Dharisanam ENதமிழ்
Two tall stone towers against a pink evening sky, a palm tree between them and a small shrine below
Moovar sthalamSwayambu

Thiruvamathur Sri Abirameswarar Temple 21st of 22 in Nadu Nadu · Temples near Villupuram

Darshan today6:30 am – 12:00 noon, 5:00 pm – 8:30 pm
Moolavar
Abirameswarar, Azhakia Nathar
Ambal
Muthambigai, Azhakia Nayagi
Theertham
Ambalam Poompoigai (tank); Dhanda Theertham (well); Pampai/ Kadamba River
Sthala vriksham
Vanni tree
Pathigam by
Thirugnanasambanthar (2),Thirunavukarasar (Appar) (2),Sundaramurthy (Sundarar) (1)

Temple

Visited on: Saturday, 17th September, 2016

Location

Thiruvamathur is located at a distance of about 8 kms from Villupuram on the Villupuram to Gingee route.

Other Devara Paadal Petra Shiva Sthalams near this temple are – Thiruvennainallur, Thiruthuraiyur, Thiruvathigai, Thirumundeecharam, T.Idaiyaru and Thirunavalur.

General information

Moolavar
Sri Abirameswarar, Sri Azhakia Nathar
Ambal
Sri Muthambigai, Sri Azhakia Nayagi
Theertham (Holy water)
Ambalam Poompoigai (tank); Dhanda Theertham (well); Pampai/ Kadamba River
Sthala Vriksham (Sacred Tree)
Vanni tree
Pathigam (Hymn) rendered by
Saint Thirugnanasambanthar (2),
Saint Thirunavukarasar (Appar) (2),
Saint Sundaramurthy (Sundarar) (1)
  • This is one of the 276 Devara Paadal Petra Shiva Sthalams and 21st Shiva Sthalam in Nadu Naadu.
  • Lord Shiva in this temple is a Swayambumurthi (self-manifested).
  • Lord Shiva’s idol has the impression of a hoof at the top. There are multiple rivulet markings which signify that this lord was worshiped with milk that flowed from udders of cows.
  • Inscribed on the chest of Goddess Muthambikai’s idol here is a small piece of what looks like a snake’s tail.
  • There are two separate temples here. Goddess Muthambikai’s temple is right in front of Lord Shiva’s temple.
  • Lord Shiva’s temple has a 7-tiered main tower (Rajagopuram) with 2 corridors while the goddess’s temple has a 5-tiered main tower with a single corridor.
  • This is one of the 44 Paadal petra sthalams where the “Moovar” (the three saints - Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar)) had rendered their Pathigams.
  • Vannacharabam Sri Dandapani Swamigal lived in this place.
  • The first “Kaumara Madam” was established here.

History of the temple

Thiruvamathur is located on the banks of the Pampa river, a tributary of the Pennai river. The historical names of this place are – Gomathrupuram, Gomatheeswaram and Gomathupuram.

This temple was originally built by the Pallava rulers. Later on, the Cholas made several endowments. This is evident from the stone inscriptions available here. At a later date, Achutha Deva Pallavar is believed to have renovated this temple. There is an idol of Achutha Deva Pallavar here.

In this temple, there are stone inscriptions that document the histories of 26 kings from 955 to 1584 AD. The important kings among them are Rajaraja Cholan-I, Rajendra Cholan-I, Rajathi Rajan-I, Kulothungan-I, Vikramathithan, Sadaya Verman, Vikrama Pandian and Krishnadeva Rayar.

The stone inscriptions also reveal that a Chola king sanctioned a grant that helped several blind students learn the devaram hymns and sing them in the temples.

A tall tiered tower in pale stone above the entrance, with a Nandi under a green-pillared canopy at left
A dark stone figure standing beside a wall on which his name is painted in blue Tamil letters

Legend

In ancient times this place was densely covered with Vanni trees. It is believed that at that time the cows did not have any horns and were frequently tormented by other wild animals. It is believed that the cows went to Nandhi (Lord Shiva’s bull mount) to seek protection. Nandhi advised them to come to this place and worship the lord. Nandhi, Kamadenu (the divine cow) and other cows came to this place and worshiped the lord. Pleased with their penance, Lord Shiva blessed them with horns to protect themselves. The name of this place “Thiru Amathur” is derived from “Thiru Aa Matha Vur” - “Aa” means cow, “Matha” means mother, “Vur” means village in Tamil and “Thiru” is a respectful prefix. For this reason, this place is revered as the “parental house” of cows.

According to Hindu mythology, all gods including Lords Shiva, Mahavishnu, Brahma, Goddess Parvathi, Lakshmi and Saraswathi and all Devars reside in the body of the cow. It is believed that the divine cow, Kamadenu along with other cows worshiped the main deity here by pouring their milk on the lingam. The marks of the cow’s hoof and rivulets due to the pouring of milk can be seen on the lingam.

There is a place inside Goddess Muthambikai’s temple called the “Thiruvattaparai”. There is a Shivalingam in Thiruvattaparai which is very famous. There is a small hall (Mandapam) called “Sathya Palakai” (literally translated as “a place to make promises”) in the southwest corner. According to legend, sitting at this spot, Lord Ram alongwith Hanuman entered into an alliance with Sukrivan to fight and kill Ravana. To cleanse himself of the sins accrued by killing Ravana, Lord Ram worshiped Lord Shiva here. There is a well inside this temple called “Dhanda Theertham” which is believed to have been created by Lord Ram.

The lord’s name “Sri Abhirameswarar” is derived from the belief that Lord Ram worshiped Lord Shiva here. “Abhi” means affectionately and “Eswarar” is a respectful way of referring Lord Shiva. In his hymn of this temple, Saint Thirunavukkarasar had mentioned about Lord Ram’s affection towards the lord of this temple.

Even today, people who have been wrongly accused of some crime come to the “Sathya Palakai” at the “Thiru Vattaparai” and make pledges of their innocence. It is strongly believed that if someone makes a false promise at this place, they will be severely punished by the Goddess. The legend is that Goddess Muthambikai once punished a man by having him bitten by a snake because he had cheated his younger brother and made a false promise at this place. To signify this event, the tail portion of a snake adorns the Goddess’s chest. This can be seen during abishekam.

A narrow stone doorway closed with an iron gate, a name painted above and printed below
A small square niche cut into a rough stone wall, with a few flower petals on its floor
A low doorway into a dark room, with a green sign above it naming the place

It is believed that once Sage Brungi Muni went to Kailash to worship Lord Shiva but found that the lord was with Goddess Parvathi. The sage was such an ardent devotee of Lord Shiva that he refused to worship anyone else. So, he took the form of a fly and went around Lord Shiva and worshiped him. When Goddess Parvathi came to know that the sage had ignored her, she cursed him. Her curse turned the sage into a tree. The sage realized his mistake and worshiped both of them and sought pardon. It is believed that he performed penance in this temple and got absolution. The Vanni tree, which is the sacred tree of this temple, signifies the fact that sage Brungi was turned into a tree by Goddess Parvathy’s curse.

It is also believed that Lord Murugan worshiped Lord Shiva and Goddess Parvathi here and was blessed with the “Vel” (spear) before going to fight with demon Surapadman.

Another legend associated with this temple is that of poets Ilam Surya and Mudu Surya (Ilam means junior and Mudu means senior in Tamil). One of them was blind and the other was lame. They travelled from one town to another singing the glory of Lord Shiva. While singing about the lord of this temple, “Thiruvamathur Kalambakam”, they made a small mistake – they said that this temple is on the western side of the river Pampa although it is on the eastern side. Some of the people who had assembled in the temple started teasing them. The lord came to their rescue and caused a heavy downpour. It rained so much that the river changed its course overnight. When the people reassembled the temple the next day, there was no need for the poets to correct their verse – the temple was now on the western side of the river.

It is believed that Goddess Parvathy, Vinayakar, Murugan, sages Agasthiyar, Vashistar, Durvasar, Brungi, Parasarar, viswamithar, Veda Vyasar, Roma Rishi, Narathar, Mathanga Muni, Ashta Vasus, Nandhi and Kamadenu have worshiped the lord here. Also, Lord Ram, Sita, Lakshman and Hanuman have worshiped Lord Shiva here.

Deities in the temple

Lord Shiva, a Swayambumurthy, is facing east and Goddess Muthambikai is facing west. There is a “Sri Chakra” in the goddess’s shrine is believed to have been installed by Sri Adi Sankara.

Other than the shrines of Lord Shiva and Goddess Parvathy, shrines and idols of lords Sidhi Vinayakar, Murugan, Sivapujai Vinayakar, Natarajar, Dakshinamurthy, Lingodhbavar, Brahma, Durga, Bikshandavar, Sahasralingam, Lord Ram, Goddess Lakshmi, Sapthamadhakkal, Naalvar, 63 Nayanmars, Chandikeswarar, Bhairavar and the Navagraham can be seen in the corridors.

The corridor also houses the “Ashta lingams”. The eight lingams that constitute the Ashta lingams are - Sri Abirameswarar (main deity), Esanya Lingeswarar, Kasi Viswanathar, Arunachaleswarar, Kubera Lingam, Vayu Lingam, Hanuman Lingam and Sattanathar.

A worn sculpted tower rising behind a yellow-walled hall with a lion carving on the roof edge
A large leafless tree with a few new leaves stands before a pillared corridor, small stone figures below it
A small domed shrine in an open courtyard with a lingam behind an iron grille
A long pillared corridor with idols in a row behind railings and a white carved gable above the middle

Salient features

This temple is considered to be significant for its three important attributes – Murthy, Sthalam and Theertham - glory of Lord, sacredness of the land and the auspicious temple tank.

There are beautiful reliefs of Lords Brahma, Vishnu and Shiva on one stone, “Shiva Pujai Vinayakar” on another stone and Lord Ram, Sita and Hanuman on another single stone.

The idol of Nandhi is housed inside a pit. This pit is filled with water during periods of drought in the hope that it will bring rain.

A stone relief of two seated figures with a lingam between them, a green sign above naming the three
A dark stone relief of a seated Vinayakar in a niche
A stone Nandi with a flower garland sits in a stone-walled pit while a devotee prays beside it

Saint Arunagirinadhar has sung songs in praise of Lord Murugan of this temple in his revered Thirupugazh.

The famous poet Vannacharabam Sri Dandapani Swamigal (1839-1898), although born in Thirunelveli, spent the later part of his life in this place. He was a strict follower of the principles of Ahimsa and a staunch devotee of Lord Murugan. He visited many temples in the entire Tamil region, including Sri Lanka. He visited about 222 temples and rendered his songs. His contribution is as valuable as that of the Devara Moovars and Saint Arunagirinathar. He also wrote the “Thiruvamathur Sthalapuranam”.

He set up a mutt, “Kaumara Mutt” here and spent most of his time in spreading the glory of Lord Murugan. This Kaumara Mutt is said to be the first Kaumara Mutt in the world. He is considered to be the reincarnation of Saint Arunagirininathar. It is believed that in his lifetime he wrote about one lakh poems. His final resting place (“Samathi”) can be seen inside the mutt.

Greatness of this temple

The shrines of Lord Shiva and the Goddess Parvathi are on either side of the road and are facing each other. There is a hole in the compound walls of the two temples through which the lord and goddess can see each other. Couples come to this place and worship the lord in the hope that marital discord will be removed and their relationships will improve.

People pray to Goddess Muthambikai for removal of obstacles in their marriage proposals. Those seeking “santhana prapthi” (child boon) can pray to the Goddess here.

Important festivals

10-day Brahmotsavam in the Tamil month of Panguni (Mar-Apr) is an important festival celebrated here.

Other important festivals celebrated in this temple are –

Shivrathri in the Tamil month of Masi (Feb-Mar),

Aadi Pooram in the Tamil month of Aadi (July-Aug),

Vinayakar Chaturthi in the Tamil month of Aavani (Aug-Sept),

Navrathri in the Tamil month of Purattasi (Sept-Oct) and

Annabishekam in the Tamil month of Aippasi (Oct–Nov).

Pradosham is also observed regularly.

Temple timings

From 06:30 AM to 12:00 Noon and 05:00 PM to 08:30 PM.

Temple address

Sri Abirameswarar Temple,
Thiruvamathur Post,
Villupuram Taluk and District,
Tamil Nadu-605 402.
Tele: +91- 4146-223 379, 98430 66252.

This temple’s priests Shri Arunachala Gurukkal and Shri. A Mahesh Gurukkal can be contacted at +91 - 4146 223319, 98420 22544, 99768 87652.

*
Open the map →
NavigateGet directions in Google Maps
Today6:30 am – 12:00 noon, 5:00 pm – 8:30 pm
Phone+91- 4146-223 37998430 66252
A stone wall with a large painted notice board of text and two deity pictures, and a carved base in front
A long stone relief of cows, a lion-like animal and small figures along a narrow ledge
A tall flagstaff beside a small pillared shrine, with a tower at the right edge and palms behind
A long stone corridor with pillars and lights, a small carved shrine at the left and a green-clad woman walking
Two stone towers with lit windows against a pink sky, a palm tree and a low shrine between them

Highlights

What makes this temple special

* Cards drawn from the temple write-up and photographs. “Read more” takes you to the full passage.

Greatness

Shiva and the Goddess face each other

The shrines of Lord Shiva and Goddess Parvathi are on either side of the road and are facing each other.

  1. A hole in the compound wallsThere is a hole in the compound walls of the two temples through which the lord and goddess can see each other.
  2. Hoof marks on the idolLord Shiva's idol has the impression of a hoof at the top and rivulet markings that signify worship with milk from cows.
  3. A snake's tail on the goddessInscribed on the chest of Goddess Muthambikai's idol is a small piece of what looks like a snake's tail.
  4. Nandhi in a pitThe idol of Nandhi is housed inside a pit, which is filled with water during periods of drought in the hope that it will bring rain.
Significance

A Devara Paadal Petra Sthalam

A Shiva Sthalam in Nadu Naadu, where the three saints rendered their Pathigams.

  1. Sung by the MoovarOne of the Paadal petra sthalams where Saint Thirugnanasambanthar, Saint Thirunavukarasar (Appar) and Saint Sundaramurthy (Sundarar) rendered their Pathigams.
  2. The parental house of cowsThis place is revered as the parental house of cows, who were blessed here with horns.
  3. Where Lord Ram worshipedThe name Sri Abhirameswarar is derived from the belief that Lord Ram worshiped Lord Shiva here.
  4. The Sathya PalakaiPeople wrongly accused of a crime come to the Sathya Palakai and make pledges of their innocence.
Why devotees come

Why devotees come here

They come for marriage, for children and for harmony between couples.

  1. For marriagePeople pray to Goddess Muthambikai for removal of obstacles in their marriage proposals.
  2. For a child boonThose seeking santhana prapthi (child boon) can pray to the Goddess here.
  3. For harmony in marriageCouples come to worship the lord in the hope that marital discord will be removed and their relationships will improve.
  4. For proof of truthPeople who have been wrongly accused make pledges of their innocence at the Sathya Palakai.
The Rajagopuram of Lord Shiva's temple
276Devara Paadal Petra Shiva Sthalams

A Devara sthalam

Sri Abirameswarar

  1. அபிAbhi means affectionately
  2. ஈஸ்வரர்Eswarar is a respectful way of referring to Lord Shiva

Gomathrupuram, Gomatheeswaram and Gomathupuram

    Legends of the temple

    Nandhi, Kamadenu and other cows worshiped the lord here and were blessed with horns to protect themselves.

    Sitting at the Sathya Palakai, Lord Ram with Hanuman entered into an alliance with Sukrivan to fight Ravana; he later worshiped Lord Shiva here.

    Sage Brungi Muni, turned into a tree by the Goddess's curse, performed penance in this temple and got absolution.

    Lord Murugan worshiped Lord Shiva and Goddess Parvathy here and was blessed with the Vel before fighting the demon Surapadman.

    The lord caused a heavy downpour that changed the river's course, so the temple was on the western side as the poets Ilam Surya and Mudu Surya had said.

    Saints and poets of this temple

    1. Saint ArunagirinadharHe sang songs in praise of Lord Murugan of this temple in his Thirupugazh.
    2. Vannacharabam Sri Dandapani SwamigalA famous poet who spent the later part of his life here, set up the Kaumara Mutt and wrote the Thiruvamathur Sthalapuranam.
    3. Saint ThirunavukarasarIn his hymn of this temple he mentioned Lord Ram's affection towards the lord.

    Kings who served the temple

    1. The Pallava rulersThis temple was originally built by the Pallava rulers.
    2. Achutha Deva PallavarHe is believed to have renovated this temple, and his idol is here.
    3. The CholasThe Cholas made several endowments, as the stone inscriptions show.
    4. A Chola king's grantA Chola king sanctioned a grant that helped several blind students learn the devaram hymns and sing them in the temples.

    Festivals through the year

      The 10-day Brahmotsavam in Panguni, with Shivrathri, Aadi Pooram, Vinayakar Chaturthi, Navrathri and Annabishekam.

      Deities

      The deities of this temple

      * Drawn from the temple write-up and photographs. Where there is no photograph, the card shows the name.

      From the sanctum to the corridors
      Moolavarஅ
      Moolavar

      Sri Abirameswarar

      Lord Shiva, a Swayambumurthy, is facing east. His idol has the impression of a hoof at the top and rivulet markings from worship with cows' milk.

      Ambalமு
      Ambal

      Sri Muthambikai

      Goddess Muthambikai is facing west. A Sri Chakra in her shrine is believed to have been installed by Sri Adi Sankara.

      Shrine in the corridorமு
      Shrine in the corridor

      Murugan

      Shrines and idols of Murugan can be seen in the corridors.

      A dark stone relief of a seated Vinayakar in a niche
      Relief

      Shiva Pujai Vinayakar

      There is a beautiful relief of Shiva Pujai Vinayakar on a stone of its own.

      A stone Nandi with a flower garland sits in a stone-walled pit while a devotee prays beside it
      Nandhi

      Nandhi

      The idol of Nandhi is housed inside a pit. This pit is filled with water during periods of drought in the hope that it will bring rain.

      Shrine in the corridorபை
      Shrine in the corridor

      Bhairavar

      Shrines and idols of Bhairavar can be seen in the corridors.

      Visit & map

      Sacred geography
      Thiruvamathur Puravaar Panangkatur Gramam Thiruvennainallur Thiru Idayaru Thiruthuraiyur Thiruvakkarai Thiru Vadukur Thirunavalur Thiru Arayaninallur Thirukkovilur Arisili Thirumanikkuzhi
      You are hereThis temple

      Schematic. Distances as recorded on the visit; directions approximate.

      12a6a12p6p
      Darshan today6:30 am – 12:00 noon, 5:00 pm – 8:30 pm
      6:30 – 12:005:00 – 8:30 pm

      Hours as recorded on the visit. Festival days can differ.

      Plan the day around it

      Address and phone

      Sri Abirameswarar Temple, Thiruvamathur Post, Villupuram Taluk and District, Tamil Nadu-605 402. This temple’s priests Shri Arunachala Gurukkal and Shri. A Mahesh Gurukkal can be contacted at +91 - 4146 223319, 98420 22544, 99768 87652.

      +91- 4146-223 379

      *

      A day of darshan nearby

      5 more sthalams within reach, nearest first: 58.4 km in straight lines.

      Map of Thiruvamathur and the sthalams nearby, in route order: Puravaar Panangkatur, Thiruvakkarai, Thiru Vadukur, Thiruthuraiyur, Thiruvadhigai. Gramam · 14.7 km Thiruvennainallur · 16.1 km Thiru Idayaru · 16.3 km Thirunavalur · 24.3 km Arisili · 34.7 km Thiruvamathur 1 Puravaar Panangkatur 2 Thiruvakkarai 3 Thiru Vadukur 4 Thiruthuraiyur 5 Thiruvadhigai 10 km N
      Drawn from coordinates. Straight-line distances; roads are longer. Faint dots are other sthalams within 50 km.

      Temple plan

      A tall tiered tower in pale stone above the entrance, with a Nandi under a green-pillared canopy at left
      01

      Lord Shiva's temple

      Lord Shiva, a Swayambumurthy, is facing east and Goddess Muthambikai is facing west.

      1 / 5

      Summary written with AI help from the temple write-up.

      Pathigam

      Saint Thirugnanasambanthar visited this temple and sang this Pathigam.

      Devotees visiting this temple should make it a practice to recite this Pathigam.

      V. Muthukumaraswamy

      Thirugnanasambandar visited this temple and sang this Pathigam. Verse 1 of 11.

      Thuṉṉampey kōvaṇamun thōlu muṭaiyāṭai
      piṉṉañ chaṭaimēlōr piḷḷai mathisūṭi
      aṉṉañchēr thaṇkāṉal āmāthūr am'māṉtṟaṉ
      poṉṉaṅ kazhalparavāp pokkamum pokkamē

      The Lord at Aamaathur wears a stitched loincloth and an elephant skin as his garments and carries a young crescent moon on his braided matted hair. Aamaathur has cool groves where swans gather. Whatever is gained by those who do not praise his golden feet is emptiness.

      Tap any Tamil word for its meaning

      Verse text and transliteration as given in the write-up. Word meanings and the English meaning are AI-assisted drafts.

      All eleven verses

      1. 01

        துன்னம்பெய் கோவணமுந் தோலு முடையாடைபின்னஞ் சடைமேலோர் பிள்ளை மதிசூடிஅன்னஞ்சேர் தண்கானல் ஆமாத்தூர் அம்மான்றன்பொன்னங் கழல்பரவாப் பொக்கமும் பொக்கமே

        Thuṉṉampey kōvaṇamun thōlu muṭaiyāṭai / piṉṉañ chaṭaimēlōr piḷḷai mathisūṭi / aṉṉañchēr thaṇkāṉal āmāthūr am'māṉtṟaṉ / poṉṉaṅ kazhalparavāp pokkamum pokkamē

        தைத்தல் அமைந்த கோவணத்தை உடையாகவும், யானைத் தோலைமேல் ஆடையாகவும் கொண்டு பின்னிய சடைமீது இளம்பிறையைச் சூடி, அன்னங்கள் வாழும் குளிர்ந்த சோலைகளைக் கொண்டுள்ள திருஆமாத்தூரில் விளங்கும் இறைவனின் பொன் போன்ற அழகிய திருவடிகளைப் பரவாதவர் பொலிவு பொலிவாகுமா?

      2. 02

        கைம்மாவின் தோல்போர்த்த காபாலி வானுலகில்மும்மா மதிலெய்தான் முக்கணான் பேர்பாடிஅம்மா மலர்ச்சோலை ஆமாத்தூர் அம்மான்எம்பெம்மானென் றேத்தாதார் பேயரிற் பேயரே

        Kaim'māviṉ thōlpōrtha kāpāli vāṉulakil / mum'mā mathileythāṉ mukkaṇāṉ pērpāṭi / am'mā malarchōlai āmāthūr am'māṉem / pem'māṉeṉ tṟēthāthār pēyariṟ pēyarē

        யானைத் தோலைப் போர்த்துள்ள காபாலியும், வானுலகில் திரிந்து இடம் விளைத்த முப்புரங்களை எய்தழித்தவனும், முக்கண்ணனும் ஆகிய சிவபிரானின் புகழைப்பாடி அழகிய பெரிய மலர்கள் நிறைந்த சோலைகள் சூழ்ந்த ஆமாத்தூர் அம்மானே எம் தலைவன் என்று ஏத்தாதார் பேயர்களினும் பேயராவர்.

      3. 03

        பாம்பரைச் சாத்தியோர் பண்டரங்கன் விண்டதோர்தேம்பல் இளமதியஞ் சூடிய சென்னியான்ஆம்பலம் பூம்பொய்கை ஆமாத்தூர் அம்மான்றன்சாம்பல் அகலத்தார் சார்பல்லாற் சார்பிலமே

        Pāmparaich chāthiyōr paṇṭaraṅkaṉ viṇṭathōr / thēmpal iḷamathiyañ chūṭiya cheṉṉiyāṉ / āmpalam pūmpoykai āmāthūr am'māṉtṟaṉ / sāmpal akalathār sārpallāṟ sārpilamē

        பாம்பை இடையில் கட்டியவன். ஒப்பற்ற பாண்டரங்கம் என்னும் திருக்கூத்தை ஆடியவன். வாய்பிளந்து மெலிந்ததோர் இளமதியைச் சூடிய சென்னியன். ஆம்பல் பூக்கள் மலர்ந்த பொய்கைகளை உடைய ஆமாத்தூரில் எழுந்தருளியவன். சாம்பல் பூசிய மார்பினனாய அப்பெருமானின் அடியவர்களின் சார்பு அல்லால் பிறிதொரு சார்பு நமக்கு இல்லை.

      4. 04

        கோணாகப் பேரல்குற் கோல்வளைக்கை மாதராள்பூணாகம் பாகமாப் புல்கி யவளோடும்ஆணாகங் காதல்செய் ஆமாத்தூர் அம்மானைக்காணாத கண்ணெல்லாங் காணாத கண்களே

        Kōṇākap pēralkuṟ kōlvaḷaikkai mātharāḷ / pūṇākam pākamāp pulki yavaḷōṭum / āṇākaṅ kāthalsey āmāthūr am'māṉaik / kāṇātha kaṇṇellāṅ kāṇātha kaṇkaḷē

        வலிய நாகத்தின் படம் போன்ற பெரிய அல்குலையும், திரண்ட வளையல்கள் அணிந்த கைகளையும் உடைய பார்வதி தேவியின் அணிகலன்கள் அணிந்த திருமேனியைத் தனது இடப்பாகமாகக் கொண்டு அவ்வம்மையோடு ஆண் உடலோடு விளங்கும் தான் காதல் செய்து மகிழும் ஆமாத்தூர் அம்மானைக் காணாத கண்கள் எல்லாம் குருட்டுக் கண்களேயாகும்.

      5. 05

        பாடல் நெறிநின்றான் பைங்கொன்றைத் தண்டாரேசூடல் நெறிநின்றான் சூலஞ்சேர் கையினான்ஆடல் நெறிநின்றான் ஆமாத்தூர் அம்மான்றன்வேட நெறிநில்லா வேடமும் வேடமே

        Pāṭal neṟiniṉtṟāṉ paiṅkoṉtṟaith thaṇṭārē / chūṭal neṟinitṉṟāṉ chūlañchēr kaiyiṉāṉ / āṭal neṟiniṉtṟāṉ āmāthūr am'māṉtṟaṉ / vēṭa neṟinillā vēṭamum vēṭamē

        பாடும் நெறி நிற்பவனும், பசிய தண்மையான கொன்றை மாலையைச் சூடும் இயல்பினனும், சூலம் பொருந்திய கையினனும் ஆடும் நெறி நிற்போனும் ஆகிய ஆமாத்தூர் அம்மான் கொண்டருளிய மெய்வேடங்களாகிய மார்க்கங்களைப் பின்பற்றாதார் மேற்கொள்ளும் வேடங்கள் பொய்யாகும்.

      6. 06

        சாமவரை வில்லாகச் சந்தித்த வெங்கணையால்காவல் மதிலெய்தான் கண்ணுடை நெற்றியான்யாவருஞ் சென்றேத்தும் ஆமாத்தூர் அம்மானத்தேவர் தலைவணங்குந் தேவர்க்குந் தேவனே

        Sāmavarai villākach chanthitha veṅkaṇaiyāl / kāval mathileythāṉ kaṇṇuṭai netṟiyāṉ / yāvaruñ cheṉtṟēthum āmāthūr am'māṉath / thēvar thalaivaṇaṅkun thēvarkkun thēvaṉē

        பொன்மயமான மேருமலையை வில்லாகக் கொண்டு அதன்கண் பொருந்திய கொடியகணையால் காவலை உடைய மும்மதில்களை எய்து அழித்தவனும், நெற்றிக்கண்ணனும் எல்லோரும் சென்று வணங்கிப் போற்றும் ஆமாத்தூர் அம்மானும் ஆகிய சிவபிரான் தேவர்கள் தலை வணங்கும் இந்திரனுக்கும் தேவன் ஆவன்.

      7. 07

        மாறாத வெங்கூற்றை மாற்றி மலைமகளைவேறாக நில்லாத வேடமே காட்டினான்ஆறாத தீயாடி ஆமாத்தூர் அம்மானைக்கூறாத நாவெல்லாங் கூறாத நாக்களே

        Māṟātha veṅkūtṟai mātṟi malaimakaḷai / vēṟāka nillātha vēṭamē kāṭṭiṉāṉ / āṟātha thīyāṭi āmāthūr am'māṉaik / kūṟātha nāvellāṅ kūṟātha nākkaḷē

        யாவராலும் ஒழிக்கப் படாத கூற்றுவனை ஒழித்து, மலைமகளைத் தனித்து வேறாக நில்லாது தன் திருமேனியிலேயே ஒரு பாதியை அளித்து மாதொரு பாகன் என்ற வடிவத்தைக் காட்டியவனும், ஆறாத தீயில் நின்று ஆடுபவனும் ஆகிய ஆமாத்தூர் இறைவன் புகழைக் கூறாத நாக்குடையவர் நாவிருந்தும் ஊமையர் எனக் கருதப்படுவர்.

      8. 08

        தாளால் அரக்கன்தோள் சாய்த்த தலைமகன்றன்நாள்ஆ திரையென்றே நம்பன்றன் நாமத்தால்ஆளானார் சென்றேத்தும் ஆமாத்தூர் அம்மானைக்கேளாச் செவியெல்லாங் கேளாச் செவிகளே

        Thāḷāl arakkaṉthōḷ sāytha thalaimakaṉtṟaṉ / nāḷā thiraiyeṉtṟē nampaṉtṟaṉ nāmathāl / āḷāṉār seṉtṟēthum āmāthūr am'māṉaik / kēḷāch cheviyellāṅ kēḷāch chevikaḷē

        தோல்வி உறாத இராவணனின் தோள் வலிமையை அழித்த தலைவனாகிய சிவபெருமானுக்கு உகந்த நாள் திருவாதிரையாகும் எனக்கருதித் தங்கள் விருப்புக்கு உரியவனாகிய, அடியவர் சென்று வழிபடும் ஆமாத்தூர் அம்மான் புகழைக் கேளாச்செவிகள் எல்லாம் செவிட்டுச் செவிகள் ஆகும்.

      9. 09

        புள்ளுங் கமலமுங் கைக்கொண்டார் தாமிருவர்உள்ளும் அவன்பெருமை ஒப்பளக்குந் தன்மையதேஅள்ளல் விளைகழனி ஆமாத்தூர் அம்மான்எம்வள்ளல் கழல்பரவா வாழ்க்கையும் வாழ்க்கையே

        Puḷḷuṅ kamalamuṅ kaikkoṇṭār thāmiruvar / uḷḷum avaṉperumai oppaḷakkun thaṉmaiyathē / aḷḷal viḷaikazhaṉi āmāthūr am'māṉem / vaḷḷal kazhalparavā vāzhkkaiyum vāzhkkaiyē

        கருடப்பறவை தாமரை ஆகியவற்றை இடமாகக் கொண்ட திருமால் பிரமன் ஆகிய இருவரால் தியானிக்கப்படும் சிவபிரானது பெருமை அளவிடற்கு உரியதோ? சேறாக இருந்து நெற்பயிர் விளைக்கும் கழனிகள் சூழ்ந்த ஆமாத்தூர் அம்மானாகிய எம் வள்ளலின் திருவடிகளை வணங்காத வாழ்க்கையும் வாழ்க்கை யாமோ?

      10. 10

        பிச்சை பிறர்பெய்யப் பின்சாரக் கோசாரக்கொச்சை புலால்நாற ஈருரிவை போர்த்துகந்தான்அச்சந்தன் மாதேவிக் கீந்தான்றன் ஆமாத்தூர்நிச்சல் நினையாதார் நெஞ்சமும் நெஞ்சமே

        Pichai piṟarpeyyap piṉsārak kōchārak / kochai pulālnāṟa īrurivai pōrthukanthāṉ / achanthaṉ māthēvik kīnthāṉtṟaṉ āmāthūr / nichal niṉaiyāthār neñchamum neñchamē

        மகளிர் பிச்சையிட்டுப் பின்னே வர, தன்தலைமைத்தன்மை கெடாதபடி, உமையம்மை அஞ்ச இழிவான புலால் மணம் வீசும் யானைத் தோலைப் போர்த்து அழியாது மகிழ்ந்தவனாகிய சிவபிரானது ஆமாத்தூரை நாள்தோறும் நினையாதார் நெஞ்சம் நெஞ்சாகுமா?

      11. 11

        ஆட லரவசைத்த ஆமாத்தூர் அம்மானைக்கோட லிரும்புறவிற் கொச்சை வயத்தலைவன்நாட லரியசீர் ஞானசம் பந்தன்றன்பாட லிவைவல்லார்க் கில்லையாம் பாவமே

        The last verse names the singer as Gnanasambandan and says that those who can sing these songs on the Lord of Aamaathur will have no sin.

        Āṭa laravasaitha āmāthūr am'māṉaik / kōṭa lirumpuṟaviṟ kochai vayathalaivaṉ / nāṭa lariyasīr gñāṉasam banthaṉtṟaṉ / pāṭa livaivallārk killaiyām pāvamē

        படம் விரித்து ஆடும் பாம்பை இடையில் கட்டிய ஆமாத்தூர் அம்மானைக் காந்தள் மலரும் கரிய காடுகளைக் கொண்ட கொச்சைவயம் என்னும் சீகாழிப் பதிக்குத் தலைவனாகிய நாடற்கு அரிய புகழை உடைய ஞானசம்பந்தன் பாடியருளிய இப்பாடல்களை வல்லவர்க்குப் பாவம் இல்லை.

      Photos

      Photographs

      18 photographs, in the order they appear in the write-up. Captions are AI-assisted.

      Two tall stone towers against a pink evening sky, a palm tree between them and a small shrine below
      A tall tiered tower in pale stone above the entrance, with a Nandi under a green-pillared canopy at left
      A dark stone figure standing beside a wall on which his name is painted in blue Tamil letters
      A narrow stone doorway closed with an iron gate, a name painted above and printed below
      A small square niche cut into a rough stone wall, with a few flower petals on its floor
      A low doorway into a dark room, with a green sign above it naming the place
      A worn sculpted tower rising behind a yellow-walled hall with a lion carving on the roof edge
      A large leafless tree with a few new leaves stands before a pillared corridor, small stone figures below it
      A small domed shrine in an open courtyard with a lingam behind an iron grille
      A long pillared corridor with idols in a row behind railings and a white carved gable above the middle
      A stone relief of two seated figures with a lingam between them, a green sign above naming the three
      A dark stone relief of a seated Vinayakar in a niche
      A stone Nandi with a flower garland sits in a stone-walled pit while a devotee prays beside it
      A stone wall with a large painted notice board of text and two deity pictures, and a carved base in front
      A long stone relief of cows, a lion-like animal and small figures along a narrow ledge
      A tall flagstaff beside a small pillared shrine, with a tower at the right edge and palms behind
      A long stone corridor with pillars and lights, a small carved shrine at the left and a green-clad woman walking
      Two stone towers with lit windows against a pink sky, a palm tree and a low shrine between them