா மரைமலர்மேல் நான்முகனும் நாரணனும்உற்றாங் குணர்கிலா மூர்த்தி திருவடியைக்கற்றார்க ளேத்துங் கபாலீச் சரம்அமர்ந்தான்பொற்றாப்புக் காணாதே போதியோ பூம்பாவாய்

        Natṟā maraimalarmēl nāṉmukaṉum nāraṇaṉum / utṟāṅ kuṇarkilā mūrththi thiruvaṭiyaik / katṟārka ḷēththuṅ kapālīch charamamarnthāṉ / potṟāppuk kāṇāthē pōthiyō pūmpāvāy

      10. 10

        உரிஞ்சாய வாழ்க்கை அமணுடையைப் போர்க்கும்இருஞ்சாக் கியர்க ளெடுத்துரைப்ப நாட்டில்கருஞ்சோலை சூழ்ந்த கபாலீச் சரம்அமர்ந்தான்பெருஞ் சாந்தி காணாதே போதியோ பூம்பாவாய்

        Uriñchāya vāzhkkai amaṇuṭaiyaip pōrkkum / iruñchāk kiyarka ḷeṭuthuraippa nāṭṭil / karuñchōlai chūzhntha kapālīch charamamarnthāṉ / peruñ chānthi kāṇāthē pōthiyō pūmpāvāy

      11. 11

        கானமர் சோலைக் கபாலீச் சரம்அமர்ந்தான்தேனமர் பூம்பாவைப் பாட்டாகச் செந்தமிழான்ஞானசம் பந்தன் நலம்புகழ்ந்த பத்தும்வலார்வானசம் பந்தத் தவரோடும் வாழ்வாரே

        In the last verse, Gnanasambandan sings of the Lord who dwells at Kapaleecharam, and those who master these ten verses are said to live with the beings of the heavens.

        Kāṉamar chōlaik kapālīch charamamarnthāṉ / thēṉamar pūmpāvaip pāṭṭākach chenthamizhāṉ / gñāṉasam banthaṉ nalampukazhntha pathumvalār / vāṉasam panthath thavarōṭum vāzhvārē

      Photos

      Photographs

      15 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      A painted tower above a porch on the left, and another tower rising behind bamboo scaffolding on the right.
      A tall tiered tower seen from below, crowded with painted figures on every level, against a blue sky.
      A tall painted tower on the left and a smaller domed shrine tower beside trees and scaffolding.
      A shrine front with a roof of painted figures, a ring-shaped sculpture in the centre, and a dark doorway below.
      Two painted pillars frame a small shrine with a lit doorway and a painted tower above it.
      A small painted dome on the left, and a porch with bamboo scaffolding on the right.
      A stone doorway under a green board naming Sundareswarar, with painted figures on the roof above.
      A stone porch with plain pillars and a painted roof, covered by a lattice of bamboo scaffolding.
      A small shrine with green pillars and a painted roof, framed by a blue painted pillar in front.
      Two painted standing figures with their mounts inside a hall, and a gilded ornament in the foreground.
      The ornate front of a porch roof, covered with painted figures, above carved stone pillars.
      A seated painted figure with many heads and arms, holding weapons, on a green platform.
      Several painted towers, one partly behind scaffolding, rise against a clear blue sky.
      Towers with painted figures rise above a shrine whose front is striped red and white.
      The tall tower at the left, with a smaller dome and a scaffolded shrine in the courtyard beside it.