Dharisanam ENதமிழ்
The gopuram with its stucco figures above a stone entrance, framed by a palm tree and leaves.
Swayambu

Melakkadambur Sri Amirtha Kadeswarar Temple 34th of 63 on the north bank of the Kaveri · Chola Nadu · Temples near Chidambaram

Darshan today9:00 am – 11:00 am, 5:30 pm – 8:00 pm
Moolavar
Amirtha Kadeswarar
Ambal
Vidyujothi Nayaki, Jyothi Minnammai
Theertham
Shakthi Theertham, Siva Theertham
Sthala vriksham
Kadamba tree
Pathigam by
Thirugnanasambanthar-1Saint Thirunavukarasar (Appar)-2

Temple

Visited on: 31st August, 2018.

Location

Mela Kadambur is situated at a distance of about 32 kms from Chidambaram on Chidambaram to Kattumannar Koil route (via Eyyalur). It is about 6 kms from Kattumannar Koil and 5 kms from both Thekkiruppa and Omampuliyur.

Other Paadal Petra Shiva Sthalams near this pilgrimage site are - Thiru Omampuliyur, Thiru Kanattumullur (Kanattampuliyur), Thiru Naaraiyur, Thiru Erukkathampuliyur (Rajendrapatinam) and Thiru Kudalaiyatrur.

Another Shiva temple in Kezhak Kadambur, very close to this place is named “Kadambur Ilamkoil” or “Rudrapathi koil” which is a “Vaippu Sthalam”. This temple is a protected monument under the control of Archaeological Survey of India (ASI) owing to many beautiful sculptures adorning this temple.

General Information

Moolavar
Sri Amirtha Kadeswarar
Ambal
Sri Vidyujothi Nayaki, Sri Jyothi Minnammai
Theertham (Holy water)
Shakthi Theertham, Siva Theertham
Sthala Vriksham (Sacred Tree)
Kadamba tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar-1
Saint Thirunavukarasar (Appar)-2
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 34th Shiva Sthalam on the northern bank of the river Cauvery in Chozha Nadu (Vadakarai).
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • The vimanam (roof tower) of sanctum sanctorum has been beautifully sculpted completely in granite, resembling a magnificent chariot.
  • This east facing temple has two corridors and main tower (Rajagopuram) has 3-tiers.
  • Though Nandhi and Balipeetam are present, there is no flag post (“Kodimaram”) present.

History of the Temple

This ancient village is named Kadambur and temple as Karakkoil.

The village is named after temple’s Sthala Viruksham - Kadamba tree. Also, Kadambar ruled this region thus, the name.

It is believed that current stone chariot form of temple was built by the Chola King Kulothungan-I in the year 1113 AD, prior to which, it was a brick structure. The Chettiyars of Devakottai renovated this temple in later years.

Tamil literary sources describe nine categories of temple structures dedicated to Lord Shiva. They are – “Perung koyil”, “Karak koyil”, “Gnazhar koyil”, “Kokudik koyil”, “Ilam koyil”, “Manik koyil”, “Alak koyil”, “Madak koyil” and “Thoongani koyil”.

Amongst them, this temple is a Karakkoil type where the Sanctum Sanctorum (“Garbagraham”) is in chariot like structure pulled by horses with an enchanting appearance. Karakkoil in Sanskrit is Vijayam – meaning victory.

This temple is under the administrative control of Hindu Religious and Charitable Endowments Department of Government of Tamil Nadu (HR&CE).

A tiered gopuram with painted stucco figures rising above a dark stone gateway.
A stone hall with a hanging bell and a notice board; a green-domed tower stands at the right.
A shrine tower with a green dome and small figures, beside a low plastered wall under a grey sky.

Legend

Before waging war against demon Surapadma, Lord Murugan penanced in this holy site and received his bow (“Vil” in Tamil) from his mother. Hence, procession idol of Lord Murugan here is seen with a bow in his hand along with his consorts. He is praised as “Sri Villenthiya Velavar”. Since planet Mars worshiped Lord Murugan here, a procession idol of Mars is also present.

According to legend, Devas who churned the nectar from the ocean (Thirupparkadal) began to consume it without worshiping Lord Vinayakar. Angry, Lord Vinayakar took away the pot to teach them a lesson. When he passed through this place which was a Kadamba forest, a drop of nectar fell and became a Swayambu Lingam. Realizing their folly, Indira and Devas came here and begged Lord Vinayakar’s pardon who in turn advised them to worship Lord Shiva. Lord Shiva, responding to their prayers returned the nectar and stayed here as Sri Amirthakadeswarar – “Amirtham” means nectar, “Kada” means (pot) and Easwar means the lord. As Lord Indra got the boon of getting “Amrit” here, this temple gets the name “Karakkoil”.

Another legend associated with this place is that of Adithi, mother of Indra. It is believed that she was coming here every day from the celestial world (Devalokam) and worshiped Lord Amirthakadeswarar for granting the nectar to her children and Devas. Indira wanted to make her job easier by taking the Lord to celestial world.

He changed temple as a chariot and tried to drive it to his place without worshiping or getting permission from Lord Vinayakar. Angered Lord Vinayakar pressed left wheel of the chariot which got grounded. The sanctum sanctorum is in form of a chariot driven by horses with the left wheel stuck to earth as Lord Vinayakar left it grounded.

Indra’s attempts failed and he begged Lord Vinayakar for pardon who agreed to let the temple if Indira installed one crore Shivalingams. Indra took the challenge with pride but every piece got damaged in the making. Realizing his fault over his pride, Indira fell at the feet of Lord Amirthakadeswarar. Lord asked him to make one Shivalingam chanting his name one crore times and Indira thus made the “Rudrakoteeswara Lingam”. This lingam is present in the Keezha Kadambur temple close by. Lord appeared before Indra and asked him to stay here itself and worship for his mother which Indra obeyed. It is believed that Indira performs poojas to this lord in this temple each day.

It is also believed that Lord Murugan, Lord Indra, Roma Rishi, Chandran, Suryan, Sage Patanjali, King Parvatha Rajan, Saint Thirugnanasambanthar and Saint Thirunavukarasar have worshiped lord here.

One of the beliefs is that all nine planets worship Lord Shiva here on their respective days – when Lord Shiva here is adorned in clothes of different hues attributed to respective planet.

The carved granite sanctum shaped like a chariot, with a stone wheel at its base and a horse sculpture.

Deities in the temple

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of Vinayagar, Murugan with his consorts, Kanni Vinayakar, Ardhanareeswarar with Nandhi, Agasthiyar, Devendran, Navagraham, Chandikeswarar, Aaravara Vinayakar, Gangadharar, Aalingana Murthy, Naalvar, Saraswathi, Mahalakshmi, Dhurvasar, Kadambavana Dakshina Rupini, Iyyanar, Kala Bairavar, Bairavar, Chandran, Suryan, Rishabaruder, Indra, Saneeswarar and Kadambavana Kaali can be seen in the main hall and the corridors.

In the “koshtam” (place surrounding the sanctum sanctorum), idols of Narthana Vinayakar, Dakshinamurthy, Mahavishnu, Brahma and Durgai with 8 hands can be seen.

The meticulously sculpted idols of Natarajar with Sivakami in stone are treat for pilgrims’ eyes.

Sri Kadambavana Nathar can be seen under Sthala Viruksham - Kadamba tree. It is believed that by worshiping this lord will result in relief from debts.

The idol of Lord Mahavishnu graces with a Shivalingam in his hand with Goddess Mahalakshmi. The idols of Garudazhwar and Anjaneyar can be seen either side of him.

The relief of Sage Pathanjali, holding Lord Natarajar on his head showing his overwhelming joy of enjoying the dance darshan of the lord.

A doorway with two dark guardian figures in white and gold cloth, and a lamp lit inside.
A small shrine with a lit lamp inside, seen from the corridor over a bali peetam.
A central idol under an arch, in gold cloth, with two smaller idols in red cloth on either side.
A row of black stone idols in cloth under name boards, with a small shrine in a gilded arch.
Four small black idols in red and white cloth stand in a row on stone bases.
A stone Nandhi and a Balipeetam on a platform, facing the lit sanctum at the end of a dim corridor.
A black stone idol of Saraswathi in an orange silk sari, under a gilded arch and a Tamil name board.
A small shrine with an idol in a green cloth and a garland, under a name board reading Mahalakshmi.
An idol in orange cloth above a bull in a pillared niche, with a rearing stone horse in front.
A small stone doorway with a Tamil name board; inside, a lingam dressed in white cloth and garlands.
A tall black idol with a white cloth beside a small idol wrapped in shiny green cloth.
Two tall black idols in white cloth with a small idol between them, against a stone wall.

Salient Features

The entrance to sanctum sanctorum, “Gubera entrance” is protected by enchanting “Sanganidhi” and “Padumanidhi”.

Lord Vinayakar gets the name “Aaravara Vinayakar” as he created great noise by pressing Indra’s Rath and taking the nectar pot (Aaravaram means noisy).

Goddess Parvathy here is praised as “Sri Vidhyu Jyothi Nayaki” – “Vidya” refers to Saraswathi, “Jyothi” refers to Mahalakshmi and “Nayaki” refers to Parvathy. It is believed that she graces devotees by combining the powers of three Shakthis as Saraswathi with veena in the morning, as Mahalakshmi with elephant in the noon and as Parvathy with trident in the evening.

The invaluable treasure of this temple is a procession idol called “Sri Dasa Puja Rishaba Thandava Moorthy” - small in size depicting Lord Shiva dancing on his bull mount with his all ten arms spread and holding weapons. In the base (peeta-stage) below are Goddess Parvathi, Lord Mahavishnu, Bhairavar, Veerabadrar, Lord Vinayakar, Maharishis Narada, Brungi and Mruganda, Nandhi, Gandharvas (a group in the celestial world known for musical skills) and Boodhaganas. This idol is more than 1000 years old and is taken out for performing pooja once a fortnight during the “Pradosham” (13th day of new moon or full moon day) days between 4:30 and 6:00 PM only. Rest of the time, this idol is kept under lock and key.

The idol of Lord Dakshinamurthi looks breath-taking with a mesmerizing smile. A hole in his ear that extends to the next ear is an exquisite art of sculpture. A sculpture in tower above him depicts Lord Dakshinamurthi in 3 forms – one of them is Yoga Dakshinamoorthy seated on bull under a banyan tree with flute and veena.

Saint Thirunavukkarasar’s popular hymn reminding devotees (“Adiyars”) only duty is to dedicate themselves to service of lord by saying “en kadan pani seidu kidappathe...” meaning “my job is only to serve my Lord” as well as commanding Lord that his duty is to protect us only, was sung in this temple.

In their pathigams, Saint Manickavasagar and Saint Sundarar have praised lord here. Vallalar Ramalinga Adigalar worshiped lord here. Sri Pamban Swamigal and Vannachrabam Dhandabani Swamigal have also worshiped lord here and sang hymns praising this lord.

It is believed that King Rajendra Cholan-I brought a Vinayagar after the war with Ganga dynasty which is now kept in this temple in south-west corner named “Sri Aaravara Vinayakar”. This Vinayakar is now linked to legend of creating great noise by pressing chariot and taking nectar pot (Amirta Kalasa) from Indra.

The idol of Goddess Durgai in koshtam is mesmerizing with her “Simha Vahanam”. This idol is placed on a big buffalo head, holding a “Sanku” and “Chakra”. She is depicted here as Mahishsura Marthini, Simha Vahini and Vishnu Durgai.

Lord Brahma can be seen worshiping Lord Shiva with both Yama, the Lord of Death and his assistant Chitra Gupta on the other side.

Lord Saneeswarar here is seen with eagle as his mount against his usual crow mount. This is because eagle was his mount initially and King Dasaratha, father of Lord Ram, gave him the crow as mount later. Hence, Saneeswarar in this temple with eagle mount, is considered to belong to a period preceding the epic of Ramayana.

Legend says, Lord Suryan (Sun) worships Lord Shiva of this temple by directing his rays on lingam every year for three days during early sunrise from 3rd to 5th in the Tamil month of Panguni (Mar-Apr). During this time, special poojas are performed.

Saint Arunagirinadhar has sung songs in praise of Lord Murugan of this temple in his revered Thirupugazh.

There is a Shivalingam named “Sri Papahareswarar” - Devotees perform special poojas to this lord on their 60th and 80th birth anniversaries to wash away past sins.

This temple is an ornamental wonder of later Chola’s architecture. Kulothunga Chola-I, himself, was an exponent in music, art and sculpting – thus, his personal involvement exhibits consummate artistic skills in every micro sculpture.

This temple is archaeological remnant of the once magnificent - Kadambur Palace of Cholas. Kadambur was once the capital of kingdom of Cholas – and this palace might have witnessed legendary events including assassination of Adithya Karikala Chola. But what remains of that palace today is just an empty ground with basement ruins.

The sanctum walls are completely filled with innumerable miniature reliefs depicting stories from Lord Shiva, life history of the 63 celebrated Saivite saints (Nayanmars), Ramayana, Krishna Leela and other divine personalities. No space is left unsculpted on Goshta wall – each relief referring to a legendary story.

Writer Kalki’s magnum opus “Ponniyin Selvan”, which starts on the banks of Veeranam lake mostly traverses around the Kadambur palace and its surroundings. Feature film Ponniyin Selvan PS-1 (2022) is based on the novel and thus, originating from Kadambur.

A relief carved in a wall niche: a crowned male figure seated with a goddess beside him.
A framed picture of Shiva dancing on a bull with many arms, with attendants on the base below.

Greatness of this temple

Devotees believe that by worshiping lord here, they shall be blessed with long, healthy and prosperous life.

This is also a “Sevvai Dosha Parikara Sthalam” (Angaragan - Mars).

Sacred tree of this temple - Kadamba tree is believed to be representing “Sathaya nakshatram” (a constellation). Devotees who are born in the period of this constellation visit this temple for worship.

It is also believed that by worshiping lord of this sacred temple, devotees shall be relieved from problems caused due to adverse planetary position in their horoscope.

Important Festivals

Some of the important festivals celebrated in this temple are –

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Annabishekam in the Tamil month of Aippasi (Oct–Nov),

Thiru Karthikai in the Tamil month of Karthikai (Nov-Dec),

Thiruvadhirai in the Tamil month of Markazhi (Dec-Jan),

Makara Sankranthi in the Tamil month of Thai (Jan-Feb) and

Shivrathri in the Tamil month of Masi (Feb-Mar).

Pradosham is observed regularly in a grand manner.

Special poojas are performed to Lord Saneeswarar on Saturdays in the Tamil month of Purattasi (September-October).

Temple Timings

From 09:00 AM to 11:00 AM and from 05:30 PM to 08:00 PM.

Temple Address

Sri Amirtha Kadeswarar Temple,
Melakkadambur,
Kattumannarkoil Taluk,
Cuddalore District,
Tamil Nadu – 608304.
Tele: +91 093456 56982.
This temple’s priest can be contacted at +91- 4144 – 264 638.
This temple’s Trustee Sri Vijay can be contacted at: +91- 4144 – 264 642,
98426 76797.

*
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Today9:00 am – 11:00 am, 5:30 pm – 8:00 pm
Phone+91 093456 56982
The outer wall of the chariot-shaped sanctum, carved with figures and niches, with stone wheels at its base.
A paved courtyard with a pillared hall behind green grilles and a small shrine tower; a visitor walks at left.
A blue pedestal with a domed top in the courtyard, with the carved sanctum wall and a stone wheel at right.
The carved stone tower of the sanctum rising against a cloudy sky, with small towers on its corners.
A shrine tower with a green dome and small figures rising beside a plastered wall.

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

A sanctum built as a chariot

The sanctum is a stone chariot pulled by horses, and its walls are filled with miniature reliefs.

  1. A KarakkoilThe Sanctum Sanctorum is in a chariot-like structure pulled by horses, with an enchanting appearance.
  2. Reliefs on every wallThe sanctum walls are filled with innumerable miniature reliefs, and no space is left unsculpted on the Goshta wall.
  3. A procession idol kept under lockThe invaluable treasure of the temple is the Dasa Puja Rishaba Thandava Moorthy, taken out only on Pradosham days.
Significance

A Paadal Petra Sthalam of Chozha Nadu

This is one of the 276 Devara Paadal Petra Shiva Sthalams, on the northern bank of the Cauvery in Chozha Nadu.

  1. Sung by saintsSaint Thirugnanasambanthar and Saint Thirunavukarasar sang their Pathigams here.
  2. Where Indra received the nectarAs Lord Indra got the boon of getting Amrit here, the temple gets the name Karakkoil.
  3. A Swayambu LingamLord Shiva in this temple is a Swayambumurthi (self-manifested).
Why devotees come

Why devotees come here

Devotees come to worship the Lord for blessings, for relief and for the special days the temple keeps.

  1. For a long, healthy lifeDevotees believe that by worshiping the Lord here they shall be blessed with a long, healthy and prosperous life.
  2. For relief from debtsWorshiping Sri Kadambavana Nathar under the Kadamba tree is believed to bring relief from debts.
  3. For relief from planetary problemsWorshiping the Lord here is believed to relieve problems caused by adverse planetary position in the horoscope.
  4. For the sixtieth and eightieth birthdaysDevotees perform special poojas to Sri Papahareswarar on their sixtieth and eightieth birth anniversaries to wash away past sins.
The chariot-form sanctum with its stone wheel
276Paadal Petra Sthalams

One of the 276 Paadal Petra Sthalams

The name Amirthakadeswarar

  1. அமிர்தம்nectar
  2. கடம்pot
  3. ஈசுவரர்the lord

The name joins nectar, pot and Lord.

    Legends of the temple

    Lord Vinayakar took away the nectar pot from the Devas, and a drop that fell here became a Swayambu Lingam.

    Indra changed the temple into a chariot, but Lord Vinayakar pressed its left wheel into the ground.

    Before waging war against Surapadma, Lord Murugan received his bow from his mother in this holy site.

    Saints who sang here

    1. Saint ThirunavukarasarHis popular hymn on duty to serve the Lord was sung in this temple.
    2. Saint Manickavasagar and Saint SundararThey praised the Lord here in their Pathigams.
    3. Saint ArunagirinadharHe sang songs in praise of Lord Murugan of this temple in his Thirupugazh.

    Kings of the temple

    1. Kulothungan IThe Chola King is believed to have built the current stone chariot form of the temple.
    2. Rajendra Cholan IHe is believed to have brought the Vinayagar now kept in the south-west corner after the war with the Ganga dynasty.

    Festivals through the year

      Vinayakar Chaturthi, Annabishekam, Thiru Karthikai, Thiruvadhirai and Shivrathri are celebrated, and Pradosham is observed regularly.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarஅ
      Moolavar

      Sri Amirtha Kadeswarar

      Lord Shiva in this temple is a Swayambumurthi (self-manifested). He stayed here as Sri Amirthakadeswarar; Amirtham means nectar.

      Ambalவி
      Ambal

      Sri Vidyujothi Nayaki

      Goddess Parvathy is praised here as Sri Vidhyu Jyothi Nayaki. She graces devotees by combining the powers of three Shakthis: Saraswathi in the morning, Mahalakshmi in the noon and Parvathy in the evening.

      A framed picture of Shiva dancing on a bull with many arms, with attendants on the base below.
      Procession idol

      Sri Dasa Puja Rishaba Thandava Moorthy

      A small procession idol of Lord Shiva dancing on his bull mount with all ten arms spread and holding weapons. It is taken out for pooja once a fortnight on Pradosham days.

      A black stone idol of Saraswathi in an orange silk sari, under a gilded arch and a Tamil name board.
      Shrine in the corridor

      Saraswathi

      Shrines and idols of Saraswathi can be seen in the main hall and the corridors.

      A small shrine with an idol in a green cloth and a garland, under a name board reading Mahalakshmi.
      Shrine in the corridor

      Mahalakshmi

      Shrines and idols of Mahalakshmi can be seen in the main hall and the corridors.

      Shrine in the koshtamத
      Shrine in the koshtam

      Dakshinamurthi

      The idol of Lord Dakshinamurthi looks breath-taking with a mesmerizing smile. A hole in his ear that extends to the next ear is an exquisite art of sculpture.

      Shrine in the koshtamது
      Shrine in the koshtam

      Durgai

      The idol of Goddess Durgai in koshtam is mesmerizing with her Simha Vahanam. She is depicted as Mahishsura Marthini, Simha Vahini and Vishnu Durgai.

      Shrine under the sacred treeக
      Shrine under the sacred tree

      Sri Kadambavana Nathar

      Sri Kadambavana Nathar can be seen under the Sthala Viruksham, the Kadamba tree. Worshiping this lord is believed to bring relief from debts.

      A small stone doorway with a Tamil name board; inside, a lingam dressed in white cloth and garlands.
      Shrine in the temple

      Sri Papahareswarar

      A Shivalingam named Sri Papahareswarar. Devotees perform special poojas to this lord on their 60th and 80th birth anniversaries to wash away past sins.

      Visit & map

      Sacred geography
      Melakkadambur Omampuliur Kanattumullur Thiru Pazha Mannippadikkarai Thiru Naaraiyur Thiruvazhkoliputhur Thiru Kurukkai Thiru Panthanai Nallur Thirukurakkukka Thiru Karuppariyalur Ethirkolpadi Thirumanancheri Thiru Anniyoor
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today9:00 am – 11:00 am, 5:30 pm – 8:00 pm
      9:00 – 11:005:30 – 8:00 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Amirtha Kadeswarar Temple, Melakkadambur, Kattumannarkoil Taluk, Cuddalore District, Tamil Nadu – 608304. This temple’s priest can be contacted at +91- 4144 – 264 638. This temple’s Trustee Sri Vijay can be contacted at: +91- 4144 – 264 642, 98426 76797.

      +91 093456 56982

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 16.9 km in straight lines.

      Map of Melakkadambur and the sthalams nearby, in route order: Omampuliur, Kanattumullur, Thiru Pazha Mannippadikkarai, Thiruvazhkoliputhur, Thirukurakkukka. Thiru Karuppariyalur · 14.3 km Melakkadambur 1 Omampuliur 2 Kanattumullur 3 4 Thiruvazhkoliputhur 5 Thirukurakkukka 2 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A doorway with two dark guardian figures in white and gold cloth, and a lamp lit inside.
      01

      Entrance to the sanctum

      The entrance to sanctum sanctorum, Gubera entrance, is protected by enchanting Sanganidhi and Padumanidhi.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirunavukkarasar (Appar) visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      Pathigam No.5.019.

      Thirunavukkarasar Pathigam (“En kadan pani seithu kidappathe”)

      V. Muthukumaraswamy

      Saint Appar sang this Pathigam at this temple. Verse 1 of 11.

      Thaḷaruṅ kōḷara vaththoṭu thaṇmathi
      vaḷaruṅ kōla vaḷarsaṭai yārkkiṭam
      kiḷarum pērisaik kiṉṉaram pāṭṭaṟāk
      kaḷaruṅ kārkkaṭam pūrkkarak kōyilē

      The place of the Lord is the temple at Karakkoil in Kadambur, a town of dark kadamba trees. He wears a grasping serpent and the cool crescent moon in his long, beautiful matted locks. Kinnaras sing there in a great music that never ceases.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        தளருங் கோளர வத்தொடு தண்மதிவளருங் கோல வளர்சடை யார்க்கிடம்கிளரும் பேரிசைக் கின்னரம் பாட்டறாக்களருங் கார்க்கடம் பூர்க்கரக் கோயிலே

        Thaḷaruṅ kōḷara vaththoṭu thaṇmathi / vaḷaruṅ kōla vaḷarsaṭai yārkkiṭam / kiḷarum pērisaik kiṉṉaram pāṭṭaṟāk / kaḷaruṅ kārkkaṭam pūrkkarak kōyilē

        தளருகின்ற கொள்ளுதல் தப்பாத பாம்பினோடு, குளிர்ந்த பிறைமதி வளரும் அழகு வளர்கின்ற சடையாராகிய சிவபெருமானுக்கு இடம், பேரிசை கிளர்கின்ற கின்னரங்களின் பாட்டு அறாத, கரிய கடம்பு நிறைந்த ஊரில் திருக்கரக் கோயிலே.

      2. 02

        வெலவ லான்புல னைந்தொடு வேதமும்சொலவ லான்சுழ லுந்தடு மாற்றமும்அலவ லான்மனை யார்ந்தமென் தோளியைக்கலவ லான்கடம் பூர்க்கரக் கோயிலே

        Velava lāṉpula ṉainthoṭu vēthamum / solava lāṉchuzha lunthaṭu mātṟamum / alava lāṉmaṉai yārnthameṉ thōḷiyaik / kalava lāṉkaṭam pūrkkarak kōyilē

        கடம்பூர்த் திருக்கரக் கோயிலின்கண் வீற்றிருக்கும் இறைவன் புலன் ஐந்தினை வெல்ல வல்லமை உடையவன்; வேதமும் சொல்லவல்லவன்; சுழல்கின்ற தடுமாற்றமும் நீக்க வல்லவன்: மனையார்ந்த மங்கையாகிய மென்றோளுடைய உமாதேவியாரைக் கலத்தல் வல்லவன்.

      3. 03

        பொய்தொ ழாது புலியுரி யோன்பணிசெய்தெ ழாவெழு வார்பணி செய்தெழாவைதெ ழாதெழு வாரவ ரெள்கநீர்கைதொ ழாவெழு மின்கரக் கோயிலே

        Poytho zhāthu puliyuri yōṉpaṇi / seythe zhāvezhu vārpaṇi seythezhā / vaithe zhāthezhu vārava reḷkanīr / kaitho zhāvezhu miṉkarak kōyilē

        உலகப் பொருள்களில் பற்றுச் செய்யாது. புலியின் தோலை உடுத்தோனாகிய சிவபிரான் பணியைச் செய்து, அவ்வாறு எழுவார் பணியினையும் உடன்செய்து கரக்கோயிலைக் கைதொழுது வணங்கி உயர்வீராக. வைதொழாது எழுவார் எள்ளினால் எள்ளட்டும்.

      4. 04

        துண்ணெ னாமனத் தால்தொழு நெஞ்சமேபண்ணி னால்முனம் பாட லதுசெய்தேஎண்ணி லாரெயில் மூன்று மெரித்தமுக்கண்ணி னான்கடம் பூர்க்கரக் கோயிலே

        Thuṇṇe ṉāmaṉath thālthozhu neñchamē / paṇṇi ṉālmuṉam pāṭa lathuseythē / eṇṇi lāreyil mūṉtṟu meriththamuk / kaṇṇi ṉāṉkaṭam pūrkkarak kōyilē

        நல்ல எண்ணமில்லாதாரது முப்புரம் எரித்த முக்கண்ணினானது கடம்பூர்க் கரக்கோயிலை, பண்ணினால் திருமுன்பு பாடல் பரவி அச்சமின்றி நெஞ்சமே தொழுவாயாக.

      5. 05

        சுனையுள் நீல மலரன கண்டத்தன்புனையும் பொன்னிறக் கொன்றை புரிசடைக்கனையும் பைங்கழ லான்கரக் கோயிலைநினையு முள்ளத் தவர்வினை நீங்குமே

        Suṉaiyuḷ nīla malaraṉa kaṇṭaththaṉ / puṉaiyum poṉṉiṟak koṉtṟai purisaṭaik / kaṉaiyum paiṅkazha lāṉkarak kōyilai / niṉaiyu muḷḷath thavarviṉai nīṅkumē

        சுனையுள் பூத்த நீலமலர் போன்ற கண்டத்தனும், புனையும் பொன்னிறக் கொன்றையுடைய புரிசடையும் ஒலிக்கின்ற கழலும் உடையவனுமாகிய கரக்கோயிற் பெருமானை நினையும் உள்ளத்தவர் வினைகள் நீங்கும்.

      6. 06

        குணங்கள் சொல்லியுங் குற்றங்கள் பேசியும்வணங்கி வாழ்த்துவ ரன்புடை யாரெலாம்வணங்கி வான்மலர் கொண்டடி வைகலும்கணங்கள் போற்றிசைக் குங்கரக் கோயிலே

        Kuṇaṅkaḷ solliyuṅ kutṟaṅkaḷ pēsiyum / vaṇaṅki vāzhththuva raṉpuṭai yārelām / vaṇaṅki vāṉmalar koṇṭaṭi vaikalum / kaṇaṅkaḷ pōtṟisaik kuṅkarak kōyilē

        அன்புடையாரெலாம் குணங்கள் சொல்லியும் குற்றங்கள் பேசியும் வணங்கி வாழ்த்துவதும், கணங்கள் வணங்கி வான்மலர் கொண்டு வைகலும் அடி போற்றிசைப்பதும் கரக்கோயில் தலத்திலாகும்.

      7. 07

        பண்ணி னார்மறை பல்பல பூசனைமண்ணி னார்செய்வ தன்றியும் வைகலும்விண்ணி னார்கள் வியக்கப் படுவனகண்ணி னார்கடம் பூர்க்கரக் கோயிலே

        Paṇṇi ṉārmaṟai palpala pūsaṉai / maṇṇi ṉārseyva thaṉṟiyum vaikalum / viṇṇi ṉārkaḷ viyakkap paṭuvaṉa / kaṇṇi ṉārkaṭam pūrkkarak kōyilē

        திருக்கடம்பூர்க் கரக்கோயில் பண்ணினைப் பொருந்திய மறையோதிப் பல்பூசனைகளை மண்ணினுள்ளார் செய்வதன்றியும் நாள்தோறும் விண்ணினுள்ளாரும் வியக்கப்படும் பூசனைகள் செய்யக்கருதினர்.

      8. 08

        அங்கை ஆரழ லேந்திநின் றாடலன்மங்கை பாட மகிழ்ந்துடன் வார்சடைக்கங்கை யானுறை யுங்கரக் கோயிலைத்தங்கை யால்தொழு வார்வினை சாயுமே

        Aṅkai ārazha lēntiniṉ tṟāṭalaṉ / maṅkai pāṭa makizhnthuṭaṉ vārsaṭaik / gaṅgai yāṉuṟai yuṅkarak kōyilaitg / tgaṅkai yālthozhu vārviṉai sāyumē

        உமையம்மை உடனிருந்து மகிழ்ந்து பாட அங்கையில் அழல் ஏந்தி நின்று ஆடல் புரிபவன், ஆய கங்கை யுறையும் சடையான் வீற்றிருக்கும் கரக்கோயிலைத் தம்கையால் தொழுவாருடைய வினைகள் வலியற்றுக்கெடும்.

      9. 09

        நங்க டம்பனைப் பெற்றவள் பங்கினன்தென்க டம்பைத் திருக்கரக் கோயிலான்தன்க டன்னடி யேனையுந் தாங்குதல்என்க டன்பணி செய்து கிடப்பதே

        Naṅka ṭampaṉaip petṟavaḷ paṅkiṉaṉ / theṉka ṭampaith thirukkarak kōyilāṉ / thaṉka ṭaṉṉaṭi yēṉaiyun thāṅkuthal / eṉka ṭaṉpaṇi seythu kiṭappathē

        கடம்பமாலை சூடிய நம் முருகனைப் பெற்ற உமாதேவியினைப் பங்கில் உடையவனாகிய தென் கடம்பைத் திருக்கரக்கோயிலான் தன் கடன் அடியேன் போன்றாரைத் தாங்குதல்; என் போன்றார் கடன் பணிசெய்து தற்போதம் இன்றியே இருத்தல்.

      10. 10

        பணங்கொள் பாற்கடல் பாம்பணை யானொடும்மணங்க மழ்மலர்த் தாமரை யானவன்பிணங்கும் பேரழ லெம்பெரு மாற்கிடம்கணங்கள் போற்றிசைக் குங்கரக் கோயிலே

        Paṇaṅkoḷ pāṟkaṭal pāmpaṇai yāṉoṭum / maṇaṅka mazhmalarth thāmarai yāṉavaṉ / piṇaṅkum pērazha lemperu māṟkiṭam / kaṇaṅkaḷ pōtṟisaik kuṅkarak kōyilē

        பாற்கடலில் கிடக்கும் படம்கொண்ட பாம்பு அணையானாகிய திருமாலும் மணம் கமழ் மலர்த்தாமரையானாகிய பிரமனும் தம்மில் மாறுபட்ட போது பேரழலாய் நிமிர்ந்த எம் பெருமானுக்கு இடம், கணங்கள் போற்றிசைக்கும் கரக்கோயிலாகும்.

      11. 11

        வரைக்கண் நாலஞ்சு தோளுடை யான்தலைஅரைக்க வூன்றி யருள்செய்த ஈசனார்திரைக்குந் தண்புனல் சூழ்கரக் கோயிலைஉரைக்கு முள்ளத் தவர்வினை யோயுமே

        The last verse says that the Lord who pressed down the ten-headed demon king and then showed him grace stays at Karakkoil, surrounded by cool waters, and that the deeds of those who speak of it are ended.

        Varaikkaṇ nālañchu thōḷuṭai yāṉthalai / araikka vūṉtṟi yaruḷseytha īsaṉār / thiraikkun thaṇpuṉal chūzhkarak kōyilai / uraikku muḷḷath thavarviṉai yōyumē

        திருக்கயிலாயத் திருமலைக்கண் இருபது தோளுடைய இராவணன் தலைகள் அரைபடும்படி ஊன்றிப் பின்னர் அருள்புரிந்த ஈசனார் வீற்றிருக்கும், அலைவீசும் குளிர் புனல் சூழ் கரக்கோயிலைக் கூறும் உள்ளத்தவர் வினைகள் ஓயும்.

      Photos

      Photographs

      24 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      The gopuram with its stucco figures above a stone entrance, framed by a palm tree and leaves.
      A tiered gopuram with painted stucco figures rising above a dark stone gateway.
      A stone hall with a hanging bell and a notice board; a green-domed tower stands at the right.
      A shrine tower with a green dome and small figures, beside a low plastered wall under a grey sky.
      The carved granite sanctum shaped like a chariot, with a stone wheel at its base and a horse sculpture.
      A doorway with two dark guardian figures in white and gold cloth, and a lamp lit inside.
      A small shrine with a lit lamp inside, seen from the corridor over a bali peetam.
      A central idol under an arch, in gold cloth, with two smaller idols in red cloth on either side.
      A row of black stone idols in cloth under name boards, with a small shrine in a gilded arch.
      Four small black idols in red and white cloth stand in a row on stone bases.
      A stone Nandhi and a Balipeetam on a platform, facing the lit sanctum at the end of a dim corridor.
      A black stone idol of Saraswathi in an orange silk sari, under a gilded arch and a Tamil name board.
      A small shrine with an idol in a green cloth and a garland, under a name board reading Mahalakshmi.
      An idol in orange cloth above a bull in a pillared niche, with a rearing stone horse in front.
      A small stone doorway with a Tamil name board; inside, a lingam dressed in white cloth and garlands.
      A tall black idol with a white cloth beside a small idol wrapped in shiny green cloth.
      Two tall black idols in white cloth with a small idol between them, against a stone wall.
      A relief carved in a wall niche: a crowned male figure seated with a goddess beside him.
      A framed picture of Shiva dancing on a bull with many arms, with attendants on the base below.
      The outer wall of the chariot-shaped sanctum, carved with figures and niches, with stone wheels at its base.
      A paved courtyard with a pillared hall behind green grilles and a small shrine tower; a visitor walks at left.
      A blue pedestal with a domed top in the courtyard, with the carved sanctum wall and a stone wheel at right.
      The carved stone tower of the sanctum rising against a cloudy sky, with small towers on its corners.
      A shrine tower with a green dome and small figures rising beside a plastered wall.